'Yeah. There are these stories in the Press that you wrote up everything that happened at Mickledore Hall, everything that happened afterwards in jail. Somehow you got them smuggled out and they are waiting to be picked up somewhere.' He knew what the answer would be.
They'd had this conversation before. 'It's not true,' she said without heat. 'They're making it up.' ‘That's what I told him. But if there were any memoirs, Cissy, it'd make things a lot easier for me. The book, the film…' 'Which book? Which film?' She regarded him blankly. 'We'll talk about it later,' he said gently. 'It's early days. We'll talk when you're rested.' 'How long will we stay here, Jay?' she asked suddenly. 'You said we'd go home soon. You said – '
This was dangerous. He cut her off, saying, 'We will, Cissy, I promise. Just as soon as Mr Sempernel says it's OK. Don't you like it here?' She shook her head and said, 'Not much.' 'Why's that?' ' I don't know. It feels so old… so English…' 'Yeah. It shouldn't be for long. You rest now, OK?' Her cup was empty. He took it from her hands and she lay back on the patchwork quilt, with her hands crossed over the old leather Bible on her stomach. Her eyes were still open but he got no impression that they were seeing him. In fact he had a strange feeling that if he stayed here much longer he would stop seeing her. He turned and left the room.
SIX
'Now come and take your place in the circle, and let us sit quiet, and hear the echoes about which you have your theory.' Sod's Law. How many times on his way home late to a loving family and a hot dinner had he been waylaid by Dalziel and more or less frogmarched down to the Black Bull? This evening there was no sign of the Fat Man.
He met Wield on the stairs and said, 'Fancy a quick half?' 'Sorry, it's my karate night.' On the next landing he hesitated, then went down the corridor to the inquiry team's room. A mahogany plaque had been screwed to the door. On it in large black Roman was printed DEPUTY CHIEF CONSTABLE HILLER, with underneath in golden Gothic, K NOCK AND W AIT. Pascoe knocked and waited. Inspector Stubbs opened the door. Over his crepe-de-chine'd shoulder Pascoe could see the green flicker of computer screens. 'Thought you might like an intro to our local,' he said. 'The beer's good enough to make the meat pies seem almost edible.' 'Love it, but not tonight,' said Stubbs regretfully.
'Mr Hiller wants us to get all this stuff into the system before we knock off.' He opened the door wider to reveal Sergeant Proctor surrounded by what Pascoe assumed were the Mickledore Hall files.
"Evening, guv,' said the sergeant. 'Who does your filing, then – a grizzly bear?'
Stubbs frowned, but Pascoe, recalling the state of his own records if ever Dalziel got among them, could not take offence.
'Some other time, then,' he said.
There was nothing to stop him going to the Black Bull alone, but if he was going to be a solitary drinker, he might as well do it in the privacy of his own home.
He heard his phone ringing as he parked the car but it had stopped by the time he got into the house and there was no message on his machine. He checked through his mail in search of Ellie's hand.
Nothing.
He poured himself a beer and sat down to read the paper. Good news was obviously no news. His glass was empty. He went to fill it, opened instead a can of soup and cut a hunk of bread. This he ate standing at the kitchen table. Then he went into the garden, pulled up a few weeds, wandered back into the house, poured another beer, switched on the television, and watched the end of a documentary on homelessness.
Twice he got up to check that the phone was working.
Finally he remembered Dalziel's tape.
He switched off the TV and put the cassette into his tape deck, pressed the start button and sat back to listen.
An announcer's voice first, blandly BBC.
'And now the last in our series The Golden Age of Murder in which crime writer William Stamper has been positing that the Golden Age of crime fiction, usually regarded as artificial, unrealistic, and escapist, may have had closer links with real life than the critics allow.
'So far he has examined crimes from each of the first five decades of the century. Now finally we arrive at the 'sixties and a case in which we will see that William Stamper has a very special interest.
The Mickledore Hall murder.' Now came music, sort of intellectually eerie. Bartok perhaps. Then a male voice, light, dry, with an occasional flattened vowel giving a hint of northern upbringing…
‘It was the best of crimes, it was the worst of crimes, it was born of love, it was spawned by greed; it was completely unplanned, it was coldly premeditated; it was an open-and-shut case, it was a locked-room mystery; it was the act of a guileless girl, it was the work of a scheming scoundrel; it was the end of an era, it was the start of an era; a man with the face of a laughing boy reigned in Washington, a man with the features of a lugubrious hound ruled in Westminster; an ex-Marine got a job at a Dallas book repository, an ex-Minister of War lost a job in politics; a group known as the Beatles made their first million, a group known as the Great Train Robbers made their first two million; it was the time when those who had fought to save the world began to surrender it to those they had fought to save it for; Dixon of Dock Green was giving way to Z-Cars, Bond to Smiley, the Monsignors to the Maharishis, Matt Dillon to Bob Dylan, l.s.d. to LSD, as the sunset glow of the old Golden Age imploded into the psychedelic dawn of the new Age of Glitz. 'It was the year of Our Lord nineteen hundred and sixty-three, and it is altogether fitting that this crime of which we speak should have been committed in one of Yorkshire's great country houses, Mickledore Hall, and that its denouement should have taken place in that most traditional of settings, the Old Library. ‘If a Hollywood designer were asked to build a set for such a scene in an Agatha Christie film, it would probably turn out something like the library of Mickledore Hall. ‘Imagine a desk the size of a ping-pong table standing on a carpet the size of a badminton court. Scattered around are various chairs, stylistically unrelated except in so far as their upholstery has the faded look of the coat of a very old terrier. One wall is embrasured with three deep window bays hung with dusty velvet curtains, while the other three are lined with towering bureaux behind whose lozenged bars rot a thousand books, untouched by little save time, for the Mickledores were never famed for their intellectuality.
‘In nineteen sixty-three the incumbent baronet seemed cast in the traditional mould of Mickledore men, tall, blond, handsome, athletic, with an exuberant manner that might in a lesser man have been called hearty. 'Yet there was another side to Ralph Mickledore – Mick to his friends – as evidenced perhaps by his close friendship with that most unhearty of men, James Westropp. At his trial, the defence projected him as the perfect type of English eccentricity, a country squire who ran his estate as if the twentieth century hadn't arrived, with Shire horses pulling his ploughs, a water-mill grinding his grain, and poachers offered the choice of a Mickledore boot up the bum or a Mickledore beak on the Bench. ‘It was, however, a very different picture that the prosecution inked in. Victorian values might be the order of the day at the Hall, but away from Yorkshire, Sir Ralph came across as a Restoration roue. Nightclubs, casinos, racetracks, the grey area where the haut-monde overlapped with the demi-monde, here was his urban habitat. The gap between his two lifestyles was presented not as harmless eccentricity but as black hypocrisy. And by the end of nineteen sixty-three, juries were very ready to think the worst of their social superiors, though, as we shall see, it was not this cynicism alone which helped confer on Ralph Mickledore the unenviable distinction of being the last man to hang in Mid-Yorkshire.