Harriet watched her leave. Aunt Beth was right; something was definitely wrong.
Chapter Four
Harriet turned left toward Post Office Street. Pins and Needles was located around the corner and up the block. Aunt Beth had told her the previous store had been ten blocks down in a less prosperous part of downtown Foggy Point, but over the years had traded its way up as other, less enduring shops folded. Eventually, it moved into the coveted center-of-the-block location on Main Street that it currently occupied.
She looked at her watch. She still had an hour before her next customer was due to show up. She could spare fifteen minutes to see what was new.
"Hi, Harriet,” Marjory called from the back of the store. “Make yourself at home. I'll be with you in a minute."
A slender woman who looked to be around Avanell's age was at the counter.
"I'm sorry, I sent Marjory to search her new shipment to see if she got a maroon fabric I need. How are you surviving with Beth gone?"
Harriet wasn't sure she'd ever get used to the way news traveled in this town. The Threads probably knew Aunt Beth had left before she had-and she'd watched the taxi drive away.
She'd been a child when she first lived here with Aunt Beth. Back then, Foggy Point had seemed a wondrous place, filled with beaches to walk on, woods to explore and friendly neighbors who always had a warm cookie and glass of milk for an intrepid explorer. She had been unaware then of how everyone knew everyone else's business, leaving little room for privacy.
"I'm Jenny Logan,” the woman said when Harriet didn't offer any additional information. “I came late last week, so I didn't get to meet you. I'm bringing you my show quilt in…” She glanced at her watch.”… not quite an hour."
"I'm on my way home now,” Harriet said. She turned to go back out.
"There's no need to rush,” Jenny said. “I'm going to look at the new fall fabrics Marjory got in. If I start now, I might get a Halloween wall hanging done this year."
"I'm on foot, though,” Harriet explained.
"Why don't you let me give you a ride, then? If you would, you could give me some ideas for this crazy baby cover I have to make. My son Mark and his wife just had a baby boy. They're both in school at Texas A &M and want a maroon-and-white quilt with black-and-grey trim. I'm trying to figure out how to use those colors and have it still look like it's for a baby."
Harriet and Jenny spent the next fifteen minutes carrying bolts of fabric to a table in the smaller of the two classrooms that adjoined the retail area of the shop. They finally came up with a plan that used three-and-a-half-inch squares surrounded by two-and-a-half-inch strips. Scrap quilts are a popular style that use many small geometric shapes cut from a large number of different fabrics, in imitation of the quilts made by pioneer women. By going for a scrappy look, they were able to incorporate more grey tones and even some pink to soften the contrast, but still maintain the Aggies’ color scheme.
They had just finished when Marjory returned from the staging area.
"Come here, child,” she said, and held her arms out for a hug.
Harriet allowed herself to be pulled to Marjory's ample bosom. She could remember the first time her own mother had hugged her. A photographer had staged it for a magazine article. It was supposed to show the warm side of the world-renowned scientist. Harriet had been eighteen and had been summoned to her parent's home when Time magazine came calling. She'd always wondered if hugs would have felt more natural if she'd been exposed to them at a younger age.
She had seen Marjory several times since she'd returned, and the woman had employed the same bear hug on each occasion, oblivious to Harriet's discomfort.
"I'm so glad you've come back to Foggy Point,” she said. “Your aunt Beth has been so worried about you."
Not so worried that she'd cancel her cruise to Europe, Harriet thought.
"I'm glad to be back, too,” she said, not sure if she was telling the truth.
"You two just missed your opportunity to bask in the glow of Foggy Point's newest celebrity,” Marjory said.
"Who would that be?” Jenny asked.
"Lauren Sawyer,” Marjory replied. “She got some little company to publish her cat designs."
Jenny made a noise that was halfway between a snort and a laugh.
"You know she's counting on winning the overall competition at the Puget Sound Stitcher's Quilt Show,” she said.
"She needs to,” Marjory said, “She doesn't have the money to take out ads on her own. She's counting on a lot of free publicity when she does win."
"Are her designs that good?” Harriet asked, thinking of the intricate and unusual quilt Avanell had left with her that morning.
"You can judge for yourself,” Jenny said. “I'm sure she'll be working on it tomorrow at our Loose Threads meeting. You are coming, aren't you?"
Aunt Beth had taken Harriet to the Loose Threads before she left for her cruise. People had been friendly enough, but she found it difficult not to feel like an outsider. Everyone talked about people and places that were foreign to her. And at the two meetings she'd attended with Aunt Beth, the group had treated her like she was made of spun sugar. As if one wrong word would cause her to dissolve.
"I guess so,” she replied. “Sure."
Aunt Beth had reminded her that the Foggy Point quilting community was a small one, and she needed to keep herself visible if she expected to be the machine quilter of choice for the Loose Threads. She had also urged her to be the quilt depot for the upcoming Puget Sound Stitcher's show. Puget Sound was a regional show. Bigger ones were juried, which meant that competitors had to submit pictures and descriptions of their entries for screening before they were allowed to compete. For the Puget Sound show, anyone could display their quilt as long as they paid the fee and filled out a form. As the depot, Foggy Point quilters would drop off their submissions at Harriet's studio, and she would transport them to the staging area in Tacoma. After the show, she would bring the quilts back, and people would collect them from her.
This way, she would meet everyone in her area who was submitting, not just her customers. And, as Aunt Beth had pointed out, she could keep tabs on who else was long-arm quilting in the area.
She believed it was a smart business move, but she also knew Aunt Beth was worried about her and was trying to force her to get out and meet people. She didn't need to worry. Harriet didn't plan to be here long enough to need new customers, and she sure didn't need friends.
Marjory cut Jenny's fabrics, rang up the total and punched Jenny's Needle Points card. Jenny was one purchase away from filling her card, which would entitle her to twenty dollars in free fabric or notions. Harriet purchased two of the square-cut quarter-yard pieces known in the quilting world as fat quarters and received her first punch on her own card.
"I'm parked around the corner,” Jenny said, and held the door for her.
Chapter Five
Jenny parked her BMW sedan in Harriet's circular driveway and carried her quilt into the studio.
"This isn't as fancy as Avanell's,” she said.
"It doesn't have to be fancy. I've seen a number of blue ribbon winners that were well executed traditional patterns. Workmanship and color choice make a big difference in a quilt."
"Avanell's are always well crafted and fancy,” Jenny countered. “Who would have thought to combine trapunto with traditional pieced blocks and then hand-dye the fabric to boot?"
"It is a nice quilt,” Harriet admitted.
"Lauren's nuts if she thinks anything she designed would outshine Avanell's work."
"I've never seen Lauren's."
"When you do, you'll see what I'm talking about. She has potential, but she just hurries too much, and she doesn't understand where the boundaries are between being inspired by someone's work and outright copying. Your aunt tried to explain to her that she couldn't trace pictures out of children's books and then sell them as her own patterns, but she doesn't understand."