Yet the room where the scroll was hung, where the koto was laid out in the mornings and the Go set in the evenings, where the Baroness performed the tea ceremony for her sons every day at sunset, was a small room made of wood and straw and rice paper, as severe in line and simple in design as that of any peasant living on their lands.
And so with the other rooms in the house, with the bare corridors and the plain entrance and the narrow garden where one weathered stone lantern received the blossoms of the fruit trees in spring, the hard sun in summer, the Siberian gales in autumn, and the heavy snows in winter.
The effect the Baroness had on her sons was lasting, particularly the strength they felt in her presence.
From the Baroness the elder twin acquired his passion for painting, to which he devoted the first half of his life, and his love for the koto, which was his principal form of relaxation after he returned from Jerusalem as a rabbi.
From her knowledge of the game of Go the younger twin evolved his fascination with military maneuvering, while it was the rigorous discipline of her tea ceremony that proved to be his only escape, later in life, from the massive headaches that tormented him.
So excruciating were those headaches they would have made invalids of most men. And in fact when the General eventually revealed the cause of the headaches to Mama, a secret known only to his brother and to a doctor long since dead, he confessed that he would probably have committed suicide years before had it not been for a memory he carried within him, a vision of his mother turning a teacup three times at sunset, gently brushing the green tea into foam, her face utterly calm and at peace.
It was the memory of those moments that gave him the will to live through the attacks that were so blinding they seemed to be the lightning of death itself, an ultimate pain most men might experience only once in their lives but which the General knew would be back with him the next day and the next, next week and next month, a daily ritual of torture and execution that humbled him under a sword and hewed his mind.
The twins grew older, the time came for them to receive their formal education. Together they traveled south, the elder to study fine arts in Kyoto, the younger to enter the military academy. When the younger brother received his commission in the army, the two returned to the Tohoku to spend the holiday with their mother. It was toward the end of the holiday that she died, to them, unexpectedly.
It happened at sunset. The Baroness was performing the tea ceremony as always at that hour, the sliding doors open to the warm summer air. She prepared their bowls and then her own, turned it three times in her hand, sipped, stopped moving.
Three or four minutes went by. Simultaneously the twins rose and knelt beside her. Her eyes were open, her face was calm, the bowl rested in her cupped hands. She was gazing across the garden but she was dead.
That evening the servants told them the truth. Since before her marriage the Baroness had been suffering from an internal disease that kept her in constant pain. She had never told her husband or her sons about the disease because nothing could be done about it. The disease was incurable and in the end would be fatal.
As the twins made arrangements for the funeral of the Baroness they pondered this last lesson of hers, the mystery of pain and peace in life, the manner in which one might overcome the other, a mystery the elder of the two would one day penetrate, the younger never.
After the death of their mother the two young men drifted apart in their separate careers. Although they seldom saw one another, the bond between them remained strong, as Mama eventually discovered.
The elder twin, now Baron Kikuchi, pursued his study of painting both in the Orient and in Europe. The younger twin served routinely at various army posts in Japan until the war with Russia broke out in 1905, when he was sent to Manchuria to command a company of infantry. He was in Manchuria only a short time before he became a national hero.
On a barren plain near Mukden his regiment was surrounded by Cossack cavalry. The fierce horsemen swept repeatedly through the Japanese lines, cutting down the soldiers with their pikes. Kikuchi alone was able to hold his unit intact, a triumph attributed to his decision to use the dead horses of the Cossacks as a barrier against their attacks. Like most of the Japanese officers, his Buddhist background had bred in him an abhorrence of meat, but that didn’t stop him from saving his men in the only way open to him.
At the end of three days and three nights Japanese reinforcements broke through the Cossack encirclement to find the lost regiment largely massacred. Only Kikuchi’s company had survived, safe behind the walls of rotting meat, eight feet high, that he had erected. The young Captain was awarded Japan’s highest combat decoration and singled out as an officer likely to become the youngest general in modern Japanese history.
In any case there was little doubt he would someday sit on the General Staff.
In time Kikuchi fulfilled both these expectations, but not in a way anyone might have expected. It turned out that his decision to defy Buddhist custom on the plains of Manchuria had an immediately harmful effect on him. A fly feeding on the rotting carcass of a horse during the siege had infected his right eye. He was not back in Japan many days before the sight in the eye began to fail.
Kikuchi went to a specialist who was also a family friend. The doctor told him that the infection could be treated and the eye saved but that nearly total blindness was inevitable. He would be left with a gray film over the eye, an ability to distinguish light and darkness but not shapes.
Kikuchi asked if the gray film would make the eye recognizably blind and was told that it would. He then questioned the doctor about removing the eye and replacing it with a glass eye. The doctor said that could be done after they were certain the infection had subsided.
Why not until then? said Kikuchi.
Because if we opened it up before then, answered the doctor, while the infection is still virulent, there could be further damage.
What kind of damage?
To the nerves.
But if we wait it will be apparent to everyone I’ve lost an eye, and that means I will have to leave the army.
Yes.
Yes, so we won’t wait. We will do what we have to do now.
The doctor refused to perform the operation but Kikuchi insisted. Finally the doctor agreed. Kikuchi went on leave and the operation was secretly performed. Three days later a shattering pain burst in his head, a shock so severe the doctor gave him a morphine injection. Thereafter, however, Kikuchi refused the injections, it being inconsistent with Bushido, the way of the warrior, for a man to refuse or disguise the pain life brought him.
Kikuchi returned to active duty and continued to rise in rank and power. To avoid suspicion he trained himself never to move his good eye, to stare directly forward and move his whole head when he wanted to shift his gaze. In this way no one would be able to detect the immobility of his false eye.
In the end the daring that had first made him a hero, then blinded him in one eye, brought other rewards. Among regular army officers there was the habit of questioning the patriotism of politicians and industrialists in interminable diatribes, harangues so repetitious that even the most resolute careerist was bound to fall asleep at least once during an evening. When this happened the dozing man propped his head in his hands for an hour or so with his eyes closed, excusing himself when he woke up again.