She had not gotten as far as she had by being careless.
She crossed the lines of the circle, knelt in the center, and with a touch, called Earth magic into the carvings. Slowly, gradually, they began to glow a smoky and sullen ochre.
With a whispered word, she raised the power into a dome, arching above her head. Invisible to mortal eyes, though visible to hers, the corresponding half of the dome penetrated deep into the stone and earth of the cellar floor. Now she was walled, shielded, protected from every prying sense. She was invisible in here; even her own servants would not be able to sense her.
She cupped her hands over her belly, feeling the power rise in her now; she concentrated with all her might, for what she was about to do was the closest her kind ever came to giving birth.
And it was just as much work, although the time of “labor” was considerably shorter.
She pulled her own substance out of herself and into her waiting hands, panting and sweating as she robbed herself of her own flesh, and gave it shape and life. She groaned, not with pain, but with effort. And when she was done, there it was in her hands, about the size of a newborn human baby, a faceless, smooth little thing like a dough-man or a wax doll, waiting patiently for her to give it purpose. It was the same color as the earth hereabouts, and it was cool to the touch, with a faint dusting of grit over the surface of it.
She would have liked to lie down at that point, for the effort had been greater than she remembered. But she did not have that leisure. If she did not give this thing its purpose, it would start to merge with her again, and this would all have been for nothing.
So she called up more power with another whispered word, invoked the particular form of pestilence she wished to visit upon the girl, and gave the creature her “scent.” With every layer of magic, the homunculus glowed a little more, a dark and angry glow like cooling lava. Finally, when she was done, she set it down on the floor in front of her, feeling weary to death, as she never felt after mere physical exertion like dancing.
The homunculus stood there on its own, nearly vibrating with the need to be off about its purpose.
She dismissed the magic in the protective circles, and the homunculus did not waste a single moment. It sank into the floor of the cellar as easily as if the stone had been water, and in a moment, it was gone. Not even another Earth mage was likely to be able to detect it. Only another Elemental could. That was the beauty of this: since it had once been part of her, it became its own little independent creature. Not quite a Troll, but close enough it should raise no alarms among the other Elemental creatures hereabouts.
Finally, after a long, long rest on the stones, slowly drawing in Earth energy to replace what she had lost, she got to her feet and pulled herself up the stairs.
If all went well, within the week, her imposter would be dead. And she would then be free to decide whether or not to take her place.
There was something going on that no one was talking to her about. Ninette could tell by the way that Arthur, Nigel and Jonathon would look at her when they thought she wouldn’t notice. And it wasn’t the “we are suspicious of you” look, it was the “we are really worried for you” look. That made her uneasy, and it made her even more uneasy to think that whatever was going on probably had a great deal to do with magic.
She really didn’t want to think about magic. Despite that there was a very helpful brownie living in her flat. Despite that Jonathon was producing all manner of magical—the real sort, not legerdemain—effects on stage. Despite the fact that she was half friend and half slave to a talking cat. She just would rather not think about magic at all. Rather than growing easier about it over time, knowing about it, knowing it was real, actually had the effect of unnerving her further. It was as if the solid and understandable world she knew was just a thin shell over something impossible and deadly, something she could not see nor guard against. All her childhood fears of night-hags coming through the windows and demons up through the floor could be real. And what was more, she had no way to protect herself against these creatures.
It was horrible, every moment of it, and so she thought about it as little as possible.
Ailse astonished her. The little Scots maid was as practical and level-headed as any Parisian landlady, and yet, she not only accepted all of this, she seemed to have no particular difficulty in doing so. She put out a little food and drink for the Brownie every night, and pretended to ignore the shy little creature whenever it happened to get caught in the open. Although she said she could not hear Thomas unless he spoke to her directly, she spoke to him at all times as if to a human being. And Wolf, whom she certainly did hear, she flirted with in a sort of dry, ironic manner. The practical and level-headed nature would seem to preclude any belief in magic. And yet . . .
All this glancing and looking worried had begun about a week ago. Ninette finally got fed up with it. It was making her more nervous than thinking about magic. So she decided to accost the one person of everyone in the group that was likeliest to give her the truth.
“Ailse,” she said that night, as the maid was combing out her hair, “why is everyone so on edge this past week? And why do they keep looking at me?”
The maid was silent for a good long time. Her hands kept moving automatically, but looking in the mirror, Ninette could see a very thoughtful expression on her face. “Well, ma’amselle,” the girl said thoughtfully, “They wouldna like my tellin’ ye, but I’ve been thinkin’ ’tis a sin and a shame to be keepin’ ye in the dark.”
“I knew it!” Ninette said fiercely. “I knew there was something amiss!”
“Well, it’s that summon tried to burn down the theater, d’ye ken? And they be thinkin’ it has sommat t’ do with you,” Ailse said reluctantly.
“Me?” Ninette’s mouth fell open with surprise, and she turned and took the brush from the maid’s unresisting hands. “How could that have anything to do with me?”
“Because, ma’amselle, they’re thinkin’ it’s all of a piece, that you have a strong enemy, a magician—well, not you, but your Papa that’s gone.” The girl nodded. “They’re thinking that the wreck of your friend’s wee boat, the laddie that tried to set fire to the theater, and the accidents are all at the hand of this magician, d’ye ken. Because they’re unnatural for certain sure. There’s thousands as wouldna believe that tale yon Harrigan told, of the hole in the street opening up under his feet, but I do, and more’s the point, so do Master Nigel and Master Jonathon.”
Ninette listened to this with astonishment, not the least because Nigel and Jonathon were hanging their theory on a slender thread indeed. That their entire “chain of events” began with a shipwreck that never really happened—
She bit her lip and was about to turn away from the maid, feeling a terrible load of guilt, when suddenly from the direction of the kitchen a commotion erupted that sounded like a cross between a cat-fight and a drunken brawl, punctuated by the crash of crockery.
Both young women hesitated a moment, then Ninette leapt up from her seat and ran for the door. She stopped long enough to grab a poker from the fireplace tools, and flung open the door of her bedroom.
It was easy to see the cause of the noise. Thomas and the brownie tumbled together on the floor, tangled up with something else, both of them fighting, both of them screeching. The brownie was shouting something incomprehensible, while Thomas sounded like a perfectly ordinary cat in a towering rage.