"See, this one's an old coven, been in St. Louis since the turn of the century." "But why would they want to hurt us?" Baby Jenks had asked. She was real curious about that house. What did the Dead do who lived in houses? What kind of furniture did they have? Who paid the bills, for God's sakes?
Seems like she could see a chandelier in one of those front rooms, through the curtains. A big fancy chandelier. Man! Now that's living.
"Oh, they got all that down," said Davis, reading her mind. "You don't think the neighbors think they're real people? Look at that car in the drive, you know what that is? That's a Bugatti, baby. And the other one beside it, a Mercedes-Benz."
What the hell was wrong with a pink Cadillac? That's what she'd like to have, a big gas-guzzling convertible that she could push to a hundred and twenty on the open stretch. And that's what had got her into trouble, got her to Detroit, an asshole with a Cadillac convertible. But just 'cause you were Dead didn't mean you had to drive a Harley and sleep in the dirt every day, did it?
"We're free, darlin'," Davis said, reading her thoughts. "Don't you see? There's a lotta baggage goes with this big city life. Tell her, Killer. And you ain't getting me in no house like that, sleeping in a box under the floorboards."
He broke up. Killer broke up. She broke up too. But what the hell was it like in there? Did they turn on the late show and watch the vampire movies? Davis was really rolling on the ground.
"The fact is, Baby Jenks," Killer said, "we're rogues to them, they wanna run everything. Like they don't think we have a right to be Dead. Like when they make a new vampire as they call it, it's a big ceremony."
"Like what happens, like a wedding or something you mean?"
More laughter from those two.
"Not exactly," Killer said, "more like a funeral!"
They were making too much noise. Surely those Dead guys in the house were going to hear them. But Baby Jenks wasn't afraid if Killer wasn't afraid. Where were Russ and Tim, gone off hunting?
"But the point is, Baby Jenks," said Killer, "they have all these rules, and I'll tell you what, they're spreading it all over that they're going to get the Vampire Lestat the night of his concert, but you know what, they're reading his book like it was the Bible.
They're using all that language he used, Dark Gift, Dark Trick, I tell you it's the stupidest thing I've ever seen, they're going to burn the guy at the stake and then use his book like it was Emily Post or Miss Manners-"
"They'll never get Lestat," Davis had sneered. "No way, man. You can't kill the Vampire Lestat, that is flat out impossible. It has been tried, you see, and it has failed. Now that is one cat who is utterly and completely immortal."
"Hell, they're going out there same as we are," Killer said, "to join up with the cat if he wants us."
Baby Jenks didn't understand the whole thing. She didn't know who Emily Post was or Miss Manners either. And weren't we all supposed to be immortal? And why would the Vampire Lestat want to be running around with the Fang Gang? I mean he was a rock star, for Chrissakes. Probably had his own limousine. And was he ever one adorable-looking guy, Dead or alive! Blond hair to die for and a smile that just made you wanna roll over and let him bite your goddamn neck!
She'd tried to read the Vampire Lestat's book-the whole history of Dead guys back to ancient times and all-but there were just too many big words and konk, she was asleep.
Killer and Davis said she'd find out she could read real fast now if she just stuck with it. They carried copies of Lestat's book around with them, and the first one, the one with the title she could never get straight, something like "conversations with the vampire," or "talking with the vampire," or "getting to meet the vampire," or something like that. Davis would read out loud from that one sometimes, but Baby Jenks couldn't take it in, snore! The Dead Guy, Louis, or whoever he was, had been made Dead down in New Orleans and the book was full of stuff about banana leaves and iron railings and Spanish moss.
"Baby Jenks, they know everything, the old European ones," Davis had said. "They know how it started, they know we can go on and on if we hang in there, live to be a thousand years old and turn into white marble."
"Gee, that's just great, Davis," Baby Jenks said. "It's bad enough now not being able to walk into a Seven Eleven under those lights without people looking at you. Who wants to look like white marble?"
"Baby Jenks, you don't need anything anymore from the Seven Eleven," Davis said real calmly. But he got the point.
Forget the books. Baby Jenks did love the Vampire Lestat's music, and those songs just kept giving her a lot, especially that one about Those Who Must Be Kept-the Egyptian King and Queen-though to tell the truth she didn't know what the hell it meant till Killer explained.
"They're the parents of all vampires, Baby Jenks, the Mother and the Father. See, we're all an unbroken line of blood coming down from the King and the Queen in ancient Egypt who are called Those Who Must Be Kept. And the reason you gotta keep them is if you destroy them, you destroy all of us, too."
Sounded like a bunch of bull to her.
"Lestat's seen the Mother and the Father," Davis said. "Found them hidden on a Greek island, so he knows that it's the truth. That's what he's been telling everybody with these songs-and it's the truth."
"And the Mother and the Father don't move or speak or drink blood, Baby Jenks," Killer said. He looked real thoughtful, sad, almost. "They just sit there and stare like they've done for thousands of years. Nobody knows what those two know."
"Probably nothing," Baby Jenks had said disgustedly. "And I tell you, this is some kind of being immortal! What do you mean the big city Dead guys can kill us? Just how can they manage that?"
"Fire and sun can always do it," Killer answered just a touch impatient. "I told you that. Now mind me, please. You can always fight the big city Dead guys. You're tough. Fact is, the big city Dead are as scared of you as you will ever be of them. You just beat it when you see a Dead guy you don't know. That's a rule that's followed by everybody who's Dead."
After they'd left the coven house, she'd got another big surprise from Killer: he'd told her about the vampire bars. Big fancy places in New York and San Francisco and New Orleans, where the Dead guys met in the back rooms while the damn fool human beings drank and danced up front.
In there, no other Dead guy could kill you, city slicker, European, or rogue like her.
"You run for one of those places," he told her, "if the big city Dead guys ever get on your case."
"I'm not old enough to go in a bar," Baby Jenks said.
That really did it. He and Davis laughed themselves sick. They were falling off their motorcycles.
"You find a vampire bar, Baby Jenks," Killer said, "you just give them the Evil Eye and say 'Let me in.'"
Yeah, she'd done that Evil Eye on people and made them do stuff, it worked OK. And truth was, they'd never seen the vampire bars. Just heard about them. Didn't know where they were. She'd had lots of questions when they finally left St. Louis.
But as she made her way north towards the same city now, the only thing in the world she cared about was getting to that same damned coven house. Big city Dead guys, here I come. She'd go clean out of her head if she had to go on alone.
The music in the earphones stopped. The tape had run out. She couldn't stand the silence in the roar of the wind. The dream came back; she saw those twins again, the soldiers coming. Jesus. If she didn't block it out, the whole damn dream would replay itself like the tape.
Steadying the bike with one hand, she reached in her jacket to open the little cassette player. She flipped the tape over. "Sing on, man!" she said, her voice sounding shrill and tiny to her over the roar of the wind, if she heard it at all.