The intellectual tradition of the Inca emerged from their detailed and efficient knowledge and use of an extremely challenging environment. No system of writing, in the European sense, has been discovered, and the question remains as to how long-distance communication was achieved.
Beyond oral transmission, the most promising domain for research is in textiles. In the highlands very few have been preserved because of the humidity, but on the coastal desert many burial cloths from widely different periods have been located and studied. Their artistic qualities have fomented grave robbing on a very large scale; museums throughout the world have dozens if not hundreds of such cloths, each of great beauty and enormous sophistication.
Fibre technology went beyond burial or sacrificial textiles: Viceroy Toledo wrote to Philip II that he was sending four gigantic cloths on which maps of his Andean realm had been painted. While the letter was carefully filed in the Archives of the Indies, at Sevilla (Seville), the maps have never been located. Other uses of textiles included the quipu used for bookkeeping and possibly also for historical recording; suspension bridges, some of which are still maintained on a regular basis by particular villages responsible for reweaving; and calendars and ceremonial accounting.
While in the field, Inca armies were rewarded with corn and cloth. One European observer was told that soldiers would rebel if they did not receive their issues of textiles and corn beer. A major manufacturing centre employing “a thousand” full-time weavers was established on the northeastern shore of Lake Titicaca. The craftspeople there were men, but every administrative centre along the Inca highway is said to have housed a group of secluded women weavers (Chosen Women); one such house, at Huánuco Pampa (administrative centre of the Huánuco region), has been located and excavated. The storehouses, full of thousands of textiles, were one of the wonders frequently mentioned by the early Spaniards in their letters.
As Tawantinsuyu grew and involved peoples of many different environments and cultures, techniques originating in any particular ethnic group were spread across the land. Prior to the Inca expansion, metals—gold, silver, copper, and their alloys—were used mainly for ornaments; and tools were made from wood and stone. Bronze tools—crowbars, chisels, axes, knives, and clubheads, to name only a few—became exceedingly common after the Inca conquest.
The remarkable Inca highway system was also noted by the earliest Spanish eyewitnesses, since these roads were in constant use, even by horses. Research since the 1950s has provided fresh insights into the engineering methods and geographic location of two parallel roads—one in the highlands, the other on the coast—the whole system adding up to at least 15,500 miles. While some of these roads may have been built first during the Middle Horizon and even earlier, it was during Inca times that the roads were maintained and unified into a single political and economic system. Travel units, adjusted to the pace of a loaded llama or human carrier, can still be detected along the Qhapaq Ñan, the main north–south royal road in the highlands. At the end of each day the caravan stopped at a tambo, a way station, which, although smaller than an administrative centre, was complete with warehouses and barracks. The maintenance of the road segment and the filling of storehouses was part of the mit’a responsibilities of neighbouring groups.
Measurement of both distance and surface area was done by units called tupu, since the Andean concern was with units of human energy expended. Somehow, two measurements that belonged to very different European systems of reckoning were part of a single Andean concern. Units of land measurement, called papakancha, also differed: where the land was in continuous cultivation, as in corn country, one unit was used; another unit was in use for highland-tuber cultivation, where fallowing and rotation was the dominant crop pattern. As one “measurer” explained to the viceroy’s envoy, the papakancha was of one size when it was at a protected, lower altitude, but it could be up to seven times that size on the high, cold puna. Thomas C. Patterson John V. Murra Inca religion
Inca religion—an admixture of complex ceremonies, practices, animistic beliefs, varied forms of belief in objects having magical powers, and nature worship—culminated in the worship of the sun, which was presided over by the priests of the last native pre-Columbian conquerors of the Andean regions of South America. Though there was an Inca state religion of the sun, the substrata religious beliefs and practices of the pre-Inca peoples exerted an influence on the Andean region prior to and after the conquest of most of South America by the Spaniards in the 16th century. Inca gods
The creator god of the Inca and of pre-Inca peoples was Viracocha, who was also a culture hero. Creator of earth, man, and animals, Viracocha had a long list of titles, including Lord Instructor of the World, the Ancient One, and the Old Man of the Sky. Some have said that he also was the creator of the Tiwanaku civilization, of which the Inca were the cultural heirs. Viracocha went through several transmogrifications (often with grotesque or humorous effects). He made peoples, destroyed them, and re-created them of stone; and when they were re-created, he dispersed humankind in four directions. As a culture hero, he taught people various techniques and skills. He journeyed widely until he came to the shores of Manta (Ecuador), where he set off into the Pacific—some say in a boat made of his cloak, others say he walked on the water. This part of the myth has been seized upon by modern mythmakers, and, as Kon-Tiki, Viracocha was said to have brought Inca culture to Polynesia.
Viracocha was the divine protector of the Inca ruler Pachacuti Inca Yupanqui; he appeared to Pachacuti in a dream when the Inca forces were being besieged by the Chanca. Upon victory, Pachacuti raised a temple to Viracocha in Cuzco. He was represented by a gold figure “about the size of a 10-year-old child.”
Inti, the sun god, was the ranking deity in the Inca pantheon. His warmth embraced the Andean earth and matured crops; and as such he was beloved by farmers. Inti was represented with a human face on a ray-splayed disk. He was considered to be the divine ancestor of the Inca: “my father” was a title given to Inti by one Inca ruler.
Apu Illapu, the rain giver, was an agricultural deity to whom the common man addressed his prayers for rain. Temples to Illapu were usually on high structures; in times of drought, pilgrimages were made to them and prayers were accompanied by sacrifices—often human, if the crisis was sufficient. The people believed that Illapu’s shadow was in the Milky Way, from whence he drew the water that he poured down as rain.
Mama Quilla (Mama-Kilya), wife of the sun god, was the Moon Mother, and the regulator of women’s menstrual cycles. The waxing and waning of the moon was used to calculate monthly cycles, from which the time periods for Inca festivals were set. Silver was considered to be tears of the moon. The stars had minor functions. The constellation of Lyra, which was believed to have the appearance of a llama, was entreated for protection. The constellation Scorpio was believed to have the shape of a cat; the Pleiades were called “little mothers,” and festivals were celebrated on their reappearance in the sky. Earth was called Pachamama (Paca Mama), or Earth Mother. The sea, which was relatively remote to the Inca until after 1450, was called Cochamama (Mama Qoca), the Sea Mother. Temples and shrines
Temples and shrines housing fetishes of the cult were occupied by priests, their attendants, and the Chosen Women. In general, temples were not intended to shelter the celebrants, since most ceremonies were held outside the temple proper. The ruins of the Temple of Viracocha at San Pedro Cacha (Peru), however, had a ground plan that measured 330 by 87 feet, which indicates that it was designed for use other than the storage of priestly regalia.