“It’s quite all right, my dear,” Daniel says to the back of Faith’s bodice. “Having been raised by a man who believed in Predestination, I’d much rather that my boy was raised by a Free Will woman.” But Faith leaves the room.
Wait Still says, “So… you believe God has predestined you to sail for England tonight?”
“No-I’m not a Calvinist. Now, you’re baffled, Reverend, because you spent too much time at Harvard reading old books about the likes of Calvin and Archbishop Laud, and are still caught up in the disputes of Arminians versus Puritans.”
“What should I have been reading, Doctor?” said Wait Still, making a bit too much of a show of flexibility.
“Galileo, Descartes, Huygens, Newton, Leibniz.”
“The syllabus of your Institute of Technologickal Arts?”
“Yes.”
“Didn’t know that you touched on matters of theology.”
“That was a bit of a jab-no, no, quite all right! I rather liked it. I’m pleased by the display of backbone. I can see clearly enough that you’ll end up raising my son.” Daniel means this in a completely non-sexual way-he had in mind that Wait Still would act in some avuncular role-but from the blush on Wait Still’s face he can see that the role of stepfather is more likely.
This, then, would be a good time to change the subject to abstract technical matters: “It all comes from first principles. Everything can be measured. Everything acts according to physical laws. Our minds included. My mind, that’s doing the deciding, is already set in its course, like a ball rolling down a trough.”
“Uncle! Surely you are not denying the existence of souls-of a Supreme Soul.”
Daniel says nothing to this.
“Neither Newton nor Leibniz would agree with you,” Wait Still continues.
“They’re afraid to agree with me, because they are important men, and they would be destroyed if they came out and said it. But no one will bother to destroy me.”
“Can we not influence your mental machine by arguments?” asks Faith, who has returned to stand in the doorway.
Daniel wants to say that Wait Still’s best arguments would be about as influential as boogers flicked against the planking of a Ship of the Line in full sail, but sees no reason to be acrimonious-the whole point of the exercise is to be remembered well by those who’ll stay in the New World, on the theory that as the sun rises on the eastern fringe of America, small things cast long shadows westwards. “The future is as set as the past,” he says, “and the future is that I’ll climb on board the Minerva within the hour. You can argue that I should stay in Boston to raise my son. Of course, I should like nothing better. I should, God willing, have the satisfaction of watching him grow up for as many years as I have left. Godfrey would have a flesh-and-blood father with many conspicuous weaknesses and failings. He’d hold me in awe for a short while, as all boys do their fathers. It would not last. But if I sail away on Minerva, then in place of a flesh-and-blood Dad-a fixed, known quantity-he’ll have a phant’sy of one, infinitely ductile in his mind. I can go away and imagine generations of Waterhouses yet unborn, and Godfrey can imagine a hero-father better than I can really be.”
Wait Still Waterhouse, an intelligent and decent man, can see so many holes in this argument that he is paralyzed by choices. Faith, a better mother than wife, who has a better son than a husband, encompasses a vast sweep of compromises with a pert nod of the head. Daniel gathers up his son from Mrs. Goose’s lap-Enoch calls in a hired coach-they go to the waterfront.
So I saw in my dream that the man began to run. Now he had not run far from his own door, but his wife and children perceiving it began to cry after him to return: but the man put his fingers in his ears, and ran on crying, “Life, life, eternal life.” So he looked not behind him, but fled towards the middle of the plain.
-JOHNBUNYAN,The Pilgrim’s Progress
MINERVAHAS ALREADY WEIGHEDanchor, using the high tide to widen the distance between her keel and certain obstructions near the Harbor’s entrance. Daniel is to be rowed out to join her in a pilot’s boat. Godfrey, who is half asleep, kisses his old Dad dutifully and watches his departure like a dream-that’s good, as he can tailor the memory later to suit his changing demands-like a suit of clothes modified every six months to fit a growing frame. Wait Still stands by Faith’s side, and Daniel can’t help thinking they make a lovely couple. Enoch, that home-wrecker, remains on the end of the wharf, guiltily apart, his silver hair glowing like white fire in the full moon-light.
A dozen slaves pull mightily at the oars, forcing Daniel to sit down, lest the boat shoot out from under his feet and leave him floundering in the Harbor. Actually he does not sit as much as sprawl and get lucky. From shore it probably looks like a pratfall, but he knows that this ungainly moment will be edited from The Story that will one day live in the memories of the American Waterhouses. The Story is in excellent hands. Mrs. Goose has come along to watch and memorize, and she has a creepy knack for that kind of thing, and Enoch is staying, too, partly to look after the physical residue of the Massachusetts Bay Colony Institute of Technologickal Arts, but also partly to look after The Story and see that it’s shaped and told to Daniel’s advantage.
Daniel weeps.
The sounds of his sniffling and heaving drown out nearly everything else, but he becomes aware of some low, strange music: the slaves have begun to sing. A rowing-song? No, that would have a lumbering, yo-ho-ho sort of rhythm, and this is much more complicated, with beats in the wrong places. It must be an Africk tune, because they have meddled with some of the notes, made them flatter than they should be. And yet it’s weirdly Irish at the same time. There is no shortage of Irish slaves in the West Indies, where these men first fell under the whip, so that might explain it. It is (musicological speculations aside) an entirely sad song, and Daniel knows why: by climbing aboard this boat and breaking down in sobs, he has reminded each one of these Africans of the day when he was taken, in chains, off the coast of Guinea, and loaded aboard a tall ship.
Within a few minutes they are out of view of the Boston wharves, but still surrounded by land: the many islets, rocks, and bony tentacles of Boston Harbor. Their progress is watched by dead men hanging in rusty gibbets. When pirates are put to death, it is because they have been out on the high seas violating Admiralty law, whose jurisdiction extends only to the high-tide mark. The implacable logic of the Law dictates that pirate-gallows must, therefore, be erected in the intertidal zone, and that pirate-corpses must be washed three times by the tide before they are cut down. Of course mere death is too good for pirates, and so the sentence normally calls for their corpses to be gibbeted in locked iron cages so that they can never be cut down and given a Christian burial.
New England seems to have at least as many pirates as honest seamen. But here, as in so many other matters, Providence has smiled upon Massachusetts, for Boston Harbor is choked with small islands that are washed by high tides, providing vast resources of pirate-hanging and -gibbeting real estate. Nearly all of it has been put to use. During the daytime, the gibbets are obscured by clouds of hungry birds. But it’s the middle of the night, the birds are in Boston and Charlestown, slumbering in their nests of plaited pirate-hair. The tide is high, the tops of the reefs submerged, the supports rising directly out of the waves. And so as the singing slaves row Daniel out on what he assumes will be his last voyage, scores of dessicated and skeletonized pirates, suspended in midair above the moonlit sea, watch him go by, as a ceremonial honor-guard.