"In Simon's name we bless you," the speaking-monk said.
"Come back soon," the guard captain replied, transferring the gold to a leather purse.
"Next Shrove Friday," the monk said. "You have my word."
SEVEN — 64 RUSSELL SQUARE
To trust is good; not to trust is better.
— Verdi
Barnett arrived at 64 Russell Square rolled inside a 600-year-old Kharvan rug. He was unrolled in the butler's pantry by the two men who had brought him, working under the direction of a tall woman in a severe black dress. "Very good," she told the men as Barnett unfolded from the rug. "Now take it into the front parlor. Mr. Maws will tell you what to do with it."
Barnett stood up and did a couple of knee-bends to get the blood circulating in his legs again. "Hello," he said.
The woman extended a slender hand. "I am Mrs. H," she said. "Professor Moriarty's housekeeper. You are Mr. Benjamin Barnett."
"That's right," Barnett said, taking the hand.
"You'll be wanting a bath. Come with me." She led him up two flights of stairs. "This will be your room," she said, opening a door in the hall to the left of the landing. "The bath is across the way. Fresh linens on the bed and towels on the washstand. There's hot water. I'll have a bath drawn for you while you get out of those garments. Leave them outside the door and I'll see that they're disposed of."
Barnett looked down at the filthy laborer's garb the monks had supplied him with before he left Constantinople. It had not gained anything in cleanliness in the weeks he had been crossing Europe. "But Mrs. H," he said, "I have nothing else to wear."
"Your clothing," she told him, "is in that wardrobe and in this chest of drawers."
Barnett pulled open the top drawer of the chest. Inside were a row of starched white shirts. A brief inspection convinced him that they were his own, from his Paris flat. "How did these get here?" he demanded.
"Express," she said. "I'll see to your bath." And with a satisfied nod, she turned and left.
Barnett closed the door and happily stripped off the rags he was wearing. His red velvet dressing-gown was on a hook in the wardrobe, and he gratefully enveloped himself in it. This Professor Moriarty, he reflected, seemed to be a gentleman not only of extraordinary capabilities but of immense attention to detail. Barnett only now noticed that there, on the dressing table, across from the bureau, was the silver comb and brush set that had been his sole inheritance from his father. By the door rested the three sticks and two umbrellas that had been in his umbrella stand. The framed portrait of his mother that had been on his writing-desk now sat on the night table by the solid four-poster bed. There was an envelope on the dressing table next to the brushes with BARNETT printed on it in block letters. Inside was a second envelope — which he recognized. The tape marks still crossed it where it had been fastened to the underside of the third drawer down in the armoire of his Paris flat. And inside that were still the five hundred-franc notes that served as his emergency money supply.
Barnett dropped the envelope back on the dressing table and thoughtfully crossed the hall to the bathroom. A maid — a black-haired girl who couldn't have been over sixteen — was pouring the last of a pail of hot water into the large scoopback porcelain tub. She tittered when she saw Barnett and backed out of the small room. Barnett stared after her. Are red velvet dressing-gowns a bit too advanced for staid old London, he wondered, or is she one of those girls who titters at everything? He'd have to find out. It wouldn't do to have an outrageous dressing-gown. Shutting and bolting the door, the force of a habit from long years of living in rooming houses, he hung up the offending garment and eased himself slowly into the steaming hot water.
An hour later, scrubbed, clean-shaven, and immaculately dressed for the first time in over a month, Barnett was taken by Mrs. H to see Professor Moriarty. "He's in his basement laboratory," she told him, leading the way. "We do not disturb him there unless it is important, but I have instructions concerning you."
"What sort of instructions, Mrs. H?" he asked.
"As soon as you're presentable," Mrs. H told him, "I'm to bring you in."
"You know," Barnett said, following behind her as she opened the door to a narrow staircase on the main floor, "it feels very awkward calling you 'Mrs. H.' I feel as though I'm taking undue familiarity."
"It's what I'm called," she said.
"What sort of a name is that — just the initial?" Barnett asked. "Short," she replied.
After two turns in the narrow stairs they crossed a door that led onto a landing overlooking a large, cement-floored basement room which had been turned into a modern laboratory. Low wooden tables were spread in a circle about the room, leaving the central area bare. On one table, a series of retorts and gathering-tubes were clamped in place over small Bunsen lamps. On another, a complex arrangement of lenses and mirrors was fastened to a revolvable wooden stand ready to twist into motion at the turn of a crank. The cabinets along the walls were furnished with every conceivable sort of chemical and physical apparatus that Barnett was familiar with, and many that he was not.
"Do not distract him," Mrs. H instructed Barnett in a whisper, nodding at the tall figure of Professor Moriarty sitting stooped over a large journal at a writing table in the corner. "Wait here until he speaks to you. He dislikes having his train of thought interrupted, particularly when he is in the laboratory." Nodding again, she went back upstairs, leaving Barnett on the landing.
After a while Moriarty looked up from his writing. Then he stoppered the inkwell and put down the pen. "You look a good deal better than the last time I saw you," he told Barnett. "Welcome to London. Welcome to my household. I trust you had an acceptable trip."
"Not very," Barnett said, going down the last few steps and crossing the room to Moriarty's desk. "I was smuggled across the Bohemian border in a caravan of wagons loaded with fresh-clipped wool being taken to be combed and washed. The smell was indescribable."
"It kept away the border guards," Moriarty said.
"I was carted across Rumelia with four other people in a pox-wagon," Barnett said.
"Nobody tried to stop you," Moriarty commented.
"From Bosnia through Austria we became a traveling team of acrobats. I couldn't tumble, so I caught the others and held them up. My shoulders and my legs still ache."
"Nobody ever looks at the low man," Moriarty said.
"In Italy we finally caught the train," Barnett said. "It was a fourth-class local. Have you ever traveled fourth class from Trieste to Milan?"
"You would have attracted attention in first class with your clothing," Moriarty said. "And you would have attracted more attention trying to buy other clothing."
"In Milan we became part of a circus and spent a couple of weeks reaching Paris. I cleaned the animal cages in the menagerie."
"It sounds like an enriching experience," Moriarty said.
"And they wouldn't let me go to my apartment in Paris."
"Does it strike you as brilliant for an escaped felon, wanted for murder, to stroll over to his apartment to collect his clothes?" Moriarty took a small notebook from his pocket and consulted its pages. "In Rumelia you picked a fight with the wagon driver," he said, "a fact that I find incomprehensible, since you had no language in common. On the train outside of Milan a farm woman accused you of stealing a chicken, and you argued with her until the conductor was called."