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Jesus,Smithback thought. Hiram Bennett, Mister Publishing himself.He could imagine the bidding war between Cygnus House and Stockbridge, the publishers of his Museum book. He’d get his agent to set up an auction, specify a floor of two hundred grand, no, make that two fifty, with ten percent topping privileges and—

“I ask one thing in return,” Mrs. Wisher coolly interrupted his thoughts. “That from now on, you devote yourself to covering Take Back Our City. I want your newspaper articles, when they appear, to focus exclusively on our cause.”

“What?” Smithback said abruptly. “Mrs. Wisher, I’m a crime reporter. I’m hired to turn in product on a regular basis.” His visions of publishing fame quickly faded, replaced with the angry face of his editor, Arnold Murray, demanding copy.

Mrs. Wisher nodded. “I understand. And I think I can deliver you all the ‘product’ you could wish for within a few days. I’ll give you details as soon as we’ve finalized our plans. Trust me, I think that you will find this relationship to be beneficial to us both.”

Smithback thought quickly. In a couple of hours, he was due to file his story covering what he’d learned eavesdropping on the Museum conference. He’d delayed it already, hoping in vain to gain additional information. This was to be the story that got him his raise, the story to set that prick Bryce Harriman back on his heels.

But would it? The reward was getting a little stale, and no leads had panned out. His report on Mephisto hadn’t excited the interest he’d thought it would. There was no clear proof that the death of the Medical Examiner, though suspiciously coincidental, was connected. And then, there were always the unpleasant consequences of Museum trespass to be considered.

But this Wisher story, on the other hand, could be just the dynamite he was looking for. His journalist’s instincts told him it had the feel of a winner. He could call in sick, stall Murray for a day or two. When he got the final results, all would be forgiven.

He looked up. “Mrs. Wisher, you’ve got yourself a deal.”

“Call me Anette,” she said, her gaze drifting over his face for a moment before falling toward the menu at her elbow. “And now let’s order, shall we? I’d suggest the coldwater scallops wrapped in lemon phyllo and caviar. The chef here does them excellently.”

= 26 =

HAYWARD ROUNDED THE corner onto 72nd Street, then stopped, frowning in disbelief at the sand-colored building that loomed up in front of her. She checked her pocket for the scribbled address, then stared up again. There was no mistake. But the place looked more like a mansion out of a Charles Addams cartoon—magnified perhaps twenty times—than a Manhattan apartment building. The structure rose, stone upon layer of stone, nine generous stories into the air. Near its top, huge two-story gables hung like eyebrows over the facade. The copper-trimmed slate roof above was encrusted with chimneys, spires, turrets, finials—everything but a widow’s walk. Or maybe arrow slits would be more appropriate,Hayward thought. The Dakota, it was called. Strange name for a strange-looking place. She’d heard of the place, but had never seen it. Then again, she didn’t get many excuses to visit the Upper West Side.

She walked toward the arched carriageway that bored into the southern flank of the building. The guard inside the adjoining sentry box took her name, then made a brief call.

“Southwest lobby,” he said, hanging up and directing her through. She stepped past him toward the dark tunnel.

On the far side, the archway opened into a large interior courtyard. Hayward stopped for a moment, staring at the bronze fountains, thinking that the genteel, almost secretive hush seemed absurdly out of place on the west side of Manhattan. Then she turned right and headed for the nearest corner of the courtyard. She stepped through the narrow lobby and into the elevator, stabbing the button with a slender finger.

The elevator rose slowly, opening at last into a small rectangular space. Stepping out, she saw that on the far side a single door had been set into the dark polished wood. The elevator whispered shut and began to descend, leaving Hayward in blackness. For a moment, she wondered if she was on the wrong floor. There was a slight rustle, and her right hand moved instinctively toward her service piece.

“Sergeant Hayward. Excellent. Please come in.” Even in the dark, Hayward would have recognized the accent, the bourbon-and-buttermilk voice. But the far door had opened and Agent Pendergast was standing just within, his slim, unmistakable figure silhouetted by the soft light of the room beyond.

Hayward stepped inside and Pendergast shut the door behind her. Though the room was not especially large, its high ceiling gave it a sense of formal grandeur. Hayward looked around curiously. Three of the walls were painted a deep rose, edged above and below in black molding. Light came from behind what appeared to be wafer-thin pieces of agate, framed in scallop-shaped bronze fixtures set well above eye level. The fourth wall was covered in black marble. Across the entire face of the marble, a thin sheet of water fell like a stream of glass from ceiling to floor, gurgling silently into the grill that ran along its base. A few small leather sofas were placed about the room, their bases hidden by the thick nap of the carpet. The only decoration consisted of a few paintings and several twisted plants, scattered here and there on lacquer tables. The room was fastidiously clean, without a smudge or a particle of dust. Though she knew there must be other doors leading into the interior of the apartment, their outlines were too well concealed for her to make them out.

“Sit anywhere, Sergeant Hayward,” Pendergast said. “May I offer you refreshment of some kind?”

“No thanks,” Hayward replied, selecting the seat closest to the door and letting the soft black leather creep luxuriously up around her. She stared at the painting on the nearest wall, an impressionist landscape of haystacks and pink-tinged sunlight that seemed somehow familiar. “Nice place. Though the building’s kind of weird.”

“We tenants would prefer to call it eccentric,” Pendergast said. “But many would have agreed with you over the years, I suppose. The Dakota, so named because when it was built in 1884, this part of town seemed as remote as Indian Territory. Still, it has a solidity, a kind of permanence, that I like. Built on bedrock, walls almost thirty inches thick at ground level. But you didn’t come here to listen to a lecture on architecture. Actually, I’m grateful you came at all.”

“You kidding?” Hayward asked. “And pass up a chance to tour Agent Pendergast’s crib? You’re kind of a legend among the rank and file these days. As if you didn’t know.”

“How reassuring,” Pendergast replied, slipping into a chair. “But this is the extent of the tour, I’m afraid. I rarely entertain visitors. Still, it seemed the best place for our chat.”

“And why’s that?” Hayward asked as she looked around. Then her eyes lighted on the closest of the lacquered tables. “Hey!” she pointed. “That’s a bonsai plant. A miniature tree. My senseiat the karate dojohas a couple of them.”

Ginkgo biloba,”Pendergast said. “The Maidenhair. It’s the only remaining member of a tree family common in prehistory. And to your right is a group planting of dwarf trident maples. I’m especially proud of their natural look. The trees in that planting all change color at different times in the fall. From the first tree to the last, that construction took me nine years. Your senseicould no doubt tell you that the secret to group plantings is to add bonsai in odd numbers at a time, up to a point where counting the trunks demands concentration Then you’re done.”

“Nine years?” Hayward repeated. “Guess you got a lot of free time on your hands.”

“Not really. Bonsai is one of my passions. It is an art that is never finished. And I find its blend of natural and artificial aesthetics intoxicating.” He crossed one leg over the other, his black-suited form almost invisible against the dark leather, and waved one hand dismissively. “But stop encouraging me. A moment ago, you asked why I thought this the best place to talk. It’s because I wish to learn more about the underground homeless.”