At last Gekko halted in a small chamber far underground. It was exceptional in that it was totally without decoration; its plain, pearl-grey walls seemed almost unMartian. Gekko laid Jim on the floor here and said, "This is a gate to the other world."
Jim picked himself up. "Huh?" he said. "What do you mean?" and then carefully rephrased the question in the dominant tongue. He need not have bothered; Gekko did not hear him.
Jim craned his neck and looked up. Gekko stood utterly motionless, all legs firmly planted. His eyes were open but lifeless. Gekko had crossed over into the "other world."
"For the love of Mike," Jim fretted, "he sure picks a sweet time to pull a stunt like that." He wondered what he ought to do, try to find his way to upper levels alone or wait for Gekko. Natives were reputed to be able to hold a trance for weeks at a time, but Doc MacRae had pooh-poohed such stories.
He decided to wait for a while at least and sat down on the floor, hands clasped around his knees. He felt considerably calmed down and in no special hurry, as if Gekko's boundless calm had flowed over into him while the native had carried him.
After a while, an indefinitely long while, the room grew darker. Jim was not disturbed; he was vastly content, feeling again the untroubled happiness that he had known in his two experiences of "growing together."
A tiny light appeared at a great distance in the darkness and grew. But it did not illuminate the small pearl-grey room; it built up an outdoor scene instead. It was as if a stereo-movie projector were being used to project New Hollywood's best work, in full, natural color. That it was not an importation from Earth Jim knew, for the scene, while utterly realistic, had no slick commercial finish, no plot.
He seemed to be seeing a grove of canal plants from a viewpoint about a foot off the ground. The viewpoint shifted steadily and erratically as if the camera were being trucked on a very low dolly here and there through the stalks of the canal plants. The viewpoint would shift quickly for a few feet, stop, then change direction and move again, but it never got very far off the ground. Sometimes it would wheel in a full circle, a panorama of three hundred and sixty degrees.
It was during one of these full rotations that he caught sight of a water-seeker.
It would not have been strange if he had not recognized it as such, for it was enormously magnified. As it charged in, it filled the entire screen. But it was impossible not to recognize those curving scimitar claws, the grisly horror of the gaping sucker orifice, those pounding legs-and most particularly the stomach-clutching revulsion the thing inspired. Jim could almost smell it.
The viewpoint from which he saw it did not change; it was frozen to one spot while the foul horror rushed directly at him in the final death charge. At the last possible instant, when the thing filled me screen, something happened. The face--or where the face should have been-disappeared, went to pieces, and the creature collapsed in a blasted ruin.
The picture was wiped out completely for a few moments, replaced by whirling colored turmoil. Then a light, sweet voice said, "Well, aren't you the cute little fellow!" The picture built up again as if a curtain had been lifted and Jim stared at another face almost as grotesque as the faceless horror it replaced.
Although this face occupied the whole screen and was weirdly distorted, Jim had no trouble in placing it as a colonial's respirator mask. What startled him almost out of the personal unawareness with which he was accepting this shadow show was that he recognized the mask. It was decorated with the very tiger stripes that Smythe had painted out for a quarter credit; it was his own, as it used to be.
He heard his own voice say, "You're too little to be wandering around by yourself; another one of those vermin might really get you. I think I'll take you home."
The scene went swinging through the canal growth at a greater height, hobbling up and down to the boy's steps. Presently the point of view came out into open country and showed in the distance the star-shaped layout and bubble domes of South Colony.
Jim adjusted to the idea of watching himself, hearing himself, and accepted the notion of seeing things from Willis's viewpoint. The record was quite unedited; it pushed forward in a straight line, a complete recollection of everything Willis had seen and heard from the time Jim had first taken him under his protection. Willis's visual recollections were not entirely accurate; they seemed to be affected by his understanding of what he saw and how used to it he was. Jim-the "Jim" in the shadow show-at first seemed to have three legs; it was some time before the imaginary excrescence vanished. Other actors, Jim's mother, old Doc MacRae, Frank, developed from formless shapes to full, though somewhat distorted, representations.
On the other hand, every sound was heard with great clarity and complete accuracy. As Jim listened and watched he found that he was savoring sounds of every sort and most especially voices with a new and rich delight.
Most especially he enjoyed seeing himself as Willis saw him. With affection and warm humor he saw himself stripped of dignity but clothed in a lively regard; he was loved but not respected. He, Jim himself, was a great bumbling servant, helpful but maddeningly unreliable in his attentions, like a poorly trained dog. As for other human beings, they were curious creatures, harmless on the whole, but unpredictable traffic hazards. This bouncer-eye view of people amused Jim mightily.
Day by day and week by week the account unfolded, even to the periods of dark and quiet when Willis chose to sleep or was shut up. It carried on to Syrtis Minor and into a bad time when Jim was missing. Howe appeared as a despised voice and a pair of legs; Beecher was a faceless nonentity. It continued, step by step, and somehow Jim was neither tired nor bored. He was simply in the continuity and could no more escape from it than could Willis-nor did it occur to him to try. At last it wound up in the Martian city of Cynia and ended in a period of dark and quiet.
Jim stretched his cramped legs; the light was returning. He looked around but Gekko was still deep in 'his trance. He looked back and found that a door had opened in what had appeared to be blank wall. He looked through and into a room beyond, decorated as Martian rooms so frequently are in careful imitation of an outdoor scene-lush countryside more like uie sea bottoms south of Cynia than like the desert.
A Martian was in the room. Jim was never able afterwards to visualize him completely for his face and particularly his eyes compelled attention. An Earthling has no good way to estimate the age of a Martian yet Jim had the unmistakable impression that this Martian was very old-older than his father, older even than Doc MacRae.
"Jim Marlowe," the native said in clear tones. "Welcome, Jim Marlowe, friend of my people and friend of mine. I give you water." He spoke in Basic English, in an accent vaguely familiar.
Jim had never heard a Martian speak an Earthly tongue before, but he knew that some of them did speak Basic. It was a relief to be able to answer in his own speech. "I drink with you. May you ever enjoy pure and plentiful water."
"I thank you, Jim Marlowe." No actual water was used and none was needed. There followed a polite period of quiet, during which Jim thought about the Martian's accent. It was oddly familiar; it put him in mind of his father's voice, again it sounded like Doc MacRae.
"You are troubled, Jim Marlowe. Your unhappiness is ours. How may I help you?"
"I don't want anything," Jim answered, "except to go home and take Willis with me. They took Willis away. They shouldn't have done that."
The silence that followed was even longer than before. At last the Martian answered, "When one stands on the ground, one may not see over the horizon-yet Phobos sees all horizons." He hesitated a moment before the word "Phobos." As if in afterthought he added, "Jim Marlowe, I have but lately learned your tongue. Forgive me if I stumble."