He looked at his watch. It was almost six o’clock and he felt suddenly ravenous. He hadn’t had any lunch. He felt like celebrating. He thought he’d go down to the Pier House for his supper, maybe have a couple of pints. Some of the boys might be in and they could play cards, talk about the old times. Davy Henderson should be around. Maybe Anna had relented and let Ronald out for the evening. Then he remembered that Perez had asked him to talk to Sophie. He locked the drawer and hung up the key again, making sure everything was as it had been before. He hated the idea that his parents might know he’d been snooping.
On the way to Symbister he stopped by the Bod. The Pier House would be quiet this early and they’d have the chance to talk. It wasn’t such a chore; Sophie was good company. She had a knack of making every man she was with feel special, attractive. He wondered whether he could persuade her to open up. If he’d made more effort to get to know Hattie, perhaps she’d have felt able to confide in him too. But when he knocked on the door there was no answer. He looked inside. All the archaeological equipment was still there in a heap at one end of the living room, but Sophie’s personal belongings seemed to have gone.
In the Pier House, Cedric was behind the bar, staring into space. He’d looked the same age since Sandy had been a boy, but recently he seemed to have got older. His responses were slower.
‘Have you seen the lassie from the Bod?’
Cedric turned his head to look at Sandy.
‘Aye she was in earlier. She took the ferry out. I was down at the pier to meet Jean. Sophie was all loaded up like a packhorse with that huge rucksack. She seemed pleased to be away.’
Sandy phoned Perez and told him what had happened. Perez went very quiet, but he didn’t seem to think Sandy was to blame for allowing the girl to leave. It occurred to Sandy that Hattie might be travelling to Aberdeen on the same ferry as Sophie, but she’d be in the anonymous Transit van that the undertaker used to carry bodies for post-mortem, and Sophie would be in the bar.
Chapter Thirty-five
When Perez arrived back in Lerwick, he called in to his office. It had a sleepy feeclass="underline" most of his team were taking Easter leave. He phoned the Fiscal’s secretary and learned she’d be in a meeting for most of the afternoon. He made an appointment to see her first thing the following morning. He was looking forward to getting home early, sticking some clothes in the washing machine, cooking a meal for himself. In the meantime he began to wonder about the best way to track down the nationality of Berglund’s family.
Although he’d planned a quiet evening at home, when he got there he couldn’t relax. He found it impossible to stop thinking about Sophie, rerunning in his head the conversation on the cliff by the golf course. She was right about the note. Of course not all suicides left notes, but Hattie was a writer. If she were planning to kill herself she’d have written a considered letter to Gwen James explaining what she was doing. There wouldn’t have been a panicky phone call. Suddenly he wanted this over. Soon Fran would be home. He didn’t want her to arrive back in the middle of an investigation, to find him distracted and exhausted.
In the end he ran himself a bath. His bathroom was thin and narrow, the bath old and deep with scarred enamel. The room filled with steam and condensation ran down the window. It didn’t matter. The house was damp anyway, what difference would it make? He lay back, trying to let go of the case, but the possible scenarios, the shifting relationships, swirled into his head and out again. He was half asleep. A Dance to the Music of Time. Who had written that? He saw the Whalsay folk past and present waltzing in and out of his consciousness. A Norwegian sailor and a screwed-up young archaeologist, an ambitious businesswoman and an old man disabled by a stroke. How did they all fit together? He shut his eyes and felt he was floating towards a solution.
The phone rang. He wanted to leave it, to continue with his thoughts, but it could be Fran. He’d found it difficult to talk to her away from his own surroundings and now he was desperate to hear her voice. He climbed out and grabbed a towel – he always thought his house on the shore gave him privacy, but he’d been caught out before when a canoeist or sailor floated close to his window. The phone stopped just before he reached it. She would leave a message, he thought. And he’d call her straight back, before she rushed out to meet her friends at some experimental piece of theatre, some gallery opening or smart restaurant.
But when he pressed 1571 to pick up the message he heard quite a different woman’s voice. It was Val Turner, the local-authority archaeologist. ‘Jimmy, I’ve got an initial report back on the Whalsay bones. I’ll be in the office for half an hour if you want to give me a ring.’
He went back into the bathroom but now the water seemed grey and uninviting, his contemplations ridiculous. He pulled out the plug and got dressed.
Instead of phoning Val back immediately he called Fran’s mobile. There was no reply and he left a message. When he rang Val, she picked up her phone straight away. ‘You’ve just caught me, Jimmy. I was just about to leave.’
‘Have you got time to meet up? I’d be happy to buy you dinner. A thank-you for rushing through the analysis of the bones.’ After all, he thought, he needed company. It would do him no good to sit in on his own, brooding. And he still had questions about the dig. The laundry could wait for another day.
‘Ah,’ she said. ‘You don’t know the favours I’ve had to call in to get that done so quickly. I’ve never known it happen in under six weeks.’
‘I owe you, then. Shall we see if they can squeeze us into the museum?’
‘Fine,’ she said. ‘Half an hour?’
She was there before him in the upstairs restaurant, sat at a table for two looking over the water. It was only just starting to get dark; the nights were drawing out. She was sitting over a glass of white wine and there was another for him.
‘I didn’t get a bottle,’ she said. ‘I’m driving and I presume you are too. Is that OK?’
‘Of course.’
‘Now, the bones . . .’ She grinned. She knew how much he needed the information.
‘Just tell me. How old are they?’
‘Most are old,’ she said.
‘How old?’
‘Given the unusual circumstances, I sent four pieces of bone for dating. Three of them returned dates that fell between 1465 and 1510, and it’s probably one individual, not several people. So they’re not contemporary. They can’t have anything to do with the recent deaths in Whalsay. The age fits in perfectly with Hattie James’s theory about the building. Fifteenth-century. Like the coins.’
So not the dead Norwegian. Is that old story from Mima’s youth just a distraction?
Val Turner was still speaking. ‘I wish I’d been able to tell her. Perhaps if she’d known absolutely that she was right about the age and the status of the house she wouldn’t have killed herself.’
If she did kill herself, Perez thought. But he didn’t say anything. It would take one chance remark to start a rumour. It suited him fine for the time being if people thought Hattie’s death was suicide. Then he took in the importance of Val’s first words.
‘You said most of the bones were old. What did you mean by that?’
‘There’s one piece that seems more recent than the rest. I’ve asked them to check it. It’s probably an error.’ She seemed suddenly aware of the effect her words had on him. ‘Really, it happens. You shouldn’t take it too seriously.’