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Okay, we’ve sung. Now we are going to create. Do what you can; I cannot give you what you do not do. As you sing, do it from deep within, with feeling, and everyone will do well, because you sing for the unconscious. Your unconscious is going to consider you singers if you sing like you know how to sing. The message goes to your unconscious, and it will be satisfied. You already know how to sing. Do you understand? Now, in my imagination, I can play the piano. You can use other instruments, but they are more difficult. We begin with the piano, using two hands, and then you can move to whatever instrument you want. Relax, play the invisible piano passionately and try to imagine that you are performing. Whatever you want, but play the piano. This exercise is wonderful. And when you tire of the piano, move to another instrument. And you will become your best. Go to the sublime with the music!

(An aside: Until now it was a child’s game. Children play like that. But now it is going to be your profession. Now, be the best that you can be! Not like a diversion. When you play, feel only the best of your soul, so that the best of your self does the playing. Give the music a limitless spirituality. Play that. I ask you for the best spiritual beauty, the sublime. You are the most beautiful. You can seduce all of humanity with your music. It’s no good to underestimate yourself; to the contrary, you must value yourself. This happens on its own. Begin, and then this happens. The concert could last all day. It’s best to do these exercises until you master them. Little by little, with practice, they begin to awaken your creative capacities, until you achieve the sublime.)

HAVE TALENT

Now I am going to propose a very simple exercise that will stimulate your talent. You do not have talent? Well, you’re going to have it right away. There is no need to doubt yourself. I have talent when I have power. And I have power when I have the right to life or death over others. From this moment on, I have power. God is all-powerful, because he can kill when he wants to. And because he can create me when he wants to. And if I am alive, it is because he pardoned me. Then the capacity to kill, to pardon, is going to create the talent. It is simple. I imagine that I am a cobra, that I have venom and that in front of me there is a monkey. I am in front of the monkey, concentrating, completely engrossed. I move, I look at it, I hypnotize it, and the monkey does what I want. It is an attitude of talent. I tell you the truth. I cause you to look at me. I cause you to be here. I have created you. There is no need for you to convert yourself into a cobra. Instead of always being a victim, the little rat that is always hypnotized, we pass to the other side. We are those who hypnotize others, okay? For this, we need to relax. Create a dot; make it rise. Then we balance ourselves because we are ready to jump, but we do not jump. We make like we are going to jump, but we do not jump. This is how we hypnotize the monkey. We do not bite it either. We only hypnotize it. You have to develop this capacity of the hypnotizing look. It is not to seduce; it is very different from seduction. With my mental concentration, I have the other in my power. Work this. This is talent. We are not attending a meeting of cobras, but a brotherhood of the wise who are like cobras, who respect one another because they know their knowledge is mortal.

Now try to go beyond your head to expel the force. Try to exceed the interior of your head: imagine that your eyes are thirty centimeters higher than the cranium and, feeling that you are a cobra, think about what we have below the belly button, two or three fingers lower, a point of concentration and that there is a force that exits from there toward the exterior, a force that can enter into others. In the belly. This is the Emperor tarot card. It is seated like that, and the force is there.

DRAW

Now we will do an applied creativity exercise. Now that you have all the mental tools necessary — concentration, strength, all that we have studied in this course — you are going to imagine that you have a canvas of any size that you like. You have a paintbrush that changes colors according to your desire. And you are going to make a painting, an imaginary painting. You can draw, you can make large marks, you can change the colors — whatever you like. Then, seated in groups and making gestures, describe the painting you have painted. Okay? Begin! While you paint, you can put on imaginary music to guide you. If you want to be creative, create! And if someone has creative potential, may he continue, go along until something appears. To your unconscious, it is as if you have made a painting, you know? To the unconscious, what one has done in the imagination is the same as what is carried out in reality. In the nervous system, when one imagines something, the same connections are activated. What happens is that normal people do not propose to do such things, because they do not believe it. Really, if you want to be creative, you need to just do it. If I paint ten or twenty paintings like this, imaginary ones, then I will be able to do a real painting; I will be mentally prepared to paint. You see?

SCULPT

And now, to finish with this series of exercises, make a sculpture. In space, the sculpture becomes. You can use whatever materiaclass="underline" marble, gold, bronze, whatever you want. And create a figure, or if you want to go further, you can turn it into an abstract. Think about what sculpture you want to make. Be sculptors. We are going to be able to manipulate space creatively. It is important, because if you do not do this, you will have an undeveloped dimension. It is necessary to move around the object. Sculpture makes us abandon the fixed glance; it lets us develop our spirit as it spins around the created object. Once finished, we will describe it, because the commentaries are also important. Before starting to sculpt, really think about the material you are going to choose, it should be a material that you like. You can also color it. .

FASHION DESIGN

In this exercise, we will create clothes. You can make a suit individually or else in a group. If you do it in a group, each one should make three pieces for the others. Take a good look at the other person and observe what clothing could call attention to him. It is not a criticism. Be daring and infuse the shape with strength, like in a carnival. Create imaginary suits. And you will see that, just as you can paint and sculpt or play music, you can create fashion. Daring to do it is all it takes. If after this exercise, they put you in charge of a fashion show, you can do it! It has to do with seeing how the other is. You can change the clothes, change the appearance; you can fill, take away; you are the owner of the other’s look. You are his owner. We begin.

THE RAINBOW

We are going to become more creative with a fundamental exercise. What I am going to do is count from nine to zero to concentrate your attention. You must pay attention, really listen. The best way to concentrate, the most simple, is to imagine the colors of the rainbow: red, orange, yellow, green, blue, indigo, and violet. As I am counting, I first submerge myself in the red; then I see the red converting itself into orange, the orange converts itself into yellow, the yellow turns into green, the green turns into blue, then dark blue, then violet. The purpose of this is to occupy the mind and to not think with words. Feel the arrival of each color. Nine. . eight. . each time more concentrated. Seven. . more concentrated. Six. . deeper, deeper. Five. . deeper, deeper. Four. . deeper. . Three. . deeper, the listening, the concentration, the receptivity. Two. . deeper. . Now we are going to use the unconscious. . one. . we are going to use the unconscious. .