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“Your job is to assist me in casework,” she says. “You’re the person I depend on most.”

“Guess you better take that up with Lucy.”

He slowly drums the armrest and jiggles his foot, his flinty eyes looking past her.

“I’m supposed to tell you everything and you don’t tell me shit,” he says. “You do whatever the hell you want and don’t think you ever owe me an explanation. I’m sitting right here, listening to you lie like I’m so stupid I don’t see through it. You don’t ask or tell me nothing unless it suits you.”

“I don’t work for you, Marino.” She can’t stop herself from saying it. “I believe it’s the other way around.”

“Oh yeah?”

He leans closer to her big desk, his face turning crimson.

“Ask Lucy,” he says. “She owns this damn place. She pays everybody’s salary. Ask her.”

“Obviously, you weren’t present for most of our discussion about the Swift case,” she says, changing her tone, trying to abort what is about to turn into a battle.

“Why bother? I’m the one with the damn information.”

“We were hoping you might share it. We’re all in this together.”

“No kidding. Everybody’s into everything. Nothing of mine’s private anymore. It’s open season on my old cases, my hell scenes. You just give away whatever you want and don’t care how I feel.”

“That’s not true. I wish you’d calm down. I don’t want you having a stroke.”

“You hear about yesterday’s hell scene? Where do you think that came from? He’s getting into our files.”

“That’s not possible. The hard copies are locked up. Electronic copies are completely inaccessible. As for yesterday’s hell scene, I agree it’s very similar…”

“Similar my ass. It’s exactly the same.”

“Marino, it was also in the news. In fact, you can still pull it up on the Internet. I checked.”

His big flushed face stares at her, a face so unfriendly she scarcely recognizes it anymore.

“Can we talk about Johnny Swift for a minute, please?” she says.

“Ask me anything you want,” he says glumly.

“I’m confused about the possibility of robbery as a motive. Was there a robbery or not?”

“Nothing of value missing from the house except we can’t figure out the credit-card shit.”

“What credit-card shit?”

“The week after his death, someone withdrew a total of twenty-five hundred dollars cash. Each withdrawal was five hundred bucks from five different ATMs in theHollywoodarea.”

“Tracked?”

Marino shrugs and says, “Yeah. To machines in parking lots, different days, different times, everything different except the amount. Always the limit of five hundred bucks. By the time the credit-card company tried to notify Johnny Swift-who was dead by then-about an out-of-pattern behavior that might indicate someone was using his card, the withdrawals had stopped.”

“What about cameras? Any chance the person was caught on video?”

“Each ATM machine that was picked didn’t have one. Somebody knew what he was doing, has probably done it before.”

“DidLaurelhave the PIN number?”

“Johnny wasn’t able to drive yet because of the surgery. SoLaurelhad to do everything, including cash withdrawals.”

“Anybody else have the PIN number?”

“Not as far as we know.”

“It certainly doesn’t look good for him,” Scarpetta says.

“Well, I don’t think he whacked his twin brother for his ATM card.”

“People have killed for a lot less.”

“I think we’re talking someone else, maybe someone Johnny Swift had some kind of encounter with. Maybe the person had just killed him and heardLaureldrive up. So he ducked, explaining why the shotgun was still on the floor. Then whenLaurelran from the house, the guy grabbed it and bolted.”

“Why was the shotgun on the floor to begin with?”

“Maybe he was staging the scene to look like a suicide and got interrupted.”

“You’re telling me you have no doubt it’s a homicide.”

“You telling me you don’t think it is?”

“I’m just asking questions.”

Marino’s eyes wander around the office, over the top of her piled desk, across stacks of paperwork and case files. He looks at her with hard eyes that she might find frightening had she not seen insecurity and pain in them so often in the past. Maybe he seems different and distant only because he shaves his balding head and has taken to wearing a diamond stud earring. He works out in the gym obsessively and is the biggest she’s ever seen him.

“I’d appreciate it if you’d review my hell scenes,” he says. “Every one I’ve ever come up with is on that disk. I’d like you to look at them carefully. Since you’ll be sitting on a plane with nothing better to do.”

“I might have something better to do.” She tries to tease him a little, get him to lighten up.

It doesn’t work.

“Rose put all of them on a disk going back to the first of last year, and it’s in the file there. In a sealed envelope”-he indicates files on her desk. “Maybe you can pop it in your laptop and take a look. The bullet with the mesh pattern from the screen door’s in there. That lying piece of shit. I swear I came up with it first.”

“You do a search on the Internet of intermediary targets in shootings and I guarantee you’ll find cases and firearms tests that include bullets fired through screen doors,” she says. “I’m afraid there really isn’t much that’s new or private anymore.”

“He’s nothing but a laboratory rat who lived inside a microscope until a year ago. He couldn’t know the stuff he’s writing about. It’s impossible. It’s because of what happened at the Body Farm. At least you could have been honest about it.”

“You’re right,” she says. “I should have told you I stopped reviewing your hell scenes after that. All of us did. I should have sat you down and explained, but you were so angry and combative, none of us wanted to deal with you.”

“Maybe if you got set up the way I did, you’d be angry and combative, too.”

“Joe wasn’t at the Body Farm or even inKnoxvillewhen it happened,” she reminds him. “So please explain how he could have slipped a hypodermic needle into a dead man’s jacket pocket.”

“The field exercise was supposed to expose the students to a real dead body rotting away at the Body Farm and see if they could overcome the puke factor and recover several items of evidence. A dirty needle wasn’t one of them. He set that up to get me.”

“Not everybody is out to get you.”

“If he didn’t set me up, then why did the girl not follow through with the lawsuit? Because it’s bogus, that’s why. The damn needle didn’t have AIDS on it, now did it, had never been used. A little oversight on the asshole’s part.”

She gets up from her desk.

“What I’m going to do about you is the bigger issue,” she says, locking her briefcase.

“I’m not the one who has secrets,” he says, watching her.

“You have plenty of secrets. I never know where you are or what you’re doing half the time.”

She grabs her suit jacket off the back of the door. He looks steadily at her with his flinty eyes. His fingers stop drumming the armrest. Leather creaks as he gets up from his chair.

“Bentonmust feel like a real big shot working with all those Harvard people,” he says, and it’s not the first time he’s said it. “All those rocket scientists with all their secrets.”

She stares at him, her hand on the doorknob. Maybe she’s getting paranoid, too.

“Yup. Must be exciting, what he’s doing up there. But if you’d asked my opinion, I’d been happy to tell you not to waste your time.”

It can’t be possible he is alluding to PREDATOR.

“Not to mention a waste of money. Money that could sure as hell be better spent. Me? I just can’t stomach the thought of giving all that money and attention to scumbags like that.”