Customarily the Baron stopped in Egypt to rest for a month or two before continuing on his voyage home from Europe. As an aesthete he enjoyed contemplating both the symmetry of the pyramids and the regularities of the Temple of Karnak. This time, however, he chose to tarry in Jerusalem rather than in Cairo. There he toured the normal spectacular sights, the Via Dolorosa, the garden of St. Ann’s, the Dome of the Rock, the Wall. Not only did he find himself remaining longer in the Middle East than usual but he also found himself, gradually, falling under the spell of Judaism.
What is inevitable appears to be inevitable. Baron Kiku-chi converted and began his training as a rabbi. At that point his title and his holdings in Japan automatically passed to his younger twin brother, younger by eight minutes, at that time a Colonel in the army but soon to become a member of the General Staff.
Before long Lotmann left Palestine and returned to Japan. There are two contradictory, or perhaps complementary, stories to explain it. One says that he was expelled from Palestine for excessive Zionist activities. The other says he was passing excessive urine at the time and had the good sense to know that medical advice in Kamakura would be vastly superior to anything available in Jerusalem.
No matter which explanation is applicable, we find the former Baron Kikuchi, now Rabbi Lotmann, taking up residence in the early 1920s on a corner of the large estate in Kamakura formerly owned by him, now the property of his brother.
By nature he was a delicate man. Just as Adzhar grew more sensual in his old age, an ineluctable process, Lotmann grew more ethereal. His favorite prophet was Elijah and he used to claim he heard the same still, small voice in his garden in Kamakura that Elijah had heard on Mt. Horeb.
So perhaps his death, after all, wasn’t the accident it appeared to be.
In the spring of 1945 the Americans were burning down Tokyo with their fire bombs. Lotmann was working on his Talmudic translations in the garden, as usual, when he heard a raid beginning over Tokyo. But the Americans never bombed Kamakura, so there was nothing to fear. Lotmann went on writing under the cloudy spring sky.
At noon the sun suddenly broke through the clouds, an unusually bright sun for a spring day. Either one of the American bombardiers was momentarily blinded by the rich colors of the earth thus revealed, or else the sudden heat of the sun stirred a current of wind in some peculiar fashion. In any case one small cluster of bombs missed Tokyo by twenty miles and fell exactly on Lotmann’s garden, instantly consuming him and all his translations in a ball of fire.
The fire burned so intensely it was out in a matter of seconds. The house and grounds were untouched. There was a black patch in the garden, otherwise nothing.
Since the death of Adzhar there had been only the two of us. Save for Lotmann and his sweet music there was no one else to comfort me. And now?
And now it came to pass as they still went on and talked that, behold, there appeared a chariot of fire and horses of fire and parted them both asunder. And Elijah went up by a whirlwind into heaven.
Father Lamereaux tipped his empty glass. He picked up the bottle and saw that it too was empty. He turned to face the window, scars appearing around his eyes.
We’ll have no second bottle today, he whispered, we’ll have no second chance in life. That other day of acting is gone, the No masks are gone and the music and the poem, gone along with all I knew, gone with all I’ve known. Once I asked myself these questions. Why does Elijah call himself Lotmann? Why does the dragon call himself Adzhar? Why is the tea bowl turned three times? Why is the koto played only once in a thousand years?
I examined these questions and many others when I was abandoned and left alone. In my solitude I looked for the mysteries that stir the facts of life. I looked but now the wind is rising. The typhoon will be here soon, and mysteries and facts alike will be of no avail when it comes. They are the driftwood on the shore to be found by you or another after the storm has passed. Gather them together if you wish and build a fire on the beach against the night. Watch the smoke rise into the darkness and wonder if those are stars you see up there. Listen to the rumble of the sea then, listen to the waves turn three times and turn a thousand years, listen and let your mind wander.
Father Lamereaux sadly lowered his head. He gripped the horsehair arms of his chair.
Even in the thirteenth century there was often confusion in the capital, which is to say we’ve made a mistake following Christ rather than the Virgin. Without a mother there would be no son and women who have children, even virgins, are seldom bothered by constipation. In the old days this house was filled with cats and there were always fires to watch, the flowers of Tokyo they were called. If we happened to see a flower before a meeting of the Legion, the conversation afterward was always exceptionally spirited.
Turnips. For over two decades nothing but turnips. Half a century in this country. Three-quarters of a century of life.
Father Lamereaux bent his head. His long white hair swung free. A blast of wind shook the house and then there was utter silence. For a minute or two he listened to the silence.
Do you hear it? Do you know it? It is the eye of heaven and we are in it. But there is but a short time to wait, eternity is brief. Soon the wind will be with us again, stronger than before, and the Emperor will pass unrecognized through the byways of his capital, his mark on the gate mistaken for the scratchings of a peasant, the palace a graveyard where his ghost drifts between the stones. There are so many shrines one Emperor cannot visit them all, sooner or later he must retire to his prayer wheels. And now I am afraid there is nothing more this court can do for you. The thirteenth century is coming to an end. Adzhar is gone, Lotmann is gone, I must join them. Our moment is over. The eye of the storm is about to close.
Father Lamereaux stood. His hair streamed around his shoulders.
Quin tried to thank him, but his words were lost in the wind. He reached out, but there was no hand there to take. The old priest’s gaze was fixed on an ancient domain bequeathed to poets and musicians. The door closed as Quin ran up the street looking for shelter.
Father Lamereaux returned to his study. His walls were lined with books. On his desk lay the manuscript he had never begun, the history of his reign, a work so massive there was no way to record it. The Emperor had ruled from his throne for seven hundred years and now his era was over. Time moved in epochs.
A petitioner.
A dwarf staring at the middle of his forehead.
Master, I have closed the shutters. Go down to the cellar and stay there until the typhoon passes.
Father Lamereaux listened to the temple bells tolling the stages of his soul. Certainly he could retire to the pine grove above the sea where he had long ago received instructions in the mysteries. Certainly he could grant her petition if first he resigned himself to imperfection.
Go down, master. Go down. Do it now.
My life, he whispered, has been devoted to the alleviation of suffering. In the years allotted me by Our Lady I have sought no other justification for life.
His face tightened. The scars around his eyes deepened. His cheeks sank, the skin shrank into the bone. He reached out and put both hands around Miya’s neck, strangling her, letting her body fall to the floor.