The equation that he had walked up to was a deep-purple background with the equations and diagrams predominantly in orange, although there were touches here and there of red and green and yellow. He tried to puzzle out the equation (a very lengthy and complicated one) that it carried on its surface, but the signs and symbols were unlike any one had ever seen.
The cube from which he had calculated the width was a bright and startling pink, with the equations green, and just beyond, it was another that was ash gray specked with copper spots, the equations in a lemon yellow and the diagrams in lavender. It was a fancy one, the fanciest of all those in sight.
There had been no reaction from the cubes when he had walked up to them, and there continued to be none. They all sat there, unchanging.
Now, for the first time, he realized that there wasn't any sound. This was a silent place. In all his life, he realized, he had at all times been accustomed to some level of sound. Even at a time of quiet, there always had been some marginal noise — a board creaking in a house, a soft breeze stirring leaves, tiny insects singing. But here there was nothing, absolutely nothing, no noise of any kind.
He shuffled closer to the equation cube and noted with some interest that his walking made no sound. Hesitantly, he reached out a hand and touched the cube with an index finger, ready to snatch it away at an instant's notice. The cube was soft to the touch, not hard and rigid as he had expected it might be, and neither warm nor cold. It made no indication of reaction to his touch, so he laid his hand upon it. With his palm flat against its surface, it seemed even softer than it had before. He pressed lightly upon it and felt the quiver underneath his palm, as if he had placed his hand upon a plate of jelly.
On the surface of the cube something moved and, startled, he stepped away. The equations, he saw, were changing and shifting about, and the diagrams were changing, too. The changing and the shifting at first was slow, deliberate, but quickly they became faster. They ran in a fascinating fluid motion, dissolving and running and combining into something else and then the something else was gone and there was something new. It is talking to me, he told himself, trying to communicate, attempting to bridge the gap that lies between the two of us. He watched hypnotically, and every now and then it seemed that he might be arriving at some understanding, but then the equations and the diagrams would change and he'd lose what had seemed, for a moment, to be some feeble inkling of the meaning that was being written on the blackboard surface of the cube.
Out of the corner of one eye, he glimpsed a movement and quickly stepped away, but there was no place to go, no place he could run. The other cubes were closing in on him. Already a tight ring of them had formed, blocking all possible escape. On the surfaces of all of them the equations and the diagrams were changing and shifting. It was an unnerving sight; while there still was no sound, he had the impression that all of them were shouting at him.
More were arriving all the time and some of them soared off the ground to perch upon those that had surrounded him and others came and settled down upon the second tier, as if they were concrete blocks and some invisible mason was using them to erect a wall around him. They were towering over him, and all the time they were moving in and he was half dizzy with the riotous running of their colors as the equations raced and scintillated to effect the changes. He had the fleeting impression that they no longer were trying to communicate, but under some impelling circumstance had come together to solve some weighty and complicated problem, with the equations building to immense complexity and the diagrams becoming twisted into inconceivable dimensions.
Then they toppled in upon him, the wall of them that had been built around him caving in and crashing down upon him. He screamed in terror, but as they came down upon him, the terror went away and he was left with a sense of wonder that was so deep it seemed to engulf all the universe. He was not crushed. Nothing at all happened to him except that he now stood in the center of the pile of cubes that had collapsed upon him. He stood unharmed in the midst of a sea of multicolored jelly and he feared, for a moment, that he'd either drown or suffocate, for in this close-packed jelly mass, there could be no air and his nostrils and his mouth and throat would fill with jelly and it would get into his lungs — This did not happen. He felt no discomfort. For a moment he struggled to swim through the mass of jelly, seeking to rise to the surface where there would be air to breathe. Then he ceased his efforts, for somehow he knew he had no need of air and that he would not drown. The equation of cubes were sustaining him, and within the midst of them, no harm could come to him. They did not tell him this, but he knew it. He had the impression that he had absorbed the message by a strange osmosis.
All the time the equation kept running around him and some of them twined themselves around him and some of them went through him and others of them went inside of him and stayed there and, in that moment, he seemed to understand that he had become an equation among all the rest of them. He felt the equations flowing through him and all around him and some of the diagrams joined together and constructed an intricate house for him and he crouched inside it, not knowing what he was, but for the moment quite content with being what he was.
Thirty-five
A group of Listeners gathered for the coffee hour.
'What is the word on Mary? asked Ann Guthrie.
'No one seems to know, said James Henry. 'At least no one is talking.
'Doesn't anyone ever go to see her? asked Ann.
'I did, said Herb Quinn. 'I could only go in for a moment. She seemed to be sleeping.
'Or under sedation, said Janet Smith.
'Perhaps, Herb agreed. 'The nurse marched me out. Visitors are not welcome.
'I'd feel better, said Ann, 'if Old Doc were still around to take care of her. I don't know about this new doctor.
'Tennyson?
'Yes, Tennyson.
'I think you're wrong, said James Henry. 'He seems an all-right guy. I had a talk with him a few weeks ago.
'But you don't know how good a doctor he is.
'No, I've never been to him.
'I had a sore throat a while ago, said Marge Streeter. 'I went to him and he cured it for me quickly. He is a pleasant man. Easy to talk with. At times Old Doc was grumpy.
'That's right, said Herb. 'Used to give me hell for not taking care of myself.
'I don't like some of the stories that are going around about Mary, said Ann.
'None of us do, said Herb. 'Vatican's always full of gossip. I never believe anything I hear.
'Something must have happened, said Janet. 'Something rather terrible. All of us have had shocks. It can happen.
'But we come out of it quickly. said Herb. 'A day or two.
'Mary's getting old, said Ann. 'Maybe she's not up to it anymore. She should ease up. There are clone Marys coming up. They could take over.
'Cloning bothers me, said Marge. 'I know it makes a lot of sense and is generally accepted throughout most of the human galaxy. Still, it has a creepy feel to it. Anyone who dabbles in cloning must think they have a license to play God. The whole idea is unnatural.
'Playing God is nothing new, said James. 'Throughout all of history, both human history and otherwise, there has been a lot of God playing. The most flagrant example is the race that Ernie ran across. You remember it. Several years back.
'That's the one, said Herb, 'that creates worlds and peoples them with creatures out of their own imagination….