But he was an expert on Armand, wasn't he, he had studied every detail of Armand's youthful body and face. Ah, what a delirious pleasure it had been to read about Armand in Lestat's pages, wondering all the while if Lestat's stinging insults and worshipful analyses had put Armand himself into a rage.
In mute fascination, Daniel had watched that little clip on MTV portraying Armand as the coven master of the old vampires beneath the Paris cemetery, presiding over demonic rituals until the Vampire Lestat, the eighteenth-century iconoclast, had destroyed the Old Ways.
Armand must have loathed it, his private history laid bare in flashing images, so much more crass than Lestat's more thoughtful written history. Armand, whose eyes scanned perpetually the living beings around him, refusing even to speak of the undead. But it was impossible that he did not know.
And all this for the multitudes-like the paperback report of an anthropologist, back from the inner circle, who sells the tribe's secrets for a slot on the best-seller list.
So let the demonic gods war with each other. This mortal has been to the top of the mountain where they cross swords. And he has come back. He has been turned away.
The next night, the dream had returned with the clarity of a hallucination. He knew that it could not have been invented by him. He had never seen people quite like that, seen such simple jewelry made of bone and wood.
The dream had come again three nights later. He'd been watching a Lestat rock video for the fifteenth time, perhaps-this one about the ancient and immovable Egyptian Father and Mother of the vampires, Those Who Must Be Kept:
Akasha and Enkil, We are your children, but what do you give us? Is your silence A better gift than truth?
And then Daniel was dreaming. And the twins were about to begin the feast. They would share the organs on the earthen plates. One would take the brain, the other the heart.
He'd awakened with a sense of urgency, dread. Something terrible going to happen, something going to happen to all of us .. . And that was the first time he'd connected it with Lestat. He had wanted to pick up the phone then. It was four o'clock in the morning in Miami. Why the hell hadn't he done it? Armand would have been sitting on the terrace of the villa, watching the tireless fleet of white boats wend its way back and forth from the Night Island. "Yes, Daniel?" That sensuous, mesmerizing voice. "Calm down and tell me where you are, Daniel."
But Daniel hadn't called. Six months had passed since he had left the Night Island, and this time it was supposed to be for good. He had once and for all forsworn the world of carpets and limousines and private planes, of liquor closets stocked with rare vintages and dressing rooms full of exquisitely cut clothing, of the quiet overwhelming presence of his immortal lover who gave him every earthly possession he could want.
But now it was cold and he had no room and no money, and he was afraid.
You know where I am, you demon. You know what Lestat's done. And you know I want to come home.
What would Armand say to that?
But I don't know, Daniel. I listen. I try to know. I am not God, Daniel.
Never mind. Just come, Armand. Come. It's dark and cold in Chicago. And tomorrow night the Vampire Lestat will sing his songs on a San Francisco stage. And something bad is going to happen. This mortal knows.
Without slowing his pace, Daniel reached down under the collar of his sagging sweat shirt and felt the heavy gold locket he always wore-the amulet, as Armand called it with his unacknowledged yet irrepressible flair for the dramatic-which held the tiny vial of Armand's blood.
And if he had never tasted that cup would he be having this dream, this vision, this portent of doom?
People turned to look at him; he was talking to himself again, wasn't he? And the wind made him sigh loudly. He had the urge for the first time in all these years to break open the locket and the vial, to feel that blood burn his tongue. Armand, come!
The dream had visited him in its most alarming form this noon.
He'd been sitting on a bench in the little park near the Water Tower Place. A newspaper had been left there, and when he opened it he saw the advertisement: "Tomorrow Night: The Vampire Lestat Live on Stage in San Francisco." The cable would broadcast the concert at ten o'clock Chicago time. How nice for those who still lived indoors, could pay their rent, and had electricity. He had wanted to laugh at the whole thing, delight in it, revel in it, Lestat surprising them all. But the chill had passed through him, becoming a deep jarring shock.
And what if Armand does not know? But the record stores on the Night Island must have The Vampire Lestat in their windows. In the elegant lounges, they must be playing those haunting and hypnotic songs.
It had even occurred to Daniel at that moment to go on to California on his own. Surely he could work some miracle, get his passport from the hotel, go into any bank with it for identification. Rich, yes so very rich, this poor mortal boy. . . .
But how could he think of something so deliberate? The sun had been warm on his face and shoulders as he'd lain down on the bench. He'd folded the newspaper to make of it a pillow.
And there was the dream that had been waiting all the time. . . .
Midday in the world of the twins: the sun pouring down onto the clearing. Silence, except for the singing of the birds.
And the twins kneeling quite still together, in the dust. Such pale women, their eyes green, their hair long and wavy and coppery red. Fine clothes they wore, white linen dresses that had come all the way from the markets of Nineveh, bought by the villagers to honor these powerful witches, whom the spirits obey.
The funeral feast was ready. The mud bricks of the oven had been torn down and carried away, and the body lay steaming hot on the stone slab, the yellow juices running out of it where the crisp skin had broken, a black and naked thing with only a covering of cooked leaves. It horrified Daniel.
But it horrified no one present, this spectacle, not the twins or the villagers who knelt to watch the feast begin.
This feast was the right and the duty of the twins. This was their mother, the blackened body on the stone slab. And what was human must remain with the human. A day and night it may take to consume the feast, but all will keep watch until it is done.
Now a current of excitement passes through the crowd around the clearing. One of the twins lifts the plate on which the brain rests together with the eyes, and the other nods and takes the plate that holds the heart.
And so the division has been made. The beat of a drum rises, though Daniel cannot see the drummer. Slow, rhythmic, brutal.
"Let the banquet begin."
But the ghastly cry comes, just as Daniel knew it would. Stop the soldiers. But he can't. All this has happened somewhere, of that he is now certain. It is no dream, it is a vision. And he is not there. The soldiers storm the clearing, the villagers scatter, the twins set down the plates and fling themselves over the smoking feast. But this is madness.
The soldiers tear them loose so effortlessly, and as the slab is lifted, the body falls, breaking into pieces, and the heart and the brain are thrown down into the dust. The twins scream and scream.
But the villagers are screaming too, the soldiers are cutting them down as they run. The dead and the dying litter the mountain paths. The eyes of the mother have fallen from the plate into the dirt, and they, along with the heart and brain, are trampled underfoot.
One of the twins, her arms pulled behind her back, cries to the spirits for vengeance. And they come, they do. It is a whirlwind. But not enough.