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Perhaps she should go to the Bohemian quarter and find herself a starving artist or tortured poet. Or two. Or three. And it was a very good thing that she was leaving to dance elsewhere; she could take another old man or two there without the rumors of the previous ones following her. She would choose ones who needed to be discreet; that way no one would be the wiser when she consumed them.

The creature had taken the forms and shapes of many beings over the years; an elemental creature of earth, it had first been conjured and inexpertly bound some three hundred years ago by an Earth Master who relied on instinct rather than learning, and whose self-confidence was nothing short of hubris. He was the first human that the creature had devoured; up until then, it had confined itself to lesser Elemental beings and animals. But once she had absorbed the magician . . . that was when things began to change.

Her talent, which had caused the magician to try to bind her in the first place, was that not only could she kill anything by absorbing its essence, she could then imitate it flawlessly afterwards. So once she discovered that, having absorbed her erstwhile captor, she was able to stay on the Material Plane, there was no turning back for her. She had taken on the form of that foolish Elemental magician for quite some time before his life bored her, and when she was ready to move on, it hadn’t taken a lot of effort to find someone else to be.

The creature—the first mage had called her a “Troll”—went back to bed. When the body was found, which it would be soon since the sky to the east was getting brighter, “Nina” needed to be in her bed, alone. She might not be sans peur et sans reproche, at least in the eyes of the world, but having him die in her bed might excite the suspicions of the wretched police. There were Elemental Mages everywhere They could, and would, banish her back to her previous existence. Or worse . . .

She wrapped the silk sheets around herself and settled into the lovely, soft bed. It had been a good day when Nina Tchereslavsky decided she was going to use magic to get the attention of a certain beautiful young poet who was not interested in her. The current Nina judged that this was a very foolish thing to do; not only would most love spells not have worked on someone who was devoted to someone else, there had been a dozen equally beautiful young men clamoring for her. As for the dancer, she had been prepared to throw her entire life away on a succession of these beautiful young men, none of whom would have done her a particle of good, had any money, or ever likely would have any money.

Whereas the creature that had taken her place had made her great. A much, much better use of the gifts that had been given her.

With these thoughts in mind, Nina drifted back off to sleep, fully expecting to be awakened by the maid bewailing the death of the old man.

Instead, she was awakened by the maid bewailing nothing, only bringing her the morning pastry and chocolate, and an envelope, a letter from the impresario of the theater in Salzburg at which she was expected to perform. She frowned at it before opening it. She really hoped he was not canceling her engagement. She needed to move away from Hungary altogether; too many men had died around her, and this last one might start some talk. Germany, that was far enough. She would be discreet. It wasn’t hard to be discreet when you knew what to look for.

Provided this impresario wasn’t having second thoughts.

But instead, what fell out was a note and a newspaper clipping.

I trust this note will reach you where you should be, the note read, because you cannot perform in my theater and one in England at the same time.

Swiftly she caught up the little cut-out bit of paper. It wasn’t much, only a note that Nina Tchereslavsky was performing at some music hall in Blackpool and that she was to be the star of an upcoming and very ambitious project by the owner of that theater.

At first, Nina did not grasp what this meant.

Then she flew into a rage.

When at last her initial anger was expended, the bedroom was virtually destroyed. The furniture was in splinters, the bedclothes and curtains in rags. The servants knew better than to approach her in this mood; she likely would have killed them.

Not that this would have mattered to the world in general. Her servants were not human.

She stood in the middle of the wreckage, trying to think.

This . . . girl . . . was impersonating her. It did not matter that she was off in some provincial little city in England, where no one would see her but farmers in smocks and thick boots. What mattered was that this girl was stealing the reputation that Nina had built. Stealing her identity.

She had stolen from Nina. No one stole from Nina.

Her skin flushed with rage again, just thinking about it.

She would go to England. She would find this girl and kill her. It could not possibly take any time, and it should be pathetically easy. She would do what she had done with the original Nina, she would take on the form of a beautiful young man . . . or if that did not work, a very rich, old one. She would seduce the girl, and then kill her, and leave it to look as if she had been murdered by her lover. And of course, that lover would no longer exist. Nina could change to another form, and leave the country, all in time to make her debut at Salzburg.

She finally felt her anger cooling, and even managed to smile. Amid the chaos, she found the pull for the bell, and rang for her maid. The servant opened the door a crack, timidly.

It was so frustrating that she was fettered to this solid form! If she had not been, she could have been in England within a day, moving in the secret ways of the Earth Elementals, swimming through the very crust of the earth itself. She could change her form, she could work Earth Magic herself, but she was still as bound to the laws of the mortal world as if she was mortal herself.

“Clean up this mess,” she ordered. “Then have the others pack my trunks. Tell Yuri to order my car and get tickets to England.” How fortunate that the ballet season was over! “And you, cancel all my engagements and send for some new furniture; have this room repaired and re-furnished while I am gone. There is nothing here I need to deal with that cannot wait.”

“Hold very still,” ordered Jonathon, as he closed Ninette into the cabinet. “And don’t be afraid. Nothing you see is going to harm you.”

“But—” she began, as he closed the door. He didn’t open it again, and she stood there, in the dark, in what felt very like a coffin, wondering what it was she was going to see that might—

And then the entire box was engulfed in flames.

Terror overwhelmed her; she shrieked at the top of her lungs. She tried to bring up her arms to beat on the door of the box, but it was too narrow, and she couldn’t move. There was no fastening on the inside of the box; she tried to get up her foot to kick and couldn’t even do that. The flames were everywhere, and—

Suddenly she realized, in mid-scream, that she wasn’t even warm, that her clothing was not on fire, that she didn’t smell smoke, that the inside of the box was not even warm to the touch.