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Great men seldom waste time. Mr. Coston, leaning towards Mr. Dawson, promptly bit him on the cheek. Mr. Dawson bounded from his seat. Such was the excitement of the moment that, instead of drawing his "canister," he forgot that he had one on his person, and, seizing a mug which had held beer, bounced it vigorously on Mr. Coston's skull, which, being of solid wood, merely gave out a resonant note and remained unbroken.

So far the honours were comparatively even, with perhaps a slight balance in favour of Mr. Coston. But now occurred an incident which turned the scale, and made war between the gangs inevitable. In the far corner of the room, surrounded by a crowd of admiring friends, sat Spider Reilly, monarch of the Three Points. He had noticed that there was a slight disturbance at the other side of the hall, but had given it little attention till, the dancing ceasing suddenly and the floor emptying itself of its crowd, he had a plain view of Mr. Dawson and Mr. Coston squaring up at each other for the second round. We must assume that Mr. Reilly was not thinking what he did, for his action was contrary to all rules of gang-etiquette. In the street it would have been perfectly legitimate, even praiseworthy, but in a dance-hall belonging to a neutral power it was unpardonable.

What he did was to produce his "canister" and pick off the unsuspecting Mr. Dawson just as that exquisite was preparing to get in some more good work with the beer-mug. The leader of the Table Hillites fell with a crash, shot through the leg; and Spider Reilly, together with Mr. Coston and others of the Three Points, sped through the doorway for safety, fearing the wrath of Bat Jarvis, who, it was known, would countenance no such episodes at the dance-hall which he had undertaken to protect.

Mr. Dawson, meanwhile, was attended to and helped home. Willing informants gave him the name of his aggressor, and before morning the Table Hill camp was in ferment. Shooting broke out in three places, though there were no casualties. When the day dawned there existed between the two gangs a state of war more bitter than any in their record; for this time it was no question of obscure nonentities. Chieftain had assaulted chieftain; royal blood had been spilt.

"Comrade Windsor," said Psmith, when Master Maloney had spoken his last word, "we must take careful note of this little matter. I rather fancy that sooner or later we may be able to turn it to our profit. I am sorry for Dude Dawson, anyhow. Though I have never met him, I have a sort of instinctive respect for him. A man such as he would feel a bullet through his trouser-leg more than one of common clay who cared little how his clothes looked."

CHAPTER XIX

IN PLEASANT STREET

Careful inquiries, conducted incognito by Master Maloney among the denizens of Pleasant Street, brought the information that rents in the tenements were collected not weekly but monthly, a fact which must undoubtedly cause a troublesome hitch in the campaign. Rent-day, announced Pugsy, fell on the last day of the month.

"I rubbered around," he said, "and did de sleut' act, and I finds t'ings out. Dere's a feller comes round 'bout supper time dat day, an' den it's up to de fam'lies what lives in de tenements to dig down into deir jeans fer de stuff, or out dey goes dat same night."

"Evidently a hustler, our nameless friend," said Psmith.

"I got dat from a kid what knows anuder kid what lives dere," explained Master Maloney. "Say," he proceeded confidentially, "dat kid's in bad, sure he is. Dat second kid, de one what lives dere. He's a wop kid, an--"

"A what, Comrade Maloney?"

"A wop. A Dago. Why, don't you get next? Why, an Italian. Sure, dat's right. Well, dis kid, he is sure to de bad, 'cos his father come over from Italy to work on de Subway."

"I don't see why that puts him in bad," said Billy Windsor wonderingly.

"Nor I," agreed Psmith. "Your narratives, Comrade Maloney, always seem to me to suffer from a certain lack of construction. You start at the end, and then you go back to any portion of the story which happens to appeal to you at the moment, eventually winding up at the beginning. Why should the fact that this stripling's father has come over from Italy to work on the Subway be a misfortune?"

"Why, sure, because he got fired an' went an' swatted de foreman one on de coco, an' de magistrate gives him t'oity days."

"And then, Comrade Maloney? This thing is beginning to get clearer. You are like Sherlock Holmes. After you've explained a thing from start to finish--or, as you prefer to do, from finish to start--it becomes quite simple."

"Why, den dis kid's in bad for fair, 'cos der ain't nobody to pungle de bones."

"Pungle de what, Comrade Maloney?"

"De bones. De stuff. Dat's right. De dollars. He's all alone, dis kid, so when de rent-guy blows in, who's to slip him over de simoleons? It'll be outside for his, quick."

Billy warmed up at this tale of distress in his usual way. "Somebody ought to do something. It's a vile shame the kid being turned out like that."

"We will see to it, Comrade Windsor. Cosy Moments shall step in. We will combine business with pleasure, paying the stripling's rent and corralling the rent-collector at the same time. What is today? How long before the end of the month? Another week! A murrain on it, Comrade Windsor. Two murrains. This delay may undo us."

But the days went by without any further movement on the part of the enemy. A strange quiet seemed to be brooding over the other camp. As a matter of fact, the sudden outbreak of active hostilities with the Table Hill contingent had had the effect of taking the minds of Spider Reilly and his warriors off Cosy Moments and its affairs, much as the unexpected appearance of a mad bull would make a man forget that he had come out butterfly-hunting. Psmith and Billy could wait; they were not likely to take the offensive; but the Table Hillites demanded instant attention.

War had broken out, as was usual between the gangs, in a somewhat tentative fashion at first sight. There had been sniping and skirmishes by the wayside, but as yet no pitched battle. The two armies were sparring for an opening.

...

The end of the week arrived, and Psmith and Billy, conducted by Master Maloney, made their way to Pleasant Street. To get there it was necessary to pass through a section of the enemy's country; but the perilous passage was safely negotiated. The expedition reached its unsavoury goal intact.

The wop kid, whose name, it appeared, was Giuseppe Orloni, inhabited a small room at the very top of the building next to the one Psmith and Mike had visited on their first appearance in Pleasant Street. He was out when the party, led by Pugsy up dark stairs, arrived; and, on returning, seemed both surprised and alarmed to see visitors. Pugsy undertook to do the honours. Pugsy as interpreter was energetic but not wholly successful. He appeared to have a fixed idea that the Italian language was one easily mastered by the simple method of saying "da" instead of "the," and tacking on a final "a" to any word that seemed to him to need one.

"Say, kid," he began, "has da rent-a-man come yet-a?"

The black eyes of the wop kid clouded. He gesticulated, and said something in his native language.

"He hasn't got next," reported Master Maloney. "He can't git on to me curves. Dese wop kids is all boneheads. Say, kid, look-a here." He walked out of the room and closed the door; then, rapping on it smartly from the outside, re-entered and, assuming a look of extreme ferocity, stretched out his hand and thundered: "Unbelt-a! Slip-a me da stuff!"

The wop kid's puzzlement became pathetic.

"This," said Psmith, deeply interested, "is getting about as tense as anything I ever struck. Don't give in, Comrade Maloney. Who knows but that you may yet win through? I fancy the trouble is that your too perfect Italian accent is making the youth home-sick. Once more to the breach, Comrade Maloney."

Master Maloney made a gesture of disgust. "I'm t'roo. Dese Dagoes makes me tired. Dey don't know enough to go upstairs to take de Elevated. Beat it, you mutt," he observed with moody displeasure to the wop kid, accompanying the words with a gesture which conveyed its own meaning. The wop kid, plainly glad to get away, slipped out of the door like a shadow.