I wondered if Ken might have had too much to drink.
“You used to be cynical, too,” he went on. He turned to me. “When Midori came back from Julliard in New York, she was a radical. She wanted to change everything about Japan. But I guess not anymore.”
“I still want to change things,” Midori said, her voice warm but firm. “It’s just that I don’t think a lot of angry slogans will make any difference. You have to be patient, you have to pick your battles.”
“Which ones have you picked lately?” he asked.
Tom turned to me. “You have to understand, Ken feels like he sold out by doing gigs at established places like the Blue Note. Sometimes he takes it out on us.”
Ken laughed. “We all sold out.”
Midori rolled her eyes. “C’mon, Ken, give it a rest.”
Ken looked at me. “What about you, John? What’s the American expression: ‘Either you’re a part of the solution, or you’re a part of the problem’?”
I smiled. “There’s a third part, actually: ‘Or you’re a part of the landscape.’ ”
Ken nodded as though internally confirming something. “That’s the worst of all.”
I shrugged. He didn’t matter to me, and it was easy to stay disengaged. “The truth is, I hadn’t really thought of what I do in these terms. Some people have a problem exporting to Japan, I help them out. But you make some good points. I’ll think about what you’re saying.”
He wanted to argue and didn’t know what to do with my agreeable responses, which was fine. “Let’s have another drink,” he said.
“I think I’ve reached my limit,” Midori said. “I’m ready to call it a night.”
As she spoke I noticed Mr. Bland, who was studiously looking elsewhere, clicking a small device about the size of a disposable lighter that he was resting on one knee and pointing in our direction. Fuck, I thought. A camera.
He’d been taking Midori’s picture, and I would be in the shots. This was the kind of risk I’d be taking if I stayed close to her now.
Okay. I’d have to leave with the three of them, then invent an excuse, maybe that I left something, double back to the bar and catch him as he was leaving to follow Midori again. I wasn’t going to let him keep that camera, not with my pictures on the film in it.
But Mr. Bland gave me another option, instead. He got up and started walking in the direction of the rest room.
“I’m going to head home, too,” I said, standing up, feeling my heart beginning to beat harder in my chest. “Just need to hit the rest room first.” I eased away from the table.
I followed a few meters behind Mr. Bland as he maneuvered along the polished black floor. I kept my head down somewhat, avoiding eye contact with the patrons I was passing, hearing my heart thudding steadily in my ears. He opened the rest-room door and went inside. Before the door had quite swung closed, I opened it and followed him in.
Two stalls, two urinals. I could see in my peripheral vision that the stall doors were open a crack. We were alone. The thudding of my heart was loud enough to block out sound. I could feel the air flowing cleanly in and out of my nostrils, the blood pumping through the veins of my arms.
He turned to face me as I approached, perhaps recognizing me from his peripheral vision as one of the people who was with Midori, perhaps warned by some vestigial and now futile instinct that he was in danger. My eyes were centered on his upper torso, not focusing on any one part of him, taking in his whole body, the position of his hips and hands, absorbing the information, processing it.
Without pausing or in any way breaking my stride I stepped in and blasted my left hand directly into his throat, catching his trachea in the V created by my thumb and index finger. His head snapped forward and his hands flew to his throat.
I stepped behind him and slipped my hands into his front pockets. From the left I retrieved the camera. The other was empty.
He was clawing ineffectually at his damaged throat, silent except for some clicking from his tongue and teeth. He started to stamp his left foot on the ground and contort his torso in what I recognized as the beginning of panic, the body moving of its own primitive accord to get air, air, through the broken trachea and into the convulsing lungs.
I knew it would take about thirty seconds for him to asphyxiate. No time for that. I took hold of his hair and chin in a sentry removal hold and broke his neck with a hard clockwise twist.
He collapsed backward into me and I dragged him into one of the empty stalls, sitting him on the toilet and adjusting his position so that the body would stay put. With the door closed, anyone coming in to use the bathroom would see his legs and just think the stall was occupied. With luck, the body wouldn’t be discovered until closing time, long after we were gone.
I eased the door shut with my right hip and used my knee to close the latch. Then, gripping the upper edge of the stall divider, I pulled myself up and slid over to the stall on the other side. I pulled a length of toilet paper from the dispenser and used it to wipe the two spots that I had touched. I jammed the toilet paper in a pants pocket, took a deep breath, and walked back out into the bar.
“All set?” I asked, walking up to the table, controlling my breathing.
“Let’s go,” Midori said. The three of them stood up, and we headed toward the cashier and the exit.
Tom was holding the bill, but I took it from him gently and insisted that they all let me pay; it was my privilege after the pleasure of their performance. I didn’t want to take a chance on anyone trying to use a credit card and leaving a record of our presence here tonight.
As I was paying, Tom said, “I’ll be right back,” and headed toward the rest room.
“Me, too,” Ken added, and followed him.
I imagined vaguely that the body could slide off the toilet while they were in there. Or that Murphy’s Law would make an appearance in some other way. The thoughts weren’t unduly troubling. There was nothing I could do but relax and wait until they had returned.
“You want a walk home?” I asked Midori. She had mentioned during the evening that she lived in Harajuku, although of course I already knew that.
She smiled. “That would be nice.”
Three minutes later, Tom and Ken returned. I saw them laughing about something as they approached us, and knew that Mr. Bland had gone undiscovered.
We stepped outside and walked up the steps into the cool Omotesando evening.
“My car’s at the Blue Note,” Ken said when we were outside. He looked at Midori. “Anyone need a ride?”
Midori shook her head. “No, I’m fine. Thanks.”
“I’ll take the subway,” I told him. “But thanks.”
“I’ll go with you,” Tom said, diffusing the slight tension I could feel brewing as Ken did the math. “John, it was nice meeting you tonight. Thank you again for coming, and for the dinner and drinks.”
I bowed. “My pleasure, really. I hope I’ll have another opportunity.”
Ken nodded. “Sure,” he said, with a demonstrable lack of enthusiasm. Tom took a step backward, his cue to Ken, I knew, and we said good night.
Midori and I strolled slowly in the direction of Omotesando-dori. “Was that okay?” she asked when Tom and Ken were out of earshot.
“I had a good time,” I told her. “They’re interesting people.”
“Ken can be difficult.”
I shrugged. “He was a little jealous that you had invited someone else to tag along, that’s all.”
“He’s just young. Thanks for handling him gently tonight.”
“No problem.”
“You know, I don’t usually invite people I’ve only just met to come to a performance, or to go out afterwards.”
“Well, we’d met once before, so your guideline should be intact.”
She laughed. “You feel like another single malt?”
I looked at her, trying to read her. “Always,” I said. “And I’ve got a place I think you’ll like.”