I stood impatiently. I knew, of course, that much was at stake. How could I help but know it? Those passing were now less sympathetic, more curious, more — yes: more reproving. I felt the sweat under my collar. I loosened my tie. I shouted down at him. I ordered him to stand. I ordered him to lie down. I shook the rifle in front of his nose. I ordered him to remove his hat. I fired a shot over his head. I kicked dust into his face. I stomped down on his old papery shoes with my boots. I ordered him to look at me. I ordered him to lift one finger. He would not even lift one finger! I screamed at him. I broke his nose with my rifle butt. But still he sat, sat on that old milestone, sat and stared. I was so furious I could have wept.
I would try a new tack. I knelt down in front of him. I intruded once more in the line — if so vague a thing could be called that — of his gaze. I bared my teeth. I ordered him to sit. I ordered him to stare vacantly. I ordered him not, under threat of death, to focus his eyes. I ordered the blood to flow from his pulpy nose. He obeyed. Or, rather: he remained exactly as he was before. I was hardly gratified. I had anticipated a certain satisfaction, a partial restoration of my confidence, but I was disappointed. In fact, I felt more frustrated than ever. I no longer looked at those passing. I knew their reproachful eyes were on me. My back sweat from the intensity of their derision.
I set my teeth. It was time. I told him if he did not speak, I would carry out my orders and execute him on the spot. My orders, to be precise, did not specify this place, but on the other hand they did not exclude it, and if he would not move, what choice did I have? Even as I asked him to speak, I knew he would not. Even while I was forming and emitting the very words, I already was contemplating the old dilemma. If I shot him in the chest, there was a fair chance I would miss or only graze the heart. He would die slowly. It could take several days. I am more humane than to take pleasure in that thought. On the other hand, if I shot him in the head, he would surely die instantly, but it would make a mess of his countenance. I do not enjoy the sight of mutilated heads. I do not. I have often thought, myself, when the time came, I would rather receive it in the chest. The chest seems to me farther away than the head. In fact, I could almost enjoy dying, allowed the slow dreamy regard of my chest distantly fountaining blood. Contrarily, the thought of the swift hard knock in the skull is an eternal torment to me. Given these considerations, I shot him in the chest.
As I had feared, he did not die immediately. He did not even, for the moment, alter either his expression or his posture. His coats were thick and many. I could see the holes drilled by the rifle shells, but I saw no blood. What could that mean? I was shaken by a sudden violent fever of impatience. Only by strenuous self-control was I able to restrain myself from tearing his clothes off to inspect the wound. I thought: if I don’t see blood immediately, I shall lose it again! I was trembling. I wiped my mouth with the back of my hand. Then, slowly, a dark stain began to appear in the tatters. In the nick of time! It spread. I sighed. I sat back and lay the rifle across my knees. Now there was only to wait. I glanced toward the road from time to time and accepted without ceremony the commendatory nods.
The stain enlarged. It would not take long. I sat and waited. His coats were soon soaked and the blood dripped down the mile stone between his legs. Suddenly, his eyes fixed on mine. His lips worked, his teeth chewed his beard. I wished he would end it quickly. I even considered firing a second shot through his head. And then he spoke. He spoke rapidly, desperately, with neither punctuation nor sentence structure. Just a ceaseless eruption of obtuse language. He spoke of constellations, bone structures, mythologies, and love. He spoke of belief and lymph nodes, of excavations, categories, and prophecies. Faster and faster he spoke. His eyes gleamed. Harmonics! Foliations! Etymology! Impulses! Suffering! His voice rose to a shriek. Immateriality patricide ideations heat stroke virtue predication — I grew annoyed and shot him in the head. At last, with this, he fell.
My job was done. As I had feared, he was a mess. I turned my back to him, strapped my rifle securely on my back, reknotted my tie. I successfully put his present condition out of my mind, reconstructing my earlier view of him still whole. It was little better, I admit, but it was the first essential step toward forgetting him altogether. In the patrol car, I called in details of the incident and ordered the deposition squad to the scene. I drove a little farther down the road, parked, jotted down the vital data in my memo-book. I would make the full report out later, back at the station. I noted the exact time.
This done, I returned the memo-book to my breast pocket, leaned back, and stared absently out the window. I was restless. My mind was not yet entirely free of the old man. At times, he would loom in my inner eye larger than the very landscape. I supposed that this was due to my having stooped down to his leveclass="underline" my motives had been commendable, of course, but the consequences of such a gesture, if practiced habitually, could well prove disastrous. I would avoid it in the future. The rifle jammed against my spine. I slid down farther to relieve the obtrusion, resting my head against the back of the seat. I watched the traffic. Gradually, I became absorbed in it. Uniformly it flowed, quietly, possessed of its own unbroken grace and precision. There was a variety in detail, but the stream itself was one. One. The thought warmed me. It flowed away and away and the unpleasant images that had troubled my mind flowed away with it. At last, I sat up, started the motor, and entered the flow itself. I felt calm and happy. A participant. I enjoy my work.
THE ELEVATOR
l
Every morning without exception and without so much as reflecting upon it, Martin takes the self-service elevator to the fourteenth floor, where he works. He will do so today. When he first arrives, however, he finds the lobby empty, the old building still possessed of its feinting shadows and silences, desolate though mutely expectant, and he wonders if today it might not turn out differently.
It is 7:30 A.M.: Martin is early and therefore has the elevator, entirely to himself. He steps inside: this tight cell! he thinks with a kind of unsettling shock, and confronts the panel of numbered buttons. One to fourteen, plus MB” for basement Impulsively, he presses the “B”—seven years and yet to visit the basement! He snorts at his timidity.
After a silent moment, the doors rumble shut All night alert waiting for this moment! The elevator sinks slowly into the earth. The stale gloomy odors of the old building having aroused in him an unreasonable sense of dread and loss, Martin imagines suddenly he is descending into hell. Tra la perduta gente, yes! A mild shudder shakes him. Yet, Martin decides firmly, would that it were so. The old carrier halts with a quiver. The automatic doors yawn open. Nothing, only a basement. It is empty and nearly dark. It is silent and meaningless.
Martin smiles inwardly at himself, presses the number “14.” “Come on, old Charon,” he declaims broadly, “Hell’s the other way!”
2