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I crouched down. I could then see the heavy chain passed through the ring under the wagon. One end of it went between the folds of the tarpaulin clutched about the figure's throat, probably to be padlocked there, about its throat, or attached to a collar. The other end went behind the figure and downward, probably to fasten together its crossed ankles. seeing my eyes upon it, the small figure knelt under the wagon, and, its hands coming from the tarpaulin, their palms now on the gravel, put down its head, rendering obeisance.

"Oh!" she said, softly, as I lifted the tarpaulin back. she looked up from all fours. The chain which passed through the ring wound twice about her neck, where it was padlocked. From her neck, through the ring, lifting, and thence descending, it served also to secure her ankles, which were, as I had anticipated, crossed and chained closely together. This makes it so that the prisoner cannot walk. It is common to chain female prisoners so that they cannot rise to their feet. In this there is not only a security but a symbolism, one that bespeaks their rightful place. Beneath the tarpaulin I saw that she was naked, and, as I had thought she might be, beautiful.

She looked up at me, from all fours. Her body now was streaked with the slanted rain. Her hair, apparently from before, was wet and very dark. It fell about her shoulders. Her knees were on the tarpaulin, within which she had huddles, over the gravel. I knelt her back, and then took her hands in mine. They were also cold. I rubbed them for a time. Then I put them on her thighs. I touched her body, gently, rubbing the rain about it. She shuddered, her shoulders and breasts wet now, and slick, with the rain.

"You are helpless," I said to her, "and will make very little noise." "My ankles are chained," she whispered.

I put her to her back, a bit more under the shelter of the wagon. The chain moved a little through the loop ring above us. I heard the wagon creak a little, too, above us. Someone had stirred in it, or was moving, it seemed. The fellow who owned the wagon, I supposed, was turning in his sleep, or was addressing himself to his companion. But it then seemed quiet, and there was little noise except for the wind and rain, and the distant rumble of thunder.

My face was close to here. "You are slave," I whispered.

Suddenly there was a great burst of lightning and crash of thunder.

I saw her eyes, and pressed down upon her, holding her head, pressing her lips with the kiss of the master.

I drew back.

There was another great flash of lightning and I saw her eyes, looking up at me, wild, frightened, needful. "Yes," she whispered intensely, helplessly. "I am a slave! I am a slave!" Then she lifted her body and seized me in her arms and pressed her lips eagerly, needfully, gratefully to mine.

I put her to her back.

Then I caressed her, and she squirmed, writhing on the wet tarpaulin over the gravel, beneath the wagon, in the flashes of lightning, in the explosions of thunder.

She was small, naked and cuddly. Her thigh, as I determined, in turning her about, and caressing her, first, by feel, and then, in a flash of lightning, wore the common Kajira brand, the small, delicate "Kef," for "Kajira," sometimes called the staff and fronds, suggesting beauty subject to discipline. On her neck, beneath the coils of the heavy, padlocked chain, was a common, close-fitting Gorean slave collar.

"Alas," she wept softly, in misery, in frustration, "my ankles are chained!" I gathered she might not have been a slave long.

"Oh!" she cried, softly.

I thrust up her legs and slipped between them, and hen her legs were tight about me, I within their chained circuit. I lifted her up, and lowered her. "Ohh," she said, softly. She clutched me.

The storm was fierce.

Then, after a time, I lifted her up and slipped back, freeing myself.

There are various ways, of course, to use a woman whose ankles were bound. I had utilized one of them.

"If a question comes up," I said to her, "you were warned to silence, and were helpless." To be sure, this was even true. "You were merely utilized by a casual passer-by." I said. Such things, incidentally, are not that unusual with female slaves, particularly if they are put out, without an iron belt, in effect for the taking.

"I cannot believe the feelings I had," she whispered.

"You must endure such feelings and more," I said, "When men choose to impose them upon you."

"Yes, Master," she whispered, in awe.

The extent and nature of such feelings, I think, are largely a function of the individuals involved. To be sure, they are usually, too, a function of many other factors, as well. For example, in this particular case, I suspected that her chaining might have been a factor. Restraining the female, sometimes symbolically, sometimes in fashions which are literally, physically coercive, making her absolutely helpless, for various reasons, psychological and physical, intensifies her orgasm. This sort of thing, I suppose, is largely unknown to free women, though many seem to suspect it, dimly or otherwise. Its reality, of course, can become clear to them, for example, as they might find themselves on their knees, bound, kissing a man's whip. The most significant restraint, of course, it the condition of bondage itself, in which the woman knows that the male is dominant over her and that she must submit to him, that she is owned, and must, in fear of very life, be obedient and pleasing. Slavery institutionalizes, in an organized, social, civilized context, the natural biological relationship between men and women. It also, of course, as one would expect, by means of various devices, legal and otherwise, clarifies it and renders it more efficient.

"Oh, buy me, Master! Buy me!" she begged.

"Only a slave," said I, "begs to be bought."

"I am a slave," she said. "That was taught to me weeks ago by the slaver who captured me!"

"You are probably not for sale," I said.

"My master does not care for me," she said. "He bought me only to anger his companion, who is terribly cruel to me. During the day, when my legs are open, he even rents me out to strangers for a tarsk bit!"

"Does his companion grow more attentive and concerned?" I asked.

"I think not," she said.

"Perhaps it should be she who is chained beneath the wagon," I said. "She is a free woman!" protested the girl, in horror.

"Your master charges a tarsk bit for your use?" I asked.

"Yes," she said.

"Open your mouth," I said.

She did so, and I drew forth a tarsk bit from my pouch, this one not a separate coin in the sense of round or square coin, but a piece of such a coin, a narrow, triangular, chopped eighth of a copper tarn disk, and placed it in her mouth. "That is for your master," I said. Many Goreans, particularly those of low caste, on errands and such, carry a coin or coins in their mouths. Most Gorean garments, a notable exception being those of artisans, lack pockets.

She looked at me.

I pulled the tarpaulin up about her, as it had been before, to protect her from the storm.

In placing the coin in her mouth, I had not only, having discovered he was interested in such things, and the price was not too much, compensated her master for her use but had precluded further importunities on her part. I kissed a little at her face. I had thought the streaks there might have been rain, but they had a salty taste.

I moved from beneath the wagon and picked up my pack.

She looked up at me. She understood, the coin in her mouth, that she was now to be silent.

I looked up to the height of the stony plateau, and the palisade. In a flash of lightning, illuminated clearly for a moment, I could see, over the palisade, hanging from its chains, the crosspiece on the high pole, swinging in the storm, the huge sign with its emblematic representation of a bird, that with the vulturelike neck and the distorted, grasping right leg and talons, the sigh of the Crooked Tarn.