Uphill exultantly. He dodges among gravestones. Dandelions grow bright as butter among the graves. Behind him his name is called in Eccles' voice: "Harry! Harry!" He feels Eccles chasing him but does not turn to look. He cuts diagonally through the stones across the grass toward the woods. The distance to the dark crescent of trees is greater than it seemed from beside the grave. The romping of his body turns heavy; the slope of land grows steeper. Yet there is a resilience in the burial ground that sustains his flight, a gentle settled bumpiness that buoys him up with its memory of the dodging spurting runs down a crowded court. He arrives between the amts of the woods and aims for the center of the crescent. Once inside, he is less sheltered than he expected; turning, he can see through the leaves back down the graveyard to where, beside the small green tent, the human beings he had left cluster. Eccles is halfway between them and him. He has stopped running. His black chest heaves. His wide—set eyes concentrate into the woods. The others, thick stalks in dark clothes, jiggle: maneuvering, planning, testing each other's strengths, holding each other up. Their pale faces flash mute signals toward the woods and turn away, in disgust or despair, and then flash again full in the declining sun, fascinated. Only Eccles' gaze is steady. He may be gathering energy to renew the chase.
Rabbit crouches and runs raggedly. His hands and face are scratched from plowing through the bushes and saplings that rim the woods. Deeper inside there is more space. The pine trees smother all other growth. Their brown needles muffle the rough earth with a slippery blanket; sunshine falls in narrow slots on this dead floor. It is dim but hot in here, like an attic; the unseen afternoon sun bakes the dark shingles of green above his head. Dead lower branches thrust at the level of his eyes. His hands and face feel hot where they were scratched. He turns to see if he has left the people behind. No one is following. Far off, down at the end of the aisle of pines he is in, a green glows which is perhaps the green of the cemetery; but it seems as far off as the patches of sky that flicker through the treetops. In fuming he loses some sense of direction. But the tree—trunks are at first in neat rows that carry him along between them, and he walks always against the slope of the land. If he walks far enough uphill he will in time reach the scenic drive that runs along the ridge. Only by going downhill can he be returned to the others.
The trees cease to march in rows and grow together more thickly. These are older trees. The darkness under them is denser and the ground is steeper. Rocks jut up through the blanket of needles, scabby with lichen; collapsed trunks hold intricate claws across the path. At places where a hole has been opened up in a roof of evergreen, prickly bushes and yellow grasses grow in a hasty sweet—smelling tumble, and midges swarm. These patches, some of them broad enough to catch a bit of the sun slanting down the mountainside, make the surrounding darkness darker, and in pausing in them Rabbit becomes conscious, by its cessation, of a whisper that fills the brown tunnels all around him. The surrounding trees are too tall for him to see any sign, even a remote cleared landscape, of civilization. Islanded in light, he becomes frightened. He is conspicuous; the bears and nameless menaces that whisper through the forest can see him clearly. Rather than hang vulnerable in these wells of visibility he rushes toward the menace, across the rocks and rotting trunks and slithering needles. Insects follow him out of the sun; his sweat is a strong perfume. His chest binds and his shins hurt from jarring uphill into pits and flat rocks that the needles conceal. He takes off his binding hot blue coat and carries it in a twisted bundle. He struggles against his impulse to keep fuming his head, to see what is behind him; there is never anything, just the hushed, deathly life of the woods, but his fear fills the winding space between the tree—trunks with agile threats that just dodge out of the corner of his eye each time he whips his head around. He must hold his head rigid. He's terrorizing himself. As a kid he often went up through the woods. But maybe as a kid he walked under a protection that has now been lifted; he can't believe the woods were this dark then. They too have grown. Such an unnatural darkness, clogged with spider—fine twigs that finger his face incessantly, a darkness in defiance of the broad daylight whose sky leaps in jagged patches from treetop to treetop above him like a silent monkey.
The small of his back aches from crouching. He begins to doubt his method. As a kid he never entered from the cemetery. Perhaps walking against the steepest slope is stupid, carrying him along below the ridge of the mountain when a few yards to his left the road is running. He bears to his left, trying to keep himself in a straight path; the whisper of woods seems to swell louder and his heart lifts with hope: he was right, he is near a road. He hurries on, scrambling wildly, expecting the road to appear with every step, its white posts and speeding metal to gleam. The slope of the ground dies unnoticed under his feet. He stops, stunned, on the edge of a precipitate hollow whose near bank is strewn with the hairy bodies of dead trees locked against trunks that have managed to cling erect to the steep soil and that cast into the hollow a shadow as deep as the last stage of twilight. Something rectangular troubles this gloom; it dawns on him that on the floor of the hollow lie the cellarhole and the crumbled sandstone walls of a forgotten house. To his shrill annoyance at having lost his way and headed himself downhill again is added a clangorous fear, as if this ruined evidence of a human intrusion into a world of blind life tolls bells that ring to the edges of the universe. The thought that this place was once self—conscious, that its land was tramped and cleared and known, blackens the air with ghosts that climb the ferry bank toward him like children clambering up from a grave. Perhaps there were children, fat girls in calico fetching water from a spring, boys scarring the trees with marks of play, growing old on boards stretched above the cellarhole, dying with a last look out the window at the bank where Rabbit stands. He feels more conspicuous and vulnerable than in the little clearings of sunshine; he obscurely feels lit by a great spark, the spark whereby the blind tumble of matter recognized itself, a spark struck in an encounter a terrible God willed. His stomach slides; his ears seem suddenly open to the sound of a voice. He scrambles back uphill, thrashing noisily in the deepening darkness to drown out the voice that wants to cry out to him from a source that flits from tree to tree in the shadows. In the treacherous light the slope of land is like some fleeing, dodging creature.
The light widens enough for him to spy off to his right a nest of old tin cans and bottles sunken into the needles. He is safe. He strikes the road. He jacks his long legs over the guard fence and straightens up. Gold spots are switching on and off in the comets of his eyes. The asphalt scrapes under his shoes and he seems entered, panting, on a new life. Chilly air strokes his shoulder blades; somewhere in there he split old man Springer's shirt right down the back. He has come out of the woods about a half—mile below the Pinnacle Hotel. As he swings along, jauntily hanging his blue coat over his shoulder on the hook of one finger, Janice and Eccles and his mother and his sins seem a thousand miles behind. He decides to call Eccles, like you'd send somebody a postcard. Eccles had liked him and put a lot of trust in him and deserves at least a phone call. Rabbit rehearses what he'll say. It's O.K., he'll tell him, I'm on the way. I mean, I think there are several ways; don't worry. Thanks for everything. What he wants to get across is that Eccles shouldn't be discouraged.
On the top of the mountain it is still broad day. Up in the sea of sky a lake of fragmented mackerel clouds drifts in one piece like a school of fish. There are only a couple cars parked around the hotel, jalopies, 'S2 Pontiacs and 'S1 Mercs like Springer Motors sells to these blotchy kids that come in with a stripper in their wallets and a hundred dollars in the bank. Inside the cafeteria a few of them are playing a pinball machine called BOUNCING BETSY. They look at him and make wise faces and one of the boys even calls, "Did she rip your shirt?" But, it's strange, they don't really know anything about him except he looks mussed. You do things and do things and nobody really has a clue. The clock says twenty of six. He goes to the pay—phone on the mustard—colored wall and looks up Eccles' number in the book.