It seemed he might hesitate a moment, but he took in my appearance, the blue of Cos, the insignia of the mercenaries of Artemidorus, the helmet, my weapons, indeed, two swords.
"Now," I said.
He scurried back into the shed, where, doubtless, the burly fellow's gear was stored, the saddle, tarn harness, and such. I think he did not wish to delay one of the company of Artemidorus. Perhaps he had done so before, to his sorrow.
I looked back, towards the main building. I could see only normal signs of activity.
The great sign, on its chains, hanging from the supported, horizontal beam on the huge pole was quiet now. Some wagons were leaving. The world about smelled fresh and clean from the rain. There were puddles here and there on the stone flooring of the inn yard, itself leveled from the living rock of the plateau. The attendant now came forth from the shed. He had the saddle, the cloth and other gear over his shoulder.
"I trust the tarn gate is open," I said.
"Yes," he said.
"Good," I said.
"Obviously I was in a hurry. He was doubtless accustomed to impatient guests. On the other hand he would presumably not suspect in how great a hurry I actually was.
He then entered the cot, to ready the bird.
I went about the shed and cot, and crossed the yard, moving between buildings. I wanted to make certain that the gate was indeed open. It was. It had not been opened to facilitate my departure, of course, but, as a matter of course, during the day, for the convenience of new arrivals. The two parts, or leaves, of the gate, within their supporting framework, of course, opened inward. They were now fastened back. In opening, they swung back across the landing platform, which was a foot or two above the level of the height of the palisade. An extension of this platform, retractable when the gate was closed, and probably braced with hinged, diagonal drop supports, would extend beyond the palisade. There was a ramp leading up to the platform on the inside, on the right. The leaves of the gate were very large, each being some thirty feet in height and some twenty-five feet in width. They were light, however, for their size, as they consist mostly of frames supporting wire. Whereas these dimensions permit ordinary saddle tarns, war tarns, and such, an entry in flight, the landing platform is generally used. It is always used, of course, by draft tarns carrying tarn baskets. The draft tarn makes a hovering landing. As soon as it senses the basket touch the ground it alights to one side. The sloping ramp, of course, makes it easy to take the tarn basket, on its leather runners, no longer harnessed to the tarn, down to the yard. It is also convenient for discharging passengers, handling baggage, and such.
Not all tarn gates have this particular construction. In another common construction the two parts, or leaves, of the gate, within their supporting framework, lean back, at an angle of some twenty degrees. They are then slid back, in a frame, on rollers, each to its own side. This gives the effect of a door, opening to the sky. The structure supporting the gate, in such a case, with its beams, platforms, catwalks and mastlike timbers, is very sturdy. Narrow ladders, too, ascend it here and there, leading to its catwalks and platforms. Such a construction, of course, requires the more time-consuming, hovering landing of all birds, not simply draft tarns, carrying tarn baskets. It does, however, make the landing platform unnecessary. The construction of the Crooked Tarn, incidentally, was more typical of a military installation, in that it permitted the more rapid development and return of tarnsmen, coupled with the capacity to open and close the tarn gate in a matter of Ihn. The tarn gate's construction here suggested that the Crooked Tarn might not always have served as an inn. Probably at one time or another, before the founding of Ar's Station, it had served to garrison troops, perhaps concerned to monitor the more northern reaches of the Vosk Road. This was suggested, too, by its distance from the Vosk, which was approximately one hundred pasangs. The ordinary one-day march of the Gorean infantryman on a military road is thirty-five pasangs. The Crooked tarn, then, was almost exactly three days march from the river.
I loosened my blade in my scabbard and returned to the vicinity of the tarncot. The tarn was ready.
It was within the cot, tearing at a piece of meat, a haunch of tarsk, hung from a rope. The rope was some two inches thick. The suspension of the meat reminded me of the way peasant women sometimes cook roasts, tying them in a cord and dangling them before the fire, then spinning the meat from time to time. In this way, given the twisting and untwisting of the cord, the meat will cook rather evenly, for the most part untended, and without spit turning. The rope then, drawn tightly as it was, so tautly, so fiercely, toward the tarn, suddenly, a foot or so above the meat, snapped. The tarn then had the meat and the lower portion of the rope on the ground, the meat grasped in his talons, tearing it away from the bone.
I spun suddenly about, the sword half drawn.
The girl stopped, extremely frightened.
She put her hand before her mouth, the back of her hand toward her face. She stepped back, faltering, frightened.
She was slim, and extremely dark-haired, and very white-skinned. Her hair was drawn back behind her head and tied there with a yellow cord. Her breasts were bared. A black cord was knotted about her waist. Tucked over this cord in front was a long strip, some seven inches wide, of heavy, opaque, yellow cloth. It then passed under her body and was pulled up, snugly, and thrust over the cord in the back. The front and back ends of this cloth hung evenly, and fell about midway between her knees and ankles. the effect was much like that of the curla and charka, a portion of the garmenture, or livery, in which the wagon peoples of the south place most of their female slaves, save that the curla, the cord, was black and not red, and the chatka, the strip, was of cloth and yellow, not of black leather. She had nothing corresponding, of course, to the kalmak, or southern slave's brief, open vest of black leather, and the cord binding her hair was quite different from the koora, the red band of cloth commonly used to confine the hair of the southern slave. In all then, since she wore cloth and not leather, and less than the southern slave, her appearance, if anything, was even more slavelike than hers.
"Why are you not kneeling, I asked her, "and with your knees spread?" she was, after all, in the presence of a free man. Too, clad as she was, I assumed she must be a pleasure slave. Such kneel before men in the open-kneed position. She sank to her knees on the stone, and hastily spread them. The cloth looked well, fallen between her thighs, on the damp stone.
I looked upon her.
She was now in a position of subservience and respect, suitable for a woman before a man. I replaced the blade in the sheath.
She looked up at me, frightened.
I regarded her.
She had a beautiful face, exquisitely and sensitively feminine.
She lowered her eyes before my gaze.
She was slimly beautiful.
I regarded her garbing. It did afford her a nether closure, but it was, at least, a precarious one. In compensation it well bared her thighs.
"Are you frightened?" I asked.
"Yes," she whispered.
It seemed to me, interestingly enough, if I did not misread the matter, that she was extremely sensitive to, and timid concerning, the revealing nature of her garbing. I had the feeling, based on certain expressions and tiny movements, that she more than once resisted the impulse to huddle before me, her head down, covering herself with her hands. But she remained much as she was. Indeed, she even straightened herself, and lifted her body before me, timidly, as if for my consideration.
"What is wrong?" I asked.
It seemed she wanted to speak, but lacked the courage to do so.
"What is that in your hand?" I asked. She had something clutched in her right hand.