He’s been trying to perform this ritual every four hours-the objective being to see if there’s anything to the rumor that the North Atlantic is striped with currents of warm water. He can present the data to the Royal Society if-God-willing-he-reaches-London. At first he did it from the upperdeck, but he didn’t like the way the instrument got battered against the hull, and he was wearied by the looks of incomprehension on the sailors’ faces. The old gaffers back here don’t necessarily think he’s any less crazy but they don’t think less of him for it.
So like a sojourner in a foreign city who eventually finds a coffeehouse where he feels at home, Daniel has settled on this place, and been accepted here. The regulars are mostly in their thirties and forties: a Filipino; a Lascar; a half-African, half-white from the Portuguese city of Goa; a Huguenot; a Cornish man with surprisingly poor English; an Irishman. They’re all perfectly at home here, as if Minerva were a thousand-year-old ship on which their ancestors had always lived. If she ever sinks, Daniel suspects they’ll happily go down with her, for lack of any other place to live. Joined with one another and with Minerva, they have the power to travel anywhere on earth, fighting their way past pirates if need be, eating well, sleeping in their own beds. But if Minerva were lost, it almost wouldn’t make any difference whether it spilled them into the North Atlantic in a January gale, or let them off gently into some port town-either way, it’d be a short, sad life for them after that. Daniel wishes there were a comforting analogy to the Royal Society to be made here, but as that lot are currently trying to throw one of their own number (Baron Gottfried Wilhelm von Leibniz) overboard, it doesn’t really work.
A brick-lined cabin is wedged between the upperdeck and the forecastledeck, always full of smoke because fires burn there-food comes out of it from time to time. A full meal is brought to Daniel once a day, and he takes it, usually by himself, sometimes with Captain van Hoek, in the common-room. He’s the only passenger. Here it’s evident that Minerva ’s an old ship, because the crockery and flatware are motley, chipped, and worn. Those parts of the ship that matter have been maintained or replaced as part of what Daniel’s increasingly certain must be a subtle, understated, but fanatical program of maintenance decreed by van Hoek and ramrodded by one of his mates. The crockery and other clues suggest that the ship’s a good three decades old, but unless you go down into the hold and view the keel and the ribs, you don’t see any pieces that are older than perhaps five years.
None of the plates match, and so it’s always a bit of a game for Daniel to eat his way down through the meal (normally something stewlike with expensive spices) until he can see the pattern on the plate. It is kind of an idiotic game for a Fellow of the Royal Society to indulge in, but he doesn’t introspect about it until one evening when he’s staring into his plate, watching the gravy slosh with the ship’s heaving (a microcosm of the Atlantic?), and all of a sudden it’s-
Th’earths face is but thy Table; there are set
Plants, cattell, men, dishes for Death to eate.
In a rude hunger now hee millions drawes
Into his bloody, or plaguy, or sterv’d jawes.
–JOHNDONNE, “Elegie on M Boulstred”
Daniel was eating potatoesand herring for the thirty-fifth consecutive day. As he was doing it in his father’s house, he was expected loudly to thank God for the privilege before and after the meal. His prayers of gratitude were becoming less sincere by the day.
To one side of the house, cattle voiced their eternal confusion-to the other, men trudged down the street ringing hand-bells (for those who could hear) and carrying long red sticks (for those who could see), peering into court-yards and doorways, and poking their snouts over garden-walls, scanning for bubonic corpses. Everyone else who had enough money to leave London was absent. That included Daniel’s half-brothers Raleigh and Sterling and their families, as well as his half-sister Mayflower, who along with her children had gone to ground in Buckinghamshire. Only Mayflower’s husband, Thomas Ham, and Drake Waterhouse, Patriarch, had refused to leave. Mr. Ham wanted to leave, but he had a cellar in the City to look after.
The idea of leaving, just because of a spot of the old Black Death, hadn’t even occurred to Drake yet. Both of his wives had died quite a while ago, his elder children had fled, there was no one left to talk sense into him except Daniel. Cambridge had been shut down for the duration of the Plague. Daniel had ventured down here for what he had envisioned as a quick, daring raid on an empty house, and had found Drake seated before a virginal playing old hymns from the Civil War. Having spent most of his good coins, first of all helping Newton buy prisms, and secondly bribing a reluctant coachman to bring him down within walking distance of this pest-hole, Daniel was stuck until he could get money out of Dad-a subject he was afraid to even broach. Since God had predestined all events anyway, there was no way for them to avoid the Plague, if that was their doom-and if it wasn’t, why, no harm in staying there on the edge of the city and setting an example for the fleeing and/or dying populace.
Owing to those modifications that had been made to his head at the behest of Archbishop Laud, Drake Waterhouse made curious percolating and whistling noises when he chewed and swallowed his potatoes and herring.
In 1629, Drake and some friends had been arrested for distributing freshly printed libels in the streets of London. These particular libels inveighed against Ship Money, a new tax imposed by Charles I. But the topic did not matter; if this had happened in 1628, the libels would have been about something else, and no less offensive to the King and the Archbishop.
An indiscreet remark made by one of Drake’s comrades after burning sticks had been rammed under his nails led to the discovery of the printing-press that Drake had used to print the libels-he kept it in a wagon hidden under a pile of hay. So as he had now been exposed as the master-mind of the conspiracy, Bishop Laud had him, and a few other supremely annoying Calvinists, pilloried, branded, and mutilated. These were essentially practical techniques more than punishments. The intent was not to reform the criminals, who were clearly un-reformable. The pillory fixed them in one position for a while so that all London could come by and get a good look at their faces and thereafter recognize them. The branding and mutilation marked them permanently so that the rest of the world would know them.
As all of this had happened years before Daniel had even been born, it didn’t matter to him-this was just how Dad had always looked-and of course it had never mattered to Drake. Within a few weeks, Drake had been back on the highways of England, buying cloth that he’d later smuggle to the Netherlands. In a country inn, on the way to St. Ives, he encountered a saturnine, beetle-browed chap name of Oliver Cromwell who had recently lost his faith, and seen his life ruined-or so he imagined, until he got a look at Drake, and found God. But that was another story.
The goal of all persons who had houses in those days was to possess the smallest number of pieces of furniture needed to sustain life, but to make them as large and heavy and dark as possible. Accordingly, Daniel and Drake ate their potatoes and herring on a table that had the size and weight of a medieval drawbridge. There was no other furniture in the room, although the eight-foot-high grandfather clock in the adjoining hall contributed a sort of immediate presence with the heaving to and fro of its cannonball-sized pendulum, which made the entire house lean from one side to the other like a drunk out for a brisk walk, and the palpable grinding of its gear-train, and the wild clamorous bonging that exploded from it at intervals that seemed suspiciously random, and that caused flocks of migrating waterfowl, thousands of feet overhead, to collide with each other in panic and veer into new courses. The fur of dust beginning to overhang its Gothick battlements; its internal supply of mouse-turds; the Roman numerals carven into the back by its maker; and its complete inability to tell time, all marked it as pre-Huygens technology. Its bonging would have tried Daniel’s patience even if it had occurred precisely on the hour, half-hour, quarter-hour, et cetera, for it never failed to make him jump out of his skin. That it conveyed no information whatever as to what the time actually was, drove Daniel into such transports of annoyance that he had begun to entertain a phant’sy of standing at the intersection of two corridors and handing Drake, every time he passed by, a libel denouncing the ancient Clock, and demanding its wayward pendulum be stilled, and that it be replaced with a new Huygens model. But Drake had already told him to shut up about the clock, and so there was nothing he could do.