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On the floor of the cabinet, I felt an object, the handle of some kind of tool. I drew it out as quietly as I could, and found myself holding a hacksaw. My heart leapt with excitement.

I returned to more or less my original position, with my captors seemingly none the wiser, and took a grip on the saw. My distorted thumb hurt abominably, so I took the hacksaw in my right hand, took a deep breath, and then began slicing at the chain link immediately below the empty manacle.

I could only cut in strokes eight or nine inches long because of the chain still attached to my right wrist, and it made a low, buzzing racket that could not be mistaken for anything but a saw. I was sure I would not have time to cut myself free-but the heavy-duty steel of the hacksaw’s blade ripped into the silvery metal chain as if it were made of pine. Three, four, five strokes of the hacksaw and the link parted. I jerked hard with my right hand and the chain slid through the U-bolt, the broken link snapping as the cuffs struck the bolt.

I rose, free.

Crane let out a sudden, startled sound, dropped his cell phone, and went for his gun. There was no time to free Rawlins, so I tossed him the hacksaw and then threw myself to one side as Crane let off a shot. Sparks leapt up from the rolling cabinet’s surface, and a rush of adrenaline made the pains of my body vanish. I kept my head down as low as I could and scurried to one side, attempting to put the bulk of an old, rusted pickup truck between Crane and me. I reached for my magic, but the cuff still attached to my arm reacted with that same burst of agony, splintering my concentration.

I caught a glimpse of movement. Crane circled to one side, looking for a clear line of fire. I maneuvered like a squirrel, keeping the truck between us and crouching low to deny him a clean shot. I went for the passenger door, hoping to find something, anything I could use to defend myself in the truck.

Locked.

“Glau!” Crane shouted. His second shot shattered the truck’s passenger window, the bullet passing within a few inches of my head.

I reached up, unlocked the truck’s door, and swung it open. The cab was cluttered with empty cigarette packs, discarded fast-food wrappers, crushed beer cans, a heavy-duty claw hammer, and three or four glass beer bottles.

Perfect.

I clutched the hammer’s wrapped steel handle in my teeth, scooped up the bottles, and threw one at the far side of the garage. It shattered loudly. I rose at once, another bottle ready, and hurled it with as much force as I could.

The first bottle had caused Crane to snap his head to one side, looking for the source of the sound. He looked away from me for only a second, but it was distraction enough to allow me to throw.

The bottle tumbled end over end and smashed into the work lamp with a crash of breaking glass. Sparks showered up in a brief cloud of electric outrage, and then heavy darkness slammed down upon us.

Now, I thought to Lasciel.

Darkness vanished, replaced with lines and planes of silver light that outlined the garage, the truck, the tool cabinets and workbenches, as well as the doors and windows and the bolt on the wall where Rawlins was chained.

I was not actually seeing the garage, of course, for there was no physical light for my eyes to see. Instead, I was looking at an illusion.

The portion of Lasciel in my head was capable of creating illusory sensations of almost any kind, though if I suspected any tampering I could defend myself against it easily enough. This illusion, however, was not meant to deceive. She’d placed it there to help me, gleaning the precise dimensions and arrangements of the garage from my own senses and projecting them to my eyes to enable me to move in the dark.

It wasn’t a perfect illusion, of course. It was merely a model. It didn’t keep track of animate objects, and if anything moved around I wouldn’t know it until I’d knocked myself unconscious on it-but I wouldn’t need it for long. I ran for Rawlins.

“Glau!” Crane screamed, no more than ten or twelve feet away. “Cover the door!”

I flung the third bottle to the floor at my feet. It was an exceedingly odd sensation, for the bottle was outlined in silver light until it left my hand. It vanished into the darkness, and shattered on the floor near me.

There was a moment of frozen silence, broken only by the rasp of a hacksaw against Rawlins’s cuffs. Crane took a couple of steps toward me, then hesitated, and though I could not see him, I could sense the hesitation. Then he moved again, away from me, probably assuming I was attempting another distraction. My lips stretched into a wolfish smile, and I padded to Rawlins, my steps sure and steady even in the total darkness.

I reached the bolt on the steel beam, and found Rawlins standing beneath it, breathing hard, sawing as fast as he could. He jumped when I touched his shoulder, but I took the hammer in hand and whispered, “It’s Harry. Get your head down.”

He did. I looked up at the silvery illusion of the bolt, steadied my breathing, and drew the hammer back very slowly, focusing upon that movement and nothing else. Then I hissed out a breath and struck at the bolt with every ounce of force I could physically muster.

I’m not a weightlifter, but no one’s ever accused me of being a sissy, either. More importantly, years and years of my metaphysical studies and practice had given me considerable skill at focus and concentration. The hammer struck the bolt that held the other ring of Rawlins’s cuffs. Sparks flew. The bolt, as rusted and ruined as the rest of the building, snapped.

Rawlins dragged me to the ground a heartbeat before Crane’s pistol thundered again from the far side of the garage. A bullet caromed off the metal beam with an ugly, high-pitched whine.

“Come on,” I hissed. I seized Rawlins’s shirt. He grunted and stumbled blindly after me, trying to be quiet, but given his injuries there was only so much he could do. Speed would have to serve where stealth was not available. I hauled him directly across the garage floor, skipping around a mechanic’s pit and several stacks of old tires.

“Where are we going?” Rawlins gasped. “Where is the door?”

“We aren’t taking the door,” I whispered-which was true. I wasn’t sure that we’d have a way out of the garage, but we certainly wouldn’t leave via the door.

The Full Moon Garage had been abandoned since the disappearance of its previous owners, a gang of lycanthropes with a notable lack of common sense when it came to choosing enemies. It wasn’t as big a coincidence as it seemed, that Crane was using the same building. It was old, abandoned, had no windows, was close to the convention center, and easy to get in and out of. More to the point, it had been a place where fairly horrible things happened, and the ugly energy of them still lingered in the air. I wasn’t sure what Crane and Glau were, exactly, but a place like this would feel comfortable and familiar to many denizens of the dark side.

I’d been held captive in the building before and my means of egress was still there-a hole beneath the edge of the cheap corrugated metal wall, dug down into the earth and out into the gravel parking lot by a pack of wolves. I got to the wall and knelt down to check Lasciel’s mental model against the reality it represented. The hole was still there. If anything, the years had worn it even deeper and wider.

I shoved Rawlins’s hands down to let him feel it. “Go,” I whispered. “Under the wall and out.”

He grunted assent and started hauling himself through it. Rawlins was built a lot heavier than me, but he fit through the time-widened hole. I crouched down to follow him, but heard running footsteps just behind me.

I ducked to one side, my eyes now adjusting enough to let me see faint, ambient city light trickling through the hole. I saw a vague shape in the darkness, and then saw Glau’s hands seize Rawlins’s wounded foot. Rawlins screamed.