Ramage caught sight of Kenton's cutter two or three hundred yards farther down the coast. It was now near the beach - that was why Ramage had decided to use the gig, which was narrower, shallower and faster than the cutter, and because he would be leaving the Calypso after the others he wanted to be first at the beach, knowing at the same time that Rennick would be urging Kenton to make a race of it.
Suddenly there was the coarse sucking and gurgling of the sand and a grunt from Jackson set Paolo taking a strain on the line of the grapnel. And then, as usual, there were a few moments of chaos: Jackson gave a series of swift orders to the men at the oars while he himself lifted the rudder from its pintles so it should not be damaged in the beaching: Paolo was gradually increasing the strain on the grapnel line with half a turn on a cleat and, as Ramage felt the stem of the gig nudge the beach, hurriedly took several turns to secure it.
By now Ramage, jumping from thwart to thwart, was at the bow and he heard Paolo blaspheming quietly in Italian as his cutlass nearly tripped him.
The frothing water was phosphorescent; Ramage had time tonotice that as, holding up the scabbard of his sword, he leapt down to the beach and kept moving across the soft sand, knowing Paolo and the rest of the landing party would be close behind. It needed only one man to sprawl on the beach and everyone else would jump on top of him, unable to stop themselves as in turn they reached the stem, poised for a moment and then jumped with cutlass and pistol.
As he moved quickly up the slight slope of the beach and came to the coarse, short grass, the semaphore tower on its hill looming on his right, he knew that behind him Jackson would still be on the beach, mustering his party, while the eight oarsmen left behind as boatkeepers would be digging in another grapnel high up the beach to hold the gig's bow as they pulled her a few feet astern with the grapnel Paolo had laid, making sure she was floating and avoiding any risk that a sudden swell wave would make the stem pound and cause damage. Also, with the gig five or ten yards out, she was safe from a sudden attack.
Paolo was beside him as Ramage slowed down, looking ahead and to his left for some sign of the guardhouse. The hill blocked any view seaward of the five barrack huts but - then suddenly he felt the ground smooth, with no grass. Paolo had stopped abruptly. This was the track, running from left to right. Was the guardhouse towards the huts, or the village? To the right or left?
Paolo nudged him and touched his nose and a moment later Ramage smelled the unmistakable odour of latrines - and they were to the right, towards the barrack buildings. Which probably meant the guardhouse was to the left - even the most inexperienced soldier did not dig latrines outside the camp's defences ...
Ramage heard a twig snap several yards behind him and whispered to Paolo: 'Go back and tell Jackson we are going left along the track and he is to follow.'
Paolo was back in a few moments and Ramage could by now see the track clearly: it was about six paces wide and rutted, showing that an infrequent cart had come on a wet day, its wheels leaving their mark in the mud. Walking along the track had one advantage - they were less likely to step on dried twigs which could sound like pistol shots as they broke.
Paolo had his cutlass in his right hand and his dirk in the left, but Ramage told him to put them away out of sight; for the moment they were two men walking innocently in the night; a sentry would neither see nor, more important, recognize their uniforms in the darkness unless, Ramage suddenly remembered with annoyance, the man noted that they were wearing breeches. In the age of the sans culotte,the revolutionaries wore trousers while any escaped aristocrats might still be in breeches - if they still wore heads.
Suddenly he froze, reaching out to stop Paolo. From just ahead of them there was a curious, regular noise. As Ramage concentrated on identifying it and making sure of its direction, he heard several more, muffled and apparently beyond it. Then, almost sheepishly because already he had half drawn his sword he recognized it and whispered to Paolo: 'The guardhouse is just ahead. The sentry is asleep somewhere outside: the rest of the guard are sleeping inside. Go back and tell Jackson I want to talk to him.'
The semaphore station guard were in for a rude awakening. They were lucky not to get their throats cut with a slash from a cutlass; indeed, Ramage knew that if anything went wrong he would later be blamed for taking needless risks in making them prisoners.
Paolo returned with Jackson and Ramage described what he had heard and deduced. 'We have to work quickly', he added, 'because one of the other landing parties might cause someone to raise the alarm. I'll deal with the sentry - knock him out - and I want you and half a dozen men to follow me and go on into the guardhouse and lay out the rest of them. We'll leave them with a couple of seamen as guards while we see if any of the other parties need help. And put two more seamen here outside in the lane by the guardhouse with orders that no one passes - even if they have to shoot.'
As Jackson disappeared into the darkness Ramage and Paolo began to creep towards the snoring. 'We walk how do you say, "like a cat on a hot brick"', Paolo murmured.
'Silent cats', Ramage muttered warningly.
There was maquis on each side of the track; waist-high scrub bushes humming with insects during the day (even now the persistent whine of mosquitoes warned of unseen attacks on his neck, face and hands) and heavy with the smell of wild herbs. He could now hear the waves stirring and jently scouring the sandy beaches on each side of the headland, emphasizing how narrow it was.
He touched Paolo to stop him, and then dropped down on one knee so that anything higher than the maquis would be outlined against the stars. He was immediately startled to see the guardhouse less than five yards away, although the snoring of the one man had lessened considerably.
Paolo had also knelt and, obviously hearing the same thing, said quietly: 'He has turned over, away from us!'
Ramage took a pistol from his belt, made sure that it was not cocked, and resumed creeping towards the guardhouse. Suddenly the snoring was interrupted for a moment by a massive grunt - bringing Ramage and Paolo to an abrupt stop - and then once again loudly resumed.
'He's restless', Paolo muttered.
Then they were at the guardhouse. It was a substantial though small rectangular building, built of rough stone with a steeply pitched wooden roof and the entrance at the narrow side facing the track. Ramage guessed the building had originally been a donkey shelter: France and Italy were littered with them, and in times of bad harvests - and probably war - whole families lived inside.
They both spotted the sentry within a few seconds: he was slumped on the ground to the right of the entrance, his back resting against the wall.
Ramage walked over to him and carefully hit him across the right side of the head with the butt of the pistol. The man gave a low grunt and slid slowly sideways, away from the entrance.
There was a low hiss from the track behind and Ramage hissed back. Jackson and his men glided up and Ramage could smell the soot of the shielded lantern.
'All right if we use the light, sir?'
'Yes, it'll prevent accidents. But you'll have to be extra quick in case one of 'em is sleeping lightly.'
Jackson turned and whispered to the man behind him - who was, Ramage realized, holding the lantern - and as Jackson glided through the entrance, the man followed, opening the shutter and lighting the inside of the building. Ramage immediately followed the man even though the next seaman in line, not recognizing him, protested. A second later the inside of the guardhouse was like a box full of wild cats.