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irately as he shaved. He would cut himself — tiny

nicks like spattered paint, wash himself with soap.

He never applied aftershave. This boxer

was afraid of its sting. I gave him a T-shirt

that said “Oxford University” in white Gothic letters;

he wore it occasionally as he went out into the great,

unruly, smelly stream of life on the Causeway.

He took an inordinately long time getting ready.

Next to him was the oblong bathtub that was used

as storage space for water; brimming idly—

Bombay’s perpetual water shortage; the taps

dry for most of the day, the flush

not working. Then going out. Our walks

by turns quarrelsome, silent, jocular,

amidst the crowds that jostled before the Taj, where on other

days I’d sit in the Sea Lounge, listening

to the piano; now pressing past balloon sellers

and pushers, to whom he claimed he was immune

in my company. My father retired, and later

my parents moved from this city; they sold

their lovely post-retirement flat in St. Cyril Road

in Bandra. And Suresh kept “slipping” and going

back to smack. “An addict can smell out drugs anywhere

he is,” he boasted. Britannia Biscuits

had changed, as things do, been touched by scandal, in a tussle

for power between two share-buying players,

a textile tycoon, Nusli Wadia, Jinnah’s

grandson, and a Singaporean cashew prince, ending

in the latter’s arrest and his death in prison.

“Take me out of here,” said Suresh, meaning “Colaba.”

When we come to Bombay these days — my wife,

myself, and our infant daughter — we stay

in either the Yacht or WIAA Club or

are put up for a few nights at the President Hotel

— this five-star orphanage or dharamshala—

when my book readings beckon. We go to see Suresh

in his room in Colaba, or he comes to see us;

he’s still shy with my wife, and would rather speak with me,

but makes dramatic attempts to win over my daughter.

He’s going bald. Since I’ve no home in this city,

we stop for lunch and wonton soup

at the Bombay Gymkhana, whose verandah is the only

place I can put down this mewling, regurgitating

baby on a wicker chair. People

around us are eating; the curious mix

of children from Cathedral School and lawyers

and managers and society ladies and poets

like Imtiaz Dharker, and editors of newspapers.

Not infrequently, I run into

old school friends or acquaintances

like Anurang Jain, one of the twins,

Anurang and Tarang, who now lives in

Aurangabad, a businessman,

or Anant Balani, film producer,

still awaiting his big success,

or Saran, who always says “Hello”

although I didn’t know him very well in school.

It’s odd how the bullies have calmed down, how

the slimes and duds and good guys have

alike transformed into gentlemen,

or moderate successes, or ordinary

executives. There’s Shireen — who was

in my class before I was transferred

to B, both of us teased pitilessly

because she lived on the floor below me in

Il Palazzo. Her father, an irascible

cardiologist, practised the violin furiously

for relaxation. My friends burst into “Knock three

times on the ceiling if you want me”

whenever they saw her to embarrass me.

The first flush of that shame’s over. She’s

a solicitor, and looks assured. “Amit,”

brown hair around her freckled face, “I read about you

in the papers.” She’s nicer than I can ever remember.

After this, we ignore each other, no longer

burdened with having to fulfil the jejune

prophecy of that popular song. Suresh

comes regularly if reluctantly

(apprehensive of whom he’ll run into),

and shares chicken Manchurian and

fried rice. Each day we study the menu.

This is the last stop on my book tour.

Suresh has been seven years “clean,” ever since

his mother, whom he loved more than anyone else

(and whom he also blames for loving him—

“She made me weak”), this short, round-bellied

Mangalorean woman, for whom a picture

of the Madonna is illuminated

in their drawing room, died; she had a congenital

heart murmur not unlike the one I was born with,

which tired her at times and made her look absent;

she was too old to operate on. This — her life’s soft

companion — didn’t kill her; one day

her synthetic negligee caught fire

as she was heating milk on the stove. Suresh,

who was still flirting with smack, spending more time

at home than at work, overheard her screams

and saw her from the ventilator windows

above the doors to the other room, which

were locked. Since then, he’s stopped “taking,” and

they commemorate her death once a year, the father,

the son, and the still single sister, whom he

still resents but accepts now, philosophically;

though in what way the sight of a mother burning

should be a reprimand to an old habit,

I don’t know. Anyway, he has not the means

to compose her a more fit epitaph than this,

this second attempt to return, like a prodigal

son, to “normal life,” for her sake

and his, though “normal life,” rediscovered,

is an empty promise filled with cars and people

and noises that frighten him slightly. He tells me

how fourteen years of semi-oblivion and a sort

of absence have left him maladjusted

and inept and unsure of himself. The book tour

goes on even after it’s supposed to be over; reporters

who haven’t read my book come and ask me questions.

It’s Valentine’s Day. Elsewhere in the city,

the Shiv Sena is burning Valentine cards.

Here, in the Gymkhana, young couples hold hands

and look wide-eyed and unnaturally devout and composed.

Evening brings the dark to the maidan, and, with it,

mosquitoes. This morning, we mentioned Sujata

Birla, rhetorically. “Hey, d’you remember

Sujata?” “Yeah,” in a tone of disbelief,

“she died in a plane crash, yaar.” We already

know this, how she married after college, was divorced,

then married again — a happy flowering; on that plane

were her mother and her father, Ashok Birla. The husband

wasn’t with them that day. I pick up my daughter

and we head for Pipewalla Building in a taxi,

my wife carrying the feeding beaker and the packet

with the sari she bought from Cottage Industries

earlier today. For her, this city

means shopping expeditions, leather handbags

to admire in Csango, which she’ll visit even if

she buys nothing, only inspects and desires.

“Looking at” costs nothing; but the proprietor

doesn’t mind, as if he knows it’s somehow connected

to business. Then the haunts whose names

she’s inherited from my parents; the incredibly Olympian

Joy Shoes; R. H. Rai; Ramniklal Zaveri

to exchange an old ornament; from shop to shop, as

the book tour fizzles out, and we find we’re at a loose end

with two days left in this city, and nowhere