One of the earliest objects inscribed with the fully developed Maya calendar is the Leiden Plate, a jade plaque, now housed in the National Museum of Ethnology, Leiden, Netherlands, depicting a richly arrayed Maya lord trampling a captive underfoot. On its reverse side is a Long Count date corresponding to 320. Although it was found in a very late site on the Caribbean coast, stylistic evidence suggests that the Leiden Plate was made at Tikal, in the heart of northern Petén. In the mid-20th century the University of Pennsylvania’s ambitious field program at the Tikal site produced Stela 29, erected 28 years before, in 292. Both objects and, in fact, almost all early Tzakol monuments draw heavily upon a heritage from the older Izapan civilization of the Late Formative, with its highly baroque, narrative stylistic content.
Because of the Maya penchant for covering older structures with later ones, Tzakol remains in the Central Subregion have to be laboriously dug out from their towering Late Classic overburdens. Nevertheless, it is clear that at sites like Tikal, Uaxactún, and Holmul, Maya civilization had reached something close to its final form. Enormous ceremonial centres were crowded with masonry temples and “palaces” facing onto spacious plazas covered with white stucco. The use of the corbel vault for spanning rooms—a trait unique to the lowland Maya—was by this time universal. Stelae and altars (a legacy from Izapa) are carved with dates and embellished with human figures and perhaps gods. Polychrome pottery, the finest examples of which were sealed in the tombs of honoured personages, emphasizes stylized designs of cranes, flying parrots, gods, and men. These often occur on bowls with a kind of apron or basal flange encircling the lower vessel. Along with these purely Maya ceramics are vessels that show the imprint of distant Teotihuacán: the cylindrical vase supported by three slab legs, the “cream pitcher,” and the florero (“flower vase”).
Wall painting had already reached a high degree of perfection in the Central Subregion, as attested by an extremely fine mural at Uaxactún depicting a palace scene in which two important lords confer with each other. This mural art is quite different from that of Teotihuacán, being very naturalistic instead of formal and including a definite interest in portraiture. Nonetheless, excavations in Petén sites have shown that Teotihuacán influence was quite pervasive. From Tikal, for example, comes Stela 31, depicting a richly garbed Maya lord, festooned with jade ornaments, standing between two warriors from Teotihuacán. These foreigners carry shields that bear the visage of the Teotihuacán rain god, Tlaloc. It is certain that there was a three-way trading relationship between Tikal, Kaminaljuyú, and Teotihuacán in Early Classic times.
Thus, the Teotihuacán involvement with Tikal and the Central Subregion may have taken, as at Kaminaljuyú, the form of pochteca trading colonies that exerted some control over the lowland Maya. The lord on Stela 31 may have been a puppet ruler manipulated by tough merchant-warriors. Teotihuacán as a city and capital of an empire began to weaken toward the close of the 6th century. It could therefore be expected that the disruptions that effectively ended the life of the great Mexican capital would be reflected in the Maya area. This is exactly the case. In the Guatemalan highlands, Kaminaljuyú declined rapidly after 600 ce, and the entire Southern Subregion was to play little part in Maya culture until the Late Postclassic. The lowland Maya suffered some temporary reverses; few stelae were erected between 534 and 692, and there is evidence that existing monuments were mutilated. Late Classic non-Maya Mesoamerica (600–900)
The cultural situation in Late Classic Mesoamerica is the reverse of that prevailing in the Early Classic: Central Mexico now played only a minor role, while the lowland Maya reached their intellectual and artistic heights. In contrast to the old Teotihuacanos, however, the Maya were not expansionistic. It is true that Maya cultural influence has been detected along the Gulf coast and in the states of Morelos and Tlaxcala—as in the painted murals of Cacaxtla in the latter state—but it is unlikely that this was the result of a military takeover. The outcome of this state of affairs, with no one people powerful enough or sufficiently interested in dominating others, was a political and cultural fragmentation of Mesoamerica after 600. It was not until the great Toltec invasions of the Early Postclassic that anything approaching an empire was to be seen again.
The decline in fortunes of the Valley of Mexico, and especially of Teotihuacán, cannot now be explained. Climatic deterioration, resulting in drier conditions and thus a diminished subsistence potential, may have been a factor.
Nevertheless, Teotihuacán was never completely abandoned, even though its great palaces had been burned to the ground and its major temples abandoned. People continued to live in some sections, but their houses were mere hovels compared to the dwellings of the Early Classic. In general, the Valley of Mexico was a cultural and political vacuum in Late Classic times.
One of the very few centres of the Late Classic in central Mexico that amounted to much was Xochicalco, in Morelos. Strategically located on top of a hill that was completely reworked with artificial terraces and ramparts, Xochicalco was obviously highly defensible, an indication of the unsettled times then prevailing in central Mexico. The site shows a bewildering variety of cultural influences, particularly Maya. The principal structure of Xochicalco is a temple substructure of masonry that is completely carved in relief with undulating Feathered Serpents, indicating that it was dedicated to the cult of Quetzalcóatl. All indications are that Xochicalco was a cosmopolitan and very powerful centre, perhaps the most influential west of Veracruz and northwest of the Maya area. It was literate and civilized at a time when most other parts of central Mexico were in cultural eclipse.
XochicalcoRuins at Xochicalco, near Cuernavaca, Mexico.Ted McGrath (A Britannica Publishing Partner)
The Late Classic occupation of Oaxaca, especially of the Valley of Oaxaca, is designated as Monte Albán III-B (450–700). The Mixtec invasions of the valley probably began in earnest around 900. The Mixtec occupied the hilly, northern part of Oaxaca; their records, which extend to the 7th century, show them to have been organized into a series of petty states headed by aggressive, warlike kings. By the Postclassic, they had become the dominant force throughout Oaxaca and in part of Puebla.
The tendencies in central Veracruz art and architecture that began in the Late Formative culminated in the Late Classic at the great centre of El Tajín, placed among jungle-covered hills in a region occupied by the Totonac, whose capital this may well have been. Its most imposing structure is the Pyramid of the Niches, named for the approximately 365 recesses on its four sides. In this and other buildings at El Tajín, the dominant architectural motif is the step-and-fret. There are a number of other temple pyramids at the site, as well as palacelike buildings with flat, concrete roofs, a tour de force of Mesoamerican engineering knowledge. El Tajín’s three major ball courts are remarkably important for the reliefs carved on their vertical playing surfaces, for these give valuable information on the religious connotations of the sacred game. Like Xochicalco, El Tajín was in some way linked to the destiny of the lowland Maya, and the collapse of Maya civilization around 900 may have been reflected in the demise of the Veracruz centre.
Further down the Gulf coast plain, the Remojadas tradition of hollow pottery figurines continued to be active in the Late Classic, with a particularly large production of the mysterious smiling figures of dancing boys and girls, which were intended as funerary offerings. But in addition, there was a great deal of pottery and figurines that were fashioned under very strong Maya influence. In fact, much of southern Veracruz at this time was a cultural extension of the lowland Maya. There is no indication, however, that these peoples had any acquaintance with Maya literacy or with Maya building techniques. Late Classic Lowland Maya (600–900) Settlement pattern