“But everything can't be done in a day,” he said, becoming business-like again. “We will have to take things one step at a time.”
She nodded thoughtfully. Yes, there was a lot to be done.
She finished her ratafia and put her glass down on the leather-topped desk. “And now I must be going,” she said. “You have given me a lot to think about. But before I do, I have been charged by Louisa to invite you to dinner.”
“And you, Rebecca?” he asked, his eyes looking directly into her own. “Would you like me to come?”
His question took her aback. She hesitated, but then said simply, “Yes.”
The visit to the mill had dispelled much of the coldness between them and she hoped their present harmony could last.
His face softened.
How melting his eyes are, thought Rebecca, wishing for a moment that she could have accepted his hand: that it had been offered because he loved her and not because he wanted to protect her reputation.
But what was she thinking? Such thoughts were ridiculous. He did not love her. And she did not love him, she reminded herself.
He gave a sigh. “I would like to come,” he said, “but unfortunately I have too much work to do here. I'm still going over the accounts for last few months. Hill, the manager, seems to be honest and efficient, but I have to be sure.”
Rebecca hid her disappointment. “Of course. Well, I must not keep you.”
She stood up.
Joshua stood, too. “I'll see you back to the carriage,” he said.
They walked together back down the stairs to the ground floor, out across the yard and through the gates to the waiting carriage.
Joshua bent and kissed her hand. And then he bid her farewell and she climbed into the carriage, with Betsy close behind her.
Arriving back at the house, Rebecca repaired to her room to tidy herself before joining Louisa in the drawing-room. She started to slip her reticule from her wrist when she discovered it was not there.
“Have you seen my reticule?” Rebecca asked Susan, who was about to help her off with her bonnet.
“Your reticule? Why, no, Miss Rebecca,” said Susan, looking first of all at Rebecca's bare wrist and then casting a glance around the room in case it had slipped off without her noticing.
Rebecca, too, cast her eyes around the room, but to no avail.
“It hasn't got caught up in your pelisse?” asked Susan.
Rebecca removed her pelisse and shook it out. “No. What a nuisance. Where can it be?” she asked, speaking more to herself than Susan.
“Are you sure you took it with you?” Susan asked practically.
“Positive,” said Rebecca. “I remember it distinctly.”
She frowned. She could not bear to think she had lost the reticule, particularly as it had originally belonged to her beloved mother.
“Perhaps it slipped from your wrist on your way upstairs,” suggested Susan.
“Perhaps.” Rebecca went out of her room and proceeded to search the staircase. But the search proved fruitless.
“Rebecca... Oh! Rebecca!” exclaimed Louisa, startled, as she came out of the drawing-room. “What are you doing?”
Rebecca gave a sigh. “It's too vexing. I have lost my reticule and I can't find it anywhere.”
“Oh, my dear, what a nuisance,” said Louisa sympathetically.
“Maybe it fell off in the carriage,” suggested Betsy, who was passing through the hall on her way to the kitchen. But a footman dispatched to search the carriage came back with the news that it was not to be found.
Rebecca was resigned. “There's nothing for it. I'll have to go back to the mill.”
“But my dear, it's dark,” protested Louisa. “Why not leave it until tomorrow?”
Rebecca shook her head. “I don't like to do that. The longer I leave it unlooked — for the less chance I have of finding it. I would hate it to be swept up and thrown out by accident. No, I’ll have to go back. It must have slipped from my wrist this afternoon. But don't worry, I won't be long.”
Louisa nodded, resigned to Rebecca's leaving the house again. “Very well. I understand. It would be a shame to lose it, particularly as it belonged to your mother.”
Having made up her mind Rebecca lost no time in dressing herself in her pelisse and bonnet once more. “I won't be needing you, Betsy,” she said to the elderly maid who had joined in the search. “I am simply going to the mill and then coming straight back.”
“Of course Miss Rebecca will be needing you, Betsy,” said Louisa, contradicting her. “You cannot possibly go back to the mill on your own, Rebecca. What would people think? In fact, you had better take Edward — Mr Sidders,” she corrected herself, “with you as well. I am sure he will not mind.”
“I wouldn't dream of it,” said Rebecca, feeling she had already kept Louisa from her visitor for long enough. However, realizing that Louisa would not let her go unchaperoned, she agreed to take Betsy with her and before long the two of them went out to the carriage again. It had been freshly supplied with stone hot water bottles for their feet, and thick travelling rugs were once again piled on the seat.
Before stepping into the carriage, Rebecca searched the pavement outside the house, but the search proved fruitless. She stepped into the carriage and put her hope in finding her reticule at the mill.
The carriage was soon on its way, and before long it stopped in front of the large building. The step was let down, and Rebecca was about to get out when to her surprise she heard a loud snore coming from the corner of the carriage. Looking round she saw that Betsy was fast asleep! She smiled, then, tucking the travelling rug snugly round the maid and making sure the hot water bottles were nestling against her, she stepped out of the carriage.
“Don't wake her,” she said to Collins, the coachman. “I will not be long.”
“Just as you say, Miss Rebecca,” said Collins.
Collins began to walk the horses as Rebecca pulled her pelisse tightly around herself, for the day was cold, and went over to the gate. The gatekeeper recognized her and, with a cheery salute, he let her in. She explained her mission, and he promised to search the yard whilst Rebecca herself went inside.
She hurried across the yard, turning the corner of the mill in order to reach the entrance.
As she did so she saw a man some way in front of her, apparently painting the mill wall.
But why would the mill wall need painting, when it was made of brick? she wondered. He could not be renewing the paint on the large white letters that spelt out the name of Marsden mill, as they were on the front of the building and not the side.
She had an uncomfortable feeling that something was wrong. She hesitated, taking in the man by the light of the newly-risen moon. He was of medium height, dressed in ragged clothes, and wore a misshapen hat. One hand was raised in the act of painting and the other was holding the pot of paint. Rebecca was just about to ask him what he was doing, but at that moment he finished his work. He glanced over his shoulder, and there was something so furtive about the movement that Rebecca shrank back. He did not appear to see her — thankfully she was darkly dressed, and was hidden by the shadows — and with a last furtive glance round he loped away from her, disappearing round the far side of the mill.
Rebecca's courage quickly returned and, once she was sure he had gone, she went over to the wall to see what he had been doing. She shivered. In large letters, daubed in red, still-dripping paint, were the words LONG LIVE NED LUDD.
Ned Ludd. Rebecca shivered again as she recognized the name of the supposed leader of the Luddites.
She looked anxiously towards the spot where the ragged man had disappeared. She knew now why she had shivered when she had seen him. On some level of awareness she had known he was up to no good. And she had been right. He must have been one of the Luddites — one of the men who had cast fear into the hearts of the populace in the industrial centres of the Midlands and the North of England over the last few years.