Выбрать главу

talking through the smoke.

230 WILLIAM FAULKNER

TEMPLE

Listen. How much do you know?

STEVENS

Nothing.

TEMPLE

Swear.

STEVENS

Would you believe me?

TEMPLE

No. But swear anyway.

STEVENS

All right. I swear.

TEMPLE

(crushes cigarette into tray) Then listen. Listen

carefully.

(she stands, tense, rigid,

facing him, staring at him)

Temple Drake is dead. Temple Drake will have been dead six years

longer than Nancy Mannigoe will ever be. If all Nancy Mannigoe has to

save her is Temple Drake, then God help Nancy Mannigoe. Now get out

of here.

She stares at him; another moment. Then he rises, still watching her; she

stares steadily and implacably. Then he moves.

TEMPLE

Good night.

STEVENS

Good night.

He goes back to the chair, takes up his coat and hat, then goes on to the

hall door, has put his hand on the knob.

TEMPLE

Gavin.

(he pauses, his hand on the knob, and looks back at her) Maybe I'll

have the handkerchief, after all.

(he looks at her a moment longer, then releases the knob,

takes the handkerchief from his breast pocket as he

crosses back toward her, extends it. She doesn't take it)

REQUIEM FOR A NUN 231

All right. What will I have to do? What do you suggest, then?

STEVENS Everything.

TEMPLE

Which of course I wont. I will not. You can understand that, cant you?

At least you can hear it. So let's start over, shall we? How much will

I have to tell?

STEVENS

Everything.

TEMPLE

Then I wont need the handkerchief, after all. Good night. Close the

front door when you go out, please. It's getting cold again.

He turns, crosses again to the door without stopping nor looking back,

exits, closes the door behind him. She is not watching him either now. For

a moment after the door has closed, she doesn't move. Then she makes a

gesture something like Gowan's in Scene Two, except that she merely presses

her palms for a moment hard against her face, her face calm, expressionless,

cold, drops her hands, turns, picks up the crushed cigarette from beside the

tray and puts it into the tray and takes up the tray and crosses to the

fireplace, glancing down at the sleeping child as she passes the sofa,

empties the tray into the fireplace and returns to the table and puts the

tray on it and this time pauses at the sofa and stoops and tucks the blanket

closer about the sleeping child and then goes on to the telephone and lifts

the receiver.

TEMPLE

(into the phone) Two three nine, please.

(while she stands waiting for the answer, there is a slight

movement in the darkness beyond the open door at rear, just

enough silent movement to show that something or someone is

there or has moved there. Temple is unaware of it since her

back is turned. Then she speaks into the phone)

Maggie? Temple. . . . Yes, suddenly . . . Oh, I dont know; perhaps we

got bored with sunshine.... Of course, I may drop in tomorrow. I wanted

to leave

232 WILLIAM FAULKNER

a message for Gavin ... I know; he just left here. Something I forgot .

. . If you'll ask him to call me when he comes in . . . . Yes. . . .

Wasn't it. . . . Yes. . . . If you will . . . Thank you.

(she puts the receiver down and starts to turn back into the

room when the telephone rings. She turns back, takes up the

receiver, speaks into it)

Hello . . . Yes. Coincidence again; I had my hand on it; I had just

called Maggie. . . . Oh, the filling station. I didn't think you had had

time. I can be ready in thirty minutes. Your car, or ours? . . . All

right. Listen. . . . Yes, I'm here. Gavin . . . How much will I have to

tell?

(hurriedly)

Oh, I know: you've already told me eight or ten times. But maybe I

didn't hear it right. How much will I have to tell?

(she listens a moment, quiet, frozen-faced, then slowly

begins to lower the receiver toward the stand; she speaks

quietly, without inflection)

Oh, God. Oh, God.

She puts the receiver down, crosses to the sofa, snaps off the table lamp

and takes up the child and crosses to the door to the hall, snaps off the

remaining room lights as she goes out, so that the only light in the room

now enters from the hall. As soon as she has disappeared from sight, Gowan

enters from the door at rear, dressed except for his coat, vest and tie. He

has obviously taken no sleeping pill. He goes to the phone and stands

quietly beside it, facing the hall door and obviously listening until Temple

is safely away. Now the hall light snaps off,and the stage is in complete

darkness.

GOWAN'S VOICE

(quietly)

Two three nine, please . . . Good evening, Aunt Maggie. Gowan . . . All

right, thank you . . . Su re, some time tomorrow. As soon as Uncle Gavin

comes in, will you have him call me? I'll be right here. Thank you.

(Sound of the receiver as he puts it back)

(Curtain)

Act Two

THE GOLDEN DOME (Beginning Was the Word)

JACKSON. Alt. 294 ft. Pop. (A.D. 1950) 201,092.

Located by an expedition of three Commissioners selected appointed and

dispatched for that single purpose, on a high bluff above Pearl River at

the approximate geographical center of the State, to be not a market nor

industrial town, nor even as a place for men to live, but to be a capital,

the Capital of a Commonwealth;

In the beginning was already decreed this rounded knob, this gilded

pustule, already before and beyond the steamy chiaroscuro, untimed

unseasoned winterless miasma not any one of water or earth or life yet all

of each, inextricable and indivisible; that one seethe one spawn one

mother-womb, one furious tumescence, father-mother-one, one vast incubant

ejaculation already fissionating in one boiling moil of litter from the

celestial experimental Work Bench; that one spawning crawl and creep

printing with three-toed mastodonic tracks the steamy-green swaddling

clothes of the coal and the oil, above which the pea-brained reptilian

heads curved the heavy leatherflapped air;

Then the ice, but still this knob, this pimple-dome, this buried

half-ball hemisphere; the earth lurched, heaving darkward the

long continental flank, dragging upward beneath the polar cap

that furious equatorial womb, the shutter-lid of cold severing

off into blank and heedless void one last sound, one cry, one

puny myriad indictment already fading and then no more, the

blind and tongueless earth spinning on, looping the long record

less astral orbit, frozen, tideless, yet still was there this tiny