“It is not for me. It is for a father and his two young sons. They have a problem and have sought my advice.”
From high atop the lapis lazuli and alabaster fountain, a sculpture of Diana the locals had dubbed Mariblanca, White Mary, looked down upon us as water sang out of the pipes at her feet. The last light was languishing. Rough-looking soldiers and assassins with huge mustaches, broad swords, and a way of standing with their feet planted solidly apart, very “I am dangerous,” were clumped in groups in front of the closed doors of the silk and woolen and book shops, or drinking wine at one of the wretched street stalls. The plaza swarmed with blind men, beggars, and whores whose short mantles separated them from decent ladies in full-length cloaks. Some of the soldiers were known to Alatriste. They greeted him from a distance, and he responded distractedly, touching the brim of his hat.
“Are you involved in the matter?” Alatriste asked.
Don Francisco gave an ambiguous shrug. “Only partly. But for reasons you will soon understand, I must see it through to the end.”
We kept passing hard-looking men with shifty eyes who sauntered along the iron rails that set off the atrium of the Buen Suceso church. That atrium, and the nearby Calle Montera, were frequented by men with big talk and large swords. Altercations were common, and entry to the church had been blocked so that after a dispute fugitives could not run into the church for sanctuary. There not even the Law could touch them. They called such escape “safe harboring,” or used the euphemisms “going to mass” or “taking a quiet moment of prayer.”
“Dangerous?” asked Alatriste.
“Very.”
“It will involve swordplay, I imagine.”
“I hope not. But there are greater risks than being wounded.”
The captain walked on a bit, contemplating in silence the chapel of La Victoria convent that rose behind the houses at the end of the plaza, there at the top of San Jerónimo road. It was not possible to walk around a corner in that city without coming across a church.
“And why me?” he asked finally.
Don Francisco laughed again, quietly, as before.
“’Sblood,” he said. “Because you are my friend. And also because try as they may—executioner, court recorder, scribe—you never sing when you are fated to swing, turning lengths of cords into chords.”
Thoughtfully, the captain ran his fingers around the neck of his collar. “Well paid, I believe you said.”
“That I did.”
“By you, Your Mercy?”
“How would you have it? The only way I know to get a fire blazing is to feed it.”
Alatriste’s hand was still at his throat. “Every time you propose a commission that is well paid, it involves placing my neck in the executioner’s noose.”
“And that is also true in this case,” the poet admitted.
“By the good Christ, that is fine encouragement you offer me.”
“It would be deceitful to lie to you.”
As he answered, the captain’s sarcasm was palpable. “And how is it that you always become involved in such affairs, don Francisco? Only now have you been returned to the king’s favor following your long dispute with the Duque de Osuna.”
“Therein lies the quid of the quo, my friend,” the poet lamented. “Curse the good nature that leads me into such misadventures. But there are commitments and…my honor is at stake.”
“And your head, you say.”
Now it was don Francisco who looked with mocking amusement at Diego Alatriste. “And also yours, Captain, if you decide to accompany me.”
The “if you decide” was superfluous, and both knew it. Even so, the captain’s pensive smile lingered on his lips. He looked from side to side, skirted a pile of stinking garbage, distractedly greeted a woman with a scandalously low décolletage who winked at him from a wine shop, and finally threw his hands up.
“And why should I do it? My old tercio leaves for Flanders shortly, and I am seriously considering a change of scenery.”
“Why should you do it?” Don Francisco stroked his mustache and his goatee. “Well, by my faith, I do not know. Perhaps because when a friend is in difficulty, we have no choice but to fight.”
“Fight? A moment ago you were rather confident that there would be no dispute.”
The captain had turned to study don Francisco closely. By now the sky over Madrid was growing dark, and the first shadows stretched toward us from the squalid alleyways that led to the plaza. The outlines of objects were beginning to blur, along with the features of passersby. Someone in one of the shops lighted a lantern. Beneath the brim of don Francisco’s felt hat, the light reflected from the lenses of his eyeglasses.
“That is true,” the poet said. “But should something go wrong, perhaps one element that might not be missing would be a bit of swordplay.”
Again he laughed, always in that quiet tone, and with little humor. And at the end, I heard the same laugh from Captain Alatriste. After that, not a word from either. I was in a state of wonderment, knowing I was being led toward new adventures and perils. I followed their dark, hushed silhouettes. Then don Francisco said good-bye, and Captain Alatriste stood alone a moment, motionless and silent in the darkness. I dared not go to him or speak a word. He stood there as if he had forgotten my presence, until the bells in La Victoria tolled nine on the clock.
II. THE NECK AND THE NOOSE
They came the next morning. I heard their footsteps on the creaking staircase that led up from the courtyard, and when I ran to open the door, the captain was already there, in his shirtsleeves and looking very serious. I had observed that during the night he had cleaned his pistols, and that one had been left, oiled and ready, on the table near the beam where his belt with the sword and dagger hung from a nail.
“Go outside for a walk, Íñigo.”
I obeyed, but when I went out into the hall I met don Francisco de Quevedo on the top steps. He was accompanied by three caballeros, though he acted as if he didn’t know them. I noted that they had not used the door on Calle Arcabuz, but the one between our courtyard and Caridad la Lebrijana’s tavern, the entrance on Calle Toledo, which was used less often and was, therefore, more discreet. Don Francisco cuffed me on the cheek affectionately before he went into our rooms, and I continued on along the gallery, but not before I sneaked a quick look at his companions. One was an older man, quite gray. The other two were young, one about eighteen and the other not far into his twenties. Nice-looking youths who bore a certain resemblance to each other; perhaps brothers or close relatives. All three were dressed in traveling clothes, and something about them said “not Madrileños.”
I swear to Your Mercies that I was a well-mannered and discreet young lad. I am not a meddler, nor was I then. But to a boy of thirteen, the world is a fascinating spectacle and he wants to taste every morsel. To that we must add the words I had overheard between Señor de Quevedo and Captain Alatriste the evening before. So if I am to be honest, I must confess that I went around the gallery, pulled myself up to the roof with all the agility of my youth, and, after scooting along an eave to a window, cautiously reentered the house. I squatted at the back of a cupboard in my room, where a certain crack allowed me to see and hear everything that was happening on the other side. I was careful not to make a sound, and determined not to miss a single detail of this business in which, according to don Francisco’s own words, both Diego Alatriste and he were gambling their lives. What I did not know—God save me!—was how I would come within a hair of losing my own.