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doors which indicates that Gowan is approaching. Temple

lowers her voice again, rapidly)

Put it this way then. I dont know what you want, because I dont care.

Because whatever it is, you wont get it from me.

(the sound is near now-footsteps, clink of glass)

Now he'll offer you a drink, and then he'll ask you too what you want,

why you followed us home. I've already answered you. No. If what you

came for is

210 WILLIAM FAULKNER

to see me weep, I doubt if you'll even get that. But you certainly

wont get anything else. Not from me. Do you understand that?

STEVENS

I hear you.

TEMPLE

Meaning, you don't believe it. All right, toucW then. (quicker, tenser)

I refused to answer your question; now I'll ask you one: How much do

you-

(as Gowan enters, she changes what she was saying so

smoothly in mid-sentence that anyone entering would not

even realise that the pitch of her voice had altered)

-are her lawyer, she must have talked to you; even a dope-fiend that

murders a little baby must have what she calls some excuse for it,

even a nigger dopefiend and a white baby-or maybe even more, a nigger

dope-fiend and a white baby-

GOWAN

I said, stop it, Boots.

He carries a tray containing a pitcher of water, a bowl of ice, three

empty tUmblers and three whiskey glasses already filled. The bottle itself

protrudes from his topcoat pocket. He approaches Temple and offers the

tray.

That's right. I'm going to have one myself. For a change. After eight

years. Why not?

TEMPLE

Why not? (looks at the tray) Not highballs?

GOWAN

Not this one.

She takes one of the filled glasses. He offers the tray to Stevens, who

takes the second one. Then he sets the tray on the table and takes up the

third glass.

Nary a drink in eight years; count 'em. So maybe this will be a good

time to start again. At least, it wont be too soon.

(to Stevens)

Drink up. A little water behind it?

REQUIEM FOR A NUN 211

As though not aware that he had done so, he sets his untasted glass back on

the tray, splashes water from the pitcher into a tumbler and hands the

tumbler to Stevens as Stevens empties his glass and lowers it, taking the

tumbler. Temple has not touched hers either.

Now maybe Defense Attorney Stevens will tell us what he wants here.

STEVENS

Your wife has already told you. To say good-bye.

GOWAN

Then say it. One more for the road, and where's your

hat, huh?

He takes the tumbler from Stevens and turns back to the

table.

TEMPLE

(sets her untasted glass back on the tray)

And put ice in it this time, and maybe even a little water. But first,

take Uncle Gavin's coat.

GOWAN

(takes bottle from his pocket and makes a highball for

Stevens in the tumbler)

That wont be necessary. If he could raise his arm in a white courtroom

to defend a murdering nigger, he can certainly bend it in nothing but a

wool overcoat -at least to take a drink with the victim's mother.

(quickly: to Temple)

Sorry. Maybe you were right all the time, and I was wrong. Maybe we've

both got to keep on saying things like that until we can get rid of them,

some of them, a little of them-

TEMPLE

All right, why not? Here goes then.

(she is watching, not Gowan but Stevens, who watches her in

return, grave and soberly)

Dont forget the father too, dear.

GOWAN

(mixing the drink)

Why should 1, dear? How could 1, dear? Except that the child's father is

unfortunately just a man. In the eyes of the law, men are not supposed

to suffer: they

212 WILLIAM FAULKNER

are merely appellants or appellees. The law is tender only of women

and children-particularly of women, PaFtICLII.,Irly particular of

nigger dope-fiend whores who murder white children.

(hands the highball to Stevens, who takes it) So why should we expect

Defense Attorney Stevens to be tendcr of a man or a woman who just

happen to be the parents of the child that got murdered?

TEMPLE

(harshly)

Will you for God's sake please get through? Then will you for God's

sake please hush?

GOWAN

(quickly: turns) Sorry.

(he turns toward her, sees her hand empty, then sees her full glass

beside his own on the tray) No drink?

TEMPLE

I don't want it. I want some milk.

GOWAN

Right. Hot, of course.

TEMPLE

Please.

GOWAN

(turning)

Right. I thought of that too. I put a pan on to beat while I was

getting the drinks.

(crossing toward dining-room exit) Dont let Uncle Gavin get away until

I get back. Lock the door, if you have to. Or maybe just telephone

that nigger freedom agent-what's his name?-

He exits. They dont move until the sIap of the pantry door sounds.

TEMPLE

(rapid and hard) How much do you know?

(rapidly)

Dont lie to me; dont you see there's not time?

REQUIEM FOR A NUN 213

STEVENS

Not time for what? Before your plane leaves tonight? She has a little time

yet-four months, until March, the thirteenth of March-

TiMPLE

You know what I mean-her lawyer-seeing her every day-just a nigger, and

you a white maneven if you needed anything to frighten her withyou could

just buy it from her with a dose of cocaine or a pint of . . .

(she stops, stares at him, in a sort of amazement, despair; her

voice is almost quiet)

Oh, God, oh, God, she hasn't told you anything. It's me; I'm the one

that's-Dont you see? It's that I cannot believe-will not

believe-impossible-

STEVENS

Impossible to believe that all human beings really dont-as you put

it-stink? Even-as you put itdope-fiend nigger whores? No, she told me

nothing more.

TEMPLE (prompts) Even if there was anything more.

STEVENS

Even if there was.

TEMPLE

Then what is it you think you know? Never mind where you got it; just tell

me what you think it is.

STEVENS

There was a man there that night.

TEMPLE

(quick, glib, almost before he has finished)

Gowan.

STEVENS

That night? When Gowan had left with Bucky at six that morning to drive

to New Orleans in a car?

TEMPLE

(quick, harsh)

So I was right. Did you frighten her, or just buy it? (interrupts herself)