The tall major did not even have to stretch to see into the bed of the first cargo truck. As Belinsky drew back the tarpaulin, admitting the smoky daylight, the sounds of raw human misery greeted the two officers.
Belinsky watched the major’s face change expression. And it kept changing, unable to settle on an appropriate mask.
Abruptly, the major slapped down the canvas and stalked off. Belinsky hurried along beside him. “This motorized rifle battalion,” Belinsky said coldly, “is returning from the front, Comrade Major. The complement of ambulances was a bit short, as were the stretchers.”
But the major wasn’t listening. He simply shouted orders in multiple directions, telling his men to edge to the side of the road and let the damned trucks pass.
Nine
Guards Colonel Anton Mikhailovitch Malinsky sat in his command car, eyes lowered to his map, thinking about Chopin. His lingers tapped and touched delicately at the milky plastic map bag, forming chords and absentminded arpeggios across the routes and rivers, cities and towns of central Germany. Remembering a favorite passage, a quick flourish into melody, he closed his eyes, the better to hear the vibrating strings and wires of memory. He loved Chopin. Perhaps, he thought to himself, it was the Polish blood that had poured heatedly into the Malinsky lines back in the days of hussars with ornamental wings rising from their armored backs.
Anton regretted the war, although his formation had not even been introduced into combat as yet. He regretted his spectacular rise to the command of a premier maneuver brigade at a jealousy-inspiring age. He regretted all of the things his father had never been able to see clearly. The old man made such a fuss about accepting no patronage for Malinskys. Yet, Anton thought, were it not for his position, it’s unlikely I would be more than a middling major. Were it not for the name, the name and its iron burden of traditions, I would hardly be a soldier. Colonel of the Guards. Guards colonel. It sounded marvelously romantic, the stuff of operettas and oversized epaulets. Strauss might have had a grand time with such a character. Or Lehar. Better yet, a more common touch. Romberg. Well, you could not dismiss light music so easily. There was a need for more lightness in the world.
Anton peered out at the grim German sky beyond the camouflage net. He was alone now, his officers attending to their endless chores. He had sent his driver splashing off through the mud in search of something warm to drink. His driver was a good boy, not really cut out to be a soldier either. Quite frightened of the great, brooding colonel, son of one of the most powerful officers in the Soviet military establishment. Anton remembered how the sickly colored mud had grabbed the boy’s ill-fitting boots. A lean Russian boy in a dismal training area in the Germanies, waiting for orders. Waiting for orders like all of them.
Anton had heard that the war was going very fast up front, even faster than the plan had called for in some sectors. The combination of modern killing technologies and the barely controllable mobility of contemporary armored vehicles and aircraft had torn the orderliness of situation maps apart with a rapidity alarming even to the side enjoying success. Anton remembered the baffled faces at the corps briefing he had attended earlier in the afternoon. Everyone had expected a tougher initial fight. But the fairy-tale endings of countless dreary exercises had suddenly come true. Even the careful Tartar eyes of Anseev, the corps commander, had revealed an odd disorientation, unsettled by the velocity of events.
In his heart, Anton felt that the war could not go too slowly for him. He recalled the detritus of enemy bombings on the approaches to the Elbe River crossing site north of Magdeburg. The long lines of burned-out trucks and the hapless rows of burned bodies had not even made it into the war in the traditional sense. Hours away from the border and the stew of combat, death had come without warning. If war had ever had any glamour, Anton thought, it was surely gone now. If war had ever had any glamour. Now complex, inhuman systems flew overhead, or perhaps just somewhere in the middle distance, beyond the reach of the human eye, and computers told the machines what to do and when to do it, and the earth erupted with hellfire. Anton had counted thirty-seven wrecks in one area, over fifty in another. The crossing sites themselves were little more than vehicle graveyards, the riverbanks blackened. His brigade had lost several vehicles during the Elbe River crossing, including precious air-defense systems. Now the survivors sat hidden in an assembly area in the Letzlinger Heide, topped off with fuel, organized into combat march serials, ready to move on the last, most difficult leg of their journey into battle. The corps commander projected a resumption of the march within twelve to eighteen hours, and a rapid movement to commitment, with no scheduled rest stops or halts at provision points. When the vehicles moved again, their destination would be combat.
As soon as the Guards colonel told them to move. As soon as the corps commander told the Guards colonel. As soon as the front commander gave the word to the corps commander.
Anton thought helplessly of his father. He truly loved the old man. And admired him. Of course, it was easy to admire Army General Malinsky, Commander of the First Western Front. But Anton wondered how many other men truly loved him. His father had always seemed enormous and heroic to him. And blind, as heroes had to be in the social architecture of the Soviet system. Anton was convinced that his father was scrupulously, almost absurdly honest. The old man meant it when he said he wanted no special treatment for his son. But the system was not equipped to handle such requests. Anton knew well that he would have had to commit a string of outrageous public follies even to slow his career. Malinsky’s son. Promote him. And get him out of here.
Even if he had it all to do over again, Anton doubted he would follow his own desires. The old man was too big, too grand to be resisted. And disarmingly demanding, in his aristocratic way. He had never threatened or bullied Anton into becoming an officer. He had just assumed it would be so with such unshakable conviction that Anton had found himself powerless to resist.
Zena wanted him to quit. She wanted him to find his own life. It was far too late now, of course, to think seriously about becoming a concert pianist. Too many years had gone by. His fingers had stiffened around too much military hardware. But, she pointed out, he could perhaps become a professor of music, and a critic. He had a good name, and the good names were back in fashion at last, a new novelty for the privileged elite. And then they could be together always.
Zena.
She was a fine, loving, exuberant chaos of a woman, absolutely inappropriate for the role of an officer’s wife. She could never remember the ranks of the other wives’ husbands; she was only half-aware that Anton wore a rank himself. If Zena liked her, a lieutenant’s child bride was as good as a marshal’s dowager. And naturally, since she was married to a Malinsky, the wives from the upper echelons assumed that Zena purposely snubbed them. Zena was an open, honest, naive, hated woman who danced jauntily through it all, never fully aware of the nastiness behind the smiles, singing her little Beatles’ songs learned from Western tapes. He played Scriabin, and she listened, curled up like a cat on an old peasant stove. But left to her own devices, she buoyed in and out of rooms, delighted and frenetic with life, singing in her phonetically memorized English, “Honey Pie, you are making me cra-a-zy…”
Tears came to his eyes as he pictured her, straight red hair draping a white throat made for jewels. Jeans and jewels. Zena. He touched his eyes, dreading discovery, and a queasiness that had been nipping at his stomach for the last few hours twisted in him again. He hoped he was not getting sick, even as the beginning of illness soured his mood still further.