Red Fox

'She will be here one more day,' Carboni intoned. T h e n we transfer her to Messina to await the courts. God willing, it will be months before they drag her into the light again.'

This is not your work, these are not the people you are normally with?' A gentle query from Carpenter.

' I am a criminal policeman, I do not have a political background. That is the can of worms for a policeman. But everyone is very willing that I should be the man who takes the weight of this action. There are others better fitted than I, but they did not raise their hands.' There was a tight, resigned sadness on Carboni's face. 'But that is how we live here, that is our society. We do not fall down and wag our tails and demand to be given the hardest task because there lies the way to honour and promotion, when the risk of failure is greatest. We are survivors, Carpenter. You will learn that.'

He broke off, his attention directed to the side door of a small building that fronted a towering five-storey cell block. Carabinieri with light machine-guns led the way, officers with medal ribbons followed and then the prisoner. It was the sound of the chains, intrusive and strange to Carpenter, that alerted him to the presence of Franca Tantardini, diminutive when surrounded by so many taller men. A flower choked by weeds. Carpenter shrugged. Stop the bloody politicizing, Archie. She's not a bad-looker either. Good pair of hips on her.

There was no fear on the woman's face. A battleship under steam, proud and devastating and intimidating. The face that launched Giancarlo, chucked him far out to sea.

'An impressive bit of woman, Mister Carboni.'

' If you find a psychopath impressive, Carpenter, then this one would meet your definition.'

You've overstepped the line, Archie. Taking the guided tour for granted, as of right. You're the workhouse boy here, out on a charity ride and taking favours. And remember what they brought you here to see. The bloody enemy, Archie, the enemy of the State. They watched as Franca Tantardini was led into the windowless grey van with her gaolers, and around them there was running and movement and the revving of engines from the escort cars; four of them, back windows lowered, machine-guns pro-truding.

The rear of the van was held open and Carboni moved rapidly inside, Carpenter following and chastened.

'We are sensitive at this m o m e n t… about these people.'

T a k e my apology, it was the remark of an idiot.'

Thank you.' A half smile, fast and then obliterated, replaced by the set, hard features of a man about his work. Carboni offered a hand to help Carpenter climb inside. There were two lines of benches in the interior, running against the sides, and the woman rested in a corner far from the door. Illumination came from a single bulb protected by steel mesh. Carboni felt in his waist and produced his short-barrelled pistol and handed it without comment to an escort who would sit at a distance from the prisoner.

'You are armed, Carpenter?'

'No.' A blush, as if he had displayed an inadequacy.

The van drew away, slowly at first, then speeding forward and the echo of the sirens in front and behind bathed the shallow interior.

'Come and join me.'

Carboni, a hand against the ceiling to preserve his balance, had struggled across the heaving floor and subsided on to the bench beside the woman. Carpenter took a place opposite her.

Tantardini eyed them indifferently.

'Franca.' The policeman spoke as if it hurt to use her first name, as if afterwards he would soap-rinse his mouth. ' I am Carboni of the Questura. I am in charge of the investigation into the kidnapping of an English businessman, Geoffrey Harrison..

'Am I to be accused of that too?' She laughed clearly. 'Is every crime in Rome to be set against the terrible, the fearsome Tantardini ?'

'Listen to me, Franca. Listen and do not interrupt.. The talk was fast and in Italian, leaving Carpenter uncomprehending, his attention held only by the calm, bright face of the woman.

'… Hear me out. He was taken, this Englishman, by a Calabresi group. Now he has been removed from them, and he is in the hands of your boy, your Giancarlo.'

Again the laugh, and the rich, diamond smile. 'Battestini could not deliver a letter… '

'He has killed three men, he has moved Harrison half across the country.' Carboni pierced her with his small pig eyes. The heat in the van was intolerable, and he mopped at his face with a stained handkerchief. 'Battestini holds the Englishman in Rome and demands your freedom against his prisoner's life.'

There was a trickle of wonderment and surprise. 'Battestini has done all this?'

'On his own, that is what we believe.'

Almost a chuckle. 'So why do you come to me?*

'You are going now to my office. In little more than an hour, in eighty minutes, Battestini will telephone that office. He has demanded to talk to you. We have agreed… '

Carpenter, the eyewitness, watched the tightening of the woman's body, saw the muscles ripple against the cloth of her jeans.

'… He is very young, this boy. Too young. I tell you something very honestly, Franca: if any harm should come to Harrison, then Giancarlo will die where we find him.'

'Why tell this to me?'

'You bedded him, Franca.' The words ripped in distaste from Carboni's mouth. 'You poured the paraffin on his calf-love. He does this for you.'

The van had lost its speed, telling the occupants that the built-up sprawl of north-east Rome had been reached, and the sirens bellowed for passage with a greater ferocity. Carpenter watched the woman as she lapsed into silence, as if pondering what she had been told. The blanket of warm air wrapped all of them, and there was a drop of sweat eking from her hairline across the fine chiselled nose.

'What do you offer me?'

' I offer you the chance to save the boy's life. He is not of your sort, Franca. He is not a man of the Nappisti, he is a boy. You will go to gaol for many years, not less than twenty. Help us now and it would be taken into account at your trial, there would be clemency.'

As if from instinct her mouth curled scornfully, before the softness of the woman's lips reappeared. 'You ask me to secure the release of the Englishman?'

T h a t is what we ask of you.'

'And I will talk with Giancarlo?'

'You will talk with him.'

Carboni looked hard into her, waiting for the response, conscious that he had committed much of his future to the conversation of a few minutes. Whitened skin, pale as the flesh of an underground creature, hair that was not greased and ordered, tired to exhaustion.

'He is very young,' the woman murmured. 'Just a boy, just a pair of clumsy little hands… '

Thank you, Franca. Your action will be rewarded.'

What had been settled Carpenter could not know. Carboni had leaned back against the discomfort of the rolling metal wall, and Tantardini sat very still except that her fingers played on the links of the chains that fastened her wrists. And she wasn't wearing a bra either. Bloody marvellous sight, and the blouse must have shrunk in the last wash. Wrap it, Archie. Carboni seemed happy enough, something would have been sorted.

The van travelled at steady speed towards the inner city.

Only when the last of them had retreated noisily through the low yellow gorse clump beneath the pines did Violet Harrison open again her eyes. It was too dark under the trees for her to see his fleeing back, but there were the sounds for a long time of his blundering feet and his calls for his friends. The pain in her body was intense, bitter and vivid, and there was a chill seeping against her skin. But the cold was nothing, set against the agony of the wounds provided by the boy Marco and his friends. The worst was at the gentle summit of her thighs, on the line where the tan and the whiteness split, where the bruises would be forming.