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As it may be supposed that our friend Quentin wished to learn a little more of his fair neighbour, the owner of the lute and veil, – as it may be supposed he was at least interested to know whether she might not prove the same whom he had seen in humble attendance on Maitre Pierre, it must of course be understood, that he did not produce a broad staring visage and person in full front of his own casement. Durward knew better the art of bird-catching; and it was to his keeping his person skilfully withdrawn on one side of his window, while he peeped through the lattice, that he owed the pleasure of seeing a white, round, beautiful arm, take down the instrument, and that his ears had presently after their share in the reward of his dexterous management.

The maid of the little turret, of the veil, and of the lute, sung exactly such an air as we are accustomed to suppose flowed from the lips of the highborn dames of chivalry, when knights and troubadours listened and languished. The words had neither so much sense, wit, or fancy, as to withdraw the attention from the music, nor the music so much of art, as to drown all feeling of the words. The one seemed fitted to the other; and if the song had been recited without the notes, or the air played without the words, neither would have been worth noting. It is, therefore, scarcely fair to put upon record lines intended not to be said or read, but only to be sung. But such scraps of old poetry have always had a sort of fascination for us; and as the tune is lost for ever – unless Bishop happens to find the notes, or some lark teaches Stephens to warble the air – we will risk our credit, and the taste of the Lady of the Lute, by preserving the verses, simple and even rude as they are.

"Ah! County Guy, the hour is nigh,The sun has left the lea,The orange flower perfumes the bower,The breeze is on the sea.The lark, his lay who thrill'd all day,Sits hush'd his partner nigh;Breeze, bird, and flower, confess the hour,But where is County Guy?"
The village maid steals through the shade,Her shepherd's suit to hear;To beauty shy, by lattice high,Sings high-born Cavalier.The star of Love, all stars above,Now reigns o'er earth and sky;And high and low the influence know –But where is County Guy?

Whatever the reader may think of this simple ditty, it had a powerful effect on Quentin, when married to heavenly airs, and sung by a sweet and melting voice, the notes mingling with the gentle breezes which wafted perfumes from the garden, and the figure of the songstress being so partially and obscurely visible, as threw a veil of mysterious fascination over the whole.

At the close of the air, the listener could not help showing himself more boldly than he had yet done, in a rash attempt to see more than he had yet been able to discover. The music instantly ceased – the casement was closed, and a dark curtain, dropped on the inside, put a stop to all farther observation on the part of the neighbour in the next turret.

Durward was mortified and surprised at the consequence of his precipitance, but comforted himself with the hope, that the Lady of the Lute could neither easily forego the practice of an instrument which seemed so familiar to her, nor cruelly resolve to renounce the pleasures of fresh air and an open window, for the churlish purpose of preserving for her own exclusive ear the sweet sounds which she created. There came, perhaps, a little feeling of personal vanity to mingle with these consolatory reflections. If, as he shrewdly suspected, there was a beautiful dark-tressed damsel inhabitant of the one turret, he could not but be conscious that a handsome, young, roving, bright-locked gallant, a cavalier of fortune, was the tenant of the other; and romances, those prudent instructors, had taught his youth, that if damsels were shy, they were yet neither void of interest nor of curiosity in their neighbours' affairs.

Whilst Quentin was engaged in these sage reflections, a sort of attendant or chamberlain of the inn informed him that a cavalier desired to speak with him below.

CHAPTER V. THE MAN-AT-ARMS.

– Full of strange oaths, and bearded like the pard,

Seeking the bubble reputation even in the cannon's mouth.

As You Like It

The cavalier who awaited Quentin Durward's descent into the apartment where he had breakfasted, was one of those of whom Louis XI. had long since said, that they held in their hands the fortune of France, as to them were intrusted the direct custody and protection of the royal person.

Charles the Sixth had instituted this celebrated body, the Archers, as they were called, of the Scottish Body-guard, with better reason than can generally be alleged for establishing round the throne a guard of foreign and mercenary troops. The divisions which tore from his side more than half of France, together with the wavering and uncertain faith of the nobility who yet acknowledged his cause, rendered it impolitic and unsafe to commit his personal safety to their keeping. The Scottish nation was the hereditary enemy of the English, and the ancient, and, as it seemed, the natural allies of France. They were poor, courageous, faithful – their ranks were sure to be supplied from the superabundant population of their own country, than which none in Europe sent forth more or bolder adventurers. Their high claims of descent, too, gave them a good title to approach the person of a monarch more closely than other troops, while the comparative smallness of their numbers prevented the possibility of their mutinying, and becoming masters where they ought to be servants.

On the other hand, the French monarchs made it their policy to conciliate the affections of this select band of foreigners, by allowing them honorary privileges and ample pay, which last most of them disposed of with military profusion in supporting their supposed rank. Each of them ranked as a gentleman in place and honour; and their near approach to the King's person gave them dignity in their own eyes, as well as importance in those of the nation of France. They were sumptuously armed, equipped, and mounted; and each was entitled to allowance for a squire, a valet, a page, and two yeomen, one of whom was termed coutelier, from the large knife which he wore to dispatch those whom in the mêlée his master had thrown to the ground. With these followers, and a corresponding equipage, an Archer of the Scottish Guard was a person of quality and importance; and vacancies being generally filed up by those who had been trained in the service as pages or valets, the cadets of the best Scottish families were often sent to serve under some friend and relation in those capacities, until a chance of preferment should occur.

The coutelier and his companion, not being noble or capable of this promotion, were recruited from persons of inferior quality; but as their pay and appointments were excellent, their masters were easily able to select from among their wandering countrymen the strongest and most courageous to wait upon them in these capacities.

Ludovic Lesly, or, as we shall more frequently call him, Le Balafré, by which name he was generally known in France, was upwards of six feet high, robust, strongly compacted in person, and hard-favoured in countenance, which latter attribute was much increased by a large and ghastly scar, which, beginning on his forehead, and narrowly missing his right eye, had laid bare the cheek-bone, and descended from thence almost to the tip of his ear, exhibiting a deep seam, which was sometimes scarlet, sometimes purple, sometimes blue, and sometimes approaching to black; but always hideous, because at variance with the complexion of the face in whatever state it chanced to be, whether agitated or still, flushed with unusual passion, or in its ordinary state of weatherbeaten and sunburnt swarthiness.