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Tier Two AI was used mostly for science and military applications, and their use and operating parameters were heavily restricted by most world governments. Tier Twos could form short-term memories and had stronger independent learning abilities—but they still did not have the capacity for autonomy, or any sort of identity or self-awareness.

Tier Three AI was the real deal—fully autonomous, self-aware, and conscious. The kind that science fiction films warn you about. This level of artificial intelligence was still theoretical, praise be to Crom. But according to GSS’s top engineers, probably not for much longer. The race to create true artificial intelligence had become like the race to create the atomic bomb. Several different countries—including my own—were working to create full-blown self-aware, as-smart-if-not-smarter-than-the-average-human-being artificial intelligence. Maybe some of them already had, and now it was just a waiting game to see who would unleash it first, probably in an army of sentient aerial drones and battle telebots that said “Roger, Roger” to one another while machine-gunning civilian populations. That was, if we didn’t nuke ourselves into oblivion first.

I ate in silence for a few minutes, staring up at the sky overhead. When I finished my food, I put my AR specs on again and used them to log in to my OASIS account. Then I used a heavily encrypted remote-access code to take control of a telebot—a humanoid telepresence robot—that was located in orbit high above the Earth aboard the Vonnegut. Once my link to the bot was established, my AR specs allowed me to see through its “eyes”—a set of stereoscopic video cameras mounted in its head. I disconnected the telebot from its charging dock, which was anchored to a bulkhead in the ship’s forward cargo hold. This was in the ring-shaped section of the craft, which rotated constantly to generate centripetal force and create simulated gravity.

I piloted the telebot over to a circular observation window set into the outer hull. Then I waited a few seconds for the ring to rotate around, until the luminous blue curve of the Earth came into view, filling my field of vision. The Vonnegut was currently passing over North America, and through a break in the cloud cover I was able to locate the outline of Lake Erie, and then the dense urban grid of Columbus just below it. I stabilized and magnified the image until I had a satellite’s view of my own house and the patio where I was currently sitting. For a second or two, I was able to gaze down at myself through the eyes of a telepresence robot aboard a starship orbiting the Earth.

When the Earth rotated out of view again, I turned the telebot away from the window, then I used it to make a quick circuit of the ship. Dozens of other telebots floated through each of its sections, under the control of the technicians and engineers back on Earth. They were running diagnostic tests on the experimental heavy-duty radiation shielding around the frozen embryo storage compartment. After watching them work for a while, I piloted my telebot into the ship’s Network Operations Center, to check on the ARC@DIA backup servers, and the OASIS uplink from Earth that we used to keep our copy of various planets in the simulation up to date. Everything appeared to be running smoothly. We still had plenty of extra storage space for future ARC@DIA content updates on the Vonnegut’s computer. Its processing power limited us to a maximum of one hundred simultaneous ARC@DIA users, but that was far more than we needed.

I spent a few more minutes piloting my telebot through the silent corridors of the ship before I returned it to its charging dock. Then I disconnected from it, and just like that, I was back on Earth, sitting on my patio.

I’d traveled all the way to space and back, and I’d only managed to kill fifteen minutes.

I tried calling Aech and Shoto, to see if either of them wanted to catch up before our co-owners meeting. But as usual, neither of them picked up. I took off my specs and threw them on the table in front of me with a sigh. I told myself that Aech was probably still asleep, and that Shoto was probably busy with work. I could’ve checked their account statuses to see, but I’d learned the hard way that if your friends were avoiding you, you didn’t want or need to know about it.

I continued to eat my breakfast in silence, listening to the wind in the trees and absentmindedly watching the flock of security drones overhead as they patrolled the perimeter of my estate. This was usually the only time I spent outdoors each day, to get my daily minimum dose of sunlight. Deep down, I still shared Halliday’s opinion that going outside was highly overrated.

I pulled my AR specs back on and skimmed over the emails that had collected in my inbox overnight. Then I spent some time updating my ONI-net queue with new Recs and Sims from the “Most Popular Downloads” list. I did this every morning, even though I already had thousands of hours of experiences in my queue—more than I would ever have time to make it through, even if I lived to be a hundred. That was why I constantly updated and rearranged the clips in my queue—to make sure I got to the best stuff first.

In the early days of the ONI-net, some people at GSS had worried that its popularity might cause the rest of the OASIS to become a ghost town, because everyone would spend all of their time doing playback instead of exploring the OASIS to have experiences of their own. But the OASIS continued to grow and thrive alongside the ONI-net, and most users divided their time equally between the two. Perhaps it was human nature to crave both passive and interactive forms of entertainment.

As usual, I searched the ONI-net for any newly listed clips tagged with the name Art3mis or Samantha Cook. Whenever anyone posted a recording in which she appeared, I would download it. Even if it was just a clip of her signing an autograph for someone, it still gave me a chance to experience standing next to her for a few seconds.

I knew how pathetic this was—which somehow made it even more pathetic.

But trust me, there were far more twisted and depraved clips I could’ve been playing back. The current top download in the NSFW section of the ONI-net library was a fifty-person orgy, recorded simultaneously by all fifty participants, giving the viewer the ability to jump from one participant’s body to the next at will, like some hedonistic demon. Cyberstalking my ex-girlfriend at her public appearances seemed like a pretty tame pastime in comparison.

Don’t get me wrong. The ONI-net wasn’t just a way for people to experience guilt-free sex and risk-free drug use. It was also an incredibly powerful tool for fostering empathy and understanding. Entertainers and politicians and artists and activists used this new communication medium to connect with a global audience, with profound results. The Art3mis Foundation had even started posting .oni clips now—first-person slice-of-life recordings made by impoverished and exploited people around the globe, designed to expose others to their plight. It was a brilliant and effective use of ONI technology. But it also seemed hypocritical of Samantha to use the ONI to further her own agenda after railing against its release. When I’d said so during one of our meetings, Samantha made it abundantly clear that she didn’t give a flying frak at a rolling Rathtar what I thought.

I ate the last bite of my now-cold omelet and dropped my napkin on my plate. Belvedere sprang into action and began to clear off the table, the servos in his robotic limbs whirring with each of his small, precise movements.

What now?

I could head over to my music room, to knock out my daily guitar lesson. One of my new hobbies was learning to play guitar in reality, which proved to be very different—and far more difficult—than playing a simulated axe in the OASIS. Luckily, I had the best guitar teacher imaginable—a fully licensed hologram of the great Edward Van Halen, circa the release of 1984. He was a taskmaster too. Thanks to his tutelage I was starting to get pretty good.