The black girl would say nothing about her visitor. They had no idea where she met him, or how. As far as they knew she had no family nor any friends from the black community in the downtown section of the city. There was a settled society of Negroes there but also, on its margins, a transient element. Apparently she was a transient and had come by herself from New York to work as a servant. Mother was exhilarated by the situation. For the first time since the terrible day she had found the brown baby in the flower bed she saw a reason for hope for the young woman’s future. She began to regret Sarah’s intransigence. She thought of the drive from Harlem, where Coalhouse Walker Jr. lived, and the drive back, and she decided the next time to give him more of a visit. She would serve tea in the parlor. Father questioned the propriety of this. Mother said He is well-spoken and conducts himself as a gentleman. I see nothing wrong with it. When Mr. Roosevelt was in the White House he gave dinner to Booker T. Washington. Surely we can serve tea to Coalhouse Walker Jr.
And so it happened on the next Sunday that the Negro took tea. Father noted that he suffered no embarrassment by being in the parlor with a cup and saucer in his hand. On the contrary, he acted as if it was the most natural thing in the world. The surroundings did not awe him nor was his manner deferential. He was courteous and correct. He told them about himself. He was a professional pianist and was now more or less permanently located in New York, having secured a job with the Jim Europe Clef Club Orchestra, a well-known ensemble that gave regular concerts at the Manhattan Casino on 155th Street and Eight Avenue. It was important, he said, for a musician to find a place that was permanent, a job that required no traveling. I am through traveling, he said. I am through going on the road. He spoke so fervently that Father realized the message was intended for the woman upstairs. This irritated him. What can you play? he said abruptly. Why don’t you play something for us.
The black man placed his tea on the tray. He rose, patted his lips with the napkin, placed the napkin beside his cup and went to the piano. The sat on the piano stool and immediately rose and twirled it till the height was to his satisfaction. He sat down again, played a chord and turned to them. This piano is badly in need of a tuning, he said. Father’s face reddened. Oh yes, Mother said, we are terrible about that. The musician turned again to the keyboard. “Wall Street Rag,” he said. Composed by the great Scott Joplin. He began to play. Ill-tuned or not the Aeolian had never made such sounds. Small clear chords hung in the air like flowers. The melodies were like bouquets. There seemed to be no other possibilities for life than those delineated by the music. When the piece was over Coalhouse Walker turned on the stool and found in his audience the entire family, Mother, Father, the boy, Grandfather and Mother’s Younger Brother, who had come down from his room in shirt and suspenders to see who was playing. Of all of them he was the only one who knew ragtime. He had heard it in his nightlife period in New York. He had never expected to hear it in his sister’s home.
Coalhouse Walker Jr. turned back to the piano and said “The Maple Leaf.” Composed by the great Scott Joplin. The most famous rag of all rang through the air. The pianist sat stiffly at the keyboard, his long dark hands with their pink nails seemingly with no effort producing the clusters of syncopating chords and the thumping octaves. This was a most robust composition, a vigorous music that roused the senses and never stood still a moment. The boy perceived it as light touching various places in space, accumulating in intricate patterns until the entire room was made to glow with its own being. The music filled the stairwell to the third floor where the mute and unforgiving Sarah sat with her hand folded and listened with the door open.
The piece was brought to a conclusion. Everyone applauded. Mother then introduced Mr. Walker to Grandfather and to Younger Brother, who shook the black man’s hand and said I am pleased to meet you. Coalhouse Walker was solemn. Everybody was standing. There was a silence. Father cleared his throat. Father was not knowledgeable in music. His taste ran to Carrie Jacobs Bond. He thought Negro music had to have smiling and cakewalking. Do you know any coon songs? he said. He did not intend to be rude — coon songs was what they were called. But the pianist responded with a tense shake of the head. Coon songs are made for minstrel shows, he said. White men sing them in blackface. There was another silence. The black man looked at the ceiling. Well, he said, it appears as Miss Sarah will not be able to receive me. He turned abruptly and walked through the hall to the kitchen. The family followed him. He had left his coat on a chair. He put it on and ignoring them all, he knelt and gazed at the baby asleep in its carriage. After several moments he stood up, said good day and walked out the door.
The visit impressed everyone except Sarah, who gave no sign of relenting in her refusal to have anything to do with the man. The next week he returned, and the week after that. He was now visiting the family and each time brought them up on the news of his doings of the previous six days, never once assuming anything but their total and consuming interest. Father was put off by the man’s airs. She won’t see him, he told Mother. Am I to go on entertaining Coalhouse walker every Sunday for the rest of my life? But Mother saw signs of progress. Sarah had taken on the duties of the departed housekeeper and now cleaned rooms so energetically and with such proprietary competence that Mother laughed with the momentary illusion that it was Sarah’s own house she was cleaning. She also began to claim her child at other than feeding time, first taking over his daily bath, then carrying him upstairs to her room at night. Still she would not see her visitor. Coalhouse Walker appeared faithfully through the winter. More than once, when the roads were made impassable by snow, he came on the train and caught the North Avenue streetcar to the bottom of the hill. He wore with his fitted black overcoat a lamb’s-wool hat in the Russian style. He brought outfits for the child. He brought a silver-handled hairbrush for Sarah. Father had to admire his perseverance. He wondered to what extent a musician’s wages could sustain such gifts.
It occurred to father one day that Coalhouse Walker Jr. didn’t know he was a Negro. The more he thought about this the more true it seemed. Walker didn’t act or talk like a colored man. He seemed to be able to transform the customary deferences practiced by his race so that they reflected to his own dignity rather than the recipient’s. When he arrived at the back door he gave it a stout rap and when admitted would solemnly greet everyone and somehow convey to them the feeling that they were Sarah’s family, and that his courtesies to them simply measured the regard and respect he held for her. Father recognized certain dangers in the man. Perhaps we shouldn’t encourage his suit, he said to Mother. There is something reckless about him. Even Mathew Henson knew his place.
By this time, however, the course of events could not be changed. In the late winter Sarah said she would see Coalhouse Walker in the parlor. For days there was a flurry of preparation. Mother gave her one of her own dresses and helped her to take it in. She came downstairs, beautiful ad shy. Her hair was comb and pomaded and she sat on the sofa with her eyes lowered as Coalhouse Walker Jr. spoke his formal conversation and played the piano for her. It was only when they were seen together that it became apparent he was a good deal older than she was. Mother insisted that the members of the family excuse themselves so that the courtship could go on in privacy. Nothing was speeded by this. After the visit Sarah looked irritated and even angry. She was slow to forgive, and in some peculiar way her stubbornness seemed the only appropriate response to his persistence. Sarah had attempted to kill her newborn child. Life was not something either of these people took carelessly. They lived in brutal subjection to their hopes and feelings. They suffered themselves. Mother’s Younger Brother understood this perhaps more clearly than anyone in the family. He had spoken to Coalhouse Walker just once but admired him immensely. He saw in the way the black man acted upon his intentions more manhood than he himself possessed. He brooded over this. Younger Brother understood the love in some hearts as a physical tenderness in that part of the body, a flaw in the physiological being equivalent to rickets of the bones or a disposition of the lungs to congest. He was afflicted with this and so was Sarah, colored though she was. He thought she was some displaced African queen; her very awkwardness as she moved suggested that it would be grace in another country. And the more reluctant she seemed to accept Coalhouse Walker’s offer of marriage, the more Younger Brother understood what a terribly afflicted heart she had.