Whatever Jonathon was doing, this was not real fire! And she was quite ready to kill him at that moment. He might have said!
That was when the trap door beneath her that she had been told about opened, and she dropped down onto a pair of soft mattresses. Her knees automatically flexed as soon as she was falling, so she landed lightly. But fuming.
She stormed across the space beneath the stage and up the stairs to the backstage; her face must have looked like thunder, because even the stagehands scuttled out of her way. With hands balled into fists, she stalked across the stage to where Jonathon had just opened the cabinet with a flourish to show it was empty. At the sound of her feet thumping across the stage—for a ballerina can walk very heavily if she chooses—he turned.
“Now that is the kind of scream I—ow!”
She had kicked him in the shin before he could finish the sentence. He looked at her in astonishment. She kicked the other shin.
“Ow!”
“You might have said!” she shouted. “Merzavets! Lopni tvoya selezenka I ospleni tvoy glaz, nechistaya sila!” The Russian simply poured from her lips without thinking, and she would have been surprised if she had not been so furious. “You frightened me to death!”
“I am a magician! You know it couldn’t have been real!”
Oh yes, and she very much doubted that this was any illusion or stage trick. Those flames had to have come from his powers as an Elemental Mage. But she could not say that, not in public, so instead, she kicked his shin again.
“I would have known if you had warned me, but you did not!” she retorted. “You close me in a coffin, and then, fire! How was I to know it was not some terrible accident?”
“You would have heard someone shouting Fire!” Jonathon barked, heatedly.
“I would have heard nothing!” she shouted back. “I was screaming!”
Silence descended on the stage. Finally Arthur chuckled from his position in the orchestra pit. “Admit it, Jonathon. You wanted her to scream. You gave yourself away when you said that was the kind of scream you wanted.”
Jonathon flushed and looked away.
“Oh!” she spluttered, and kicked his shin again before stomping off the stage.
Behind her, with some satisfaction, she could hear him swearing.
The cat was waiting in the wings, and walked back with her to her dressing room, where she slammed the door closed, sat down, and looked at him.
That was very bad of him, the cat observed. It’s a naughty schoolboy trick.
“He is quite old enough not to play such things,” she said severely. “I am doing my best to be a good assistant to him, and he should not play such things on me. Stage fire is not funny.”
Especially not when you are trapped in a box. The cat sighed. He hasn’t changed. He drove off more young ladies with his pranks than you could imagine.
She looked at the cat oddly. “You know him?”
His assistants, the cat said hastily. The stagehands talked about it.
Ninette turned back to the mirror of her dressing table, but considered, and not for the first time, that the cat sounded as if he knew, or had known, the Fire Master in the past.
But it could be when my father lived here, she thought. There was no reason why the cat should not have been with her father before he came to Paris. Though why the cat should want to conceal this fact, she could not imagine. Thomas was full of mysteries. How had he known to come here, to Blackpool, for instance? How did he know that there was a theater owner here, moreover, one who was looking for someone very like her? But she was not going to pose these questions to him. If he had not told her these things before, there was no reason to think he would do so now, and she was not in a position to force him.
Are you going to rejoin the rehearsal? Thomas asked.
“When I think I have been away long enough to have made my feelings clear,” she said firmly. “That was not funny, and I do not intend to put up with any more such pranks. I am not an assistant that has no choice but to endure that sort of thing.”
Well put. And about time someone taught him that schoolboy tricks are very unwelcome when played by an adult man.
She waited a few moments more, then came out of her dressing room and returned to the stage, where Jonathon was fussing with his apparatus. She cleared her throat and he jumped.
“You aren’t going to kick me again, are you?” he asked, turning to her with a grimace.
“I shall, if you do any such thing again,” she said stiffly. “I am not your hired assistant, who must endure cruelty in order to collect her pay, and if you play more tricks on me, I shall kick you somewhat higher than your shin.”
His eyes widened. “You’d do it too, wouldn’t you?” he said with grudging admiration.
“Yes, I would.” She looked up at him defiantly. “Now, I believe we have an illusion to rehearse. I take it you wish me to scream in a terrifying fashion when I see the flames?”
He nodded speechlessly. She returned to her “spot” and knelt, arms behind her back as if tied there, then nodded to Arthur, who took that as the cue it was, and lifted his baton.
This time the illusion proceeded in a professional manner. Jonathon locked her in the cabinet, when she saw the flames, she shrieked, and if she let out a bit more anger with her screams, well, no one was the wiser. The trap-door released, she dropped onto the mattresses, then made her way back up to the wings.
They ran through the trick three or four more times before Jonathon pronounced himself satisfied. “You are a capital screamer, though,” he said, apologetically. “I should have told you what was coming, since I can clearly see you would have done just right if I had warned you.”
She raised her chin. “I am a professional,” she said.
“I can see that.” He looked uneasy. “I am sorry I frightened you.”
She sensed that was the closest she was going to get to a real apology, and nodded. She was not going to apologize for kicking him, even though she was fairly certain that he now had four round little bruises on his shins.
“I think that the illusion is ready to use tonight,” he continued.
“I think so too. I will have just enough time to change after my ribbon dance.” She couldn’t help but smile at that. The ribbon, hoop, and ball dances had, with some more adjustment by Monsieur Ciccolini, been quite popular with the audiences.
“That’s a nice bit of business, that ribbon dance,” Jonathon said awkwardly, then paused. “You know, I have an illusion that makes a handkerchief fly about the stage. You might do a dance where you chase it. Or dance with it.”
“I would prefer a combination of the two,” she said after a moment. “I begin by chasing, then stop and dance to see if it can be lured, and lure it into dancing with me.”
He laughed. “That is a good notion. Let’s go talk to Nigel and Arthur about it.”
She nodded, and the two of them headed up to Nigel’s office.
Arthur was with him, as they both expected, going over some last-minute changes to the bill—just a little rearranging of the acts, since it was proving awkward to get the performing dogs off the stage in time for the ragtime dancers to enter, since they had to come in from both wings. The acrobats were going in after the dogs instead, since they could enter from one side while the dogs left on the other.