Thus disappointed, Terrance returned to the maternal bosom in Blackpool to sulk on what he increasingly viewed as a “pittance.”
He had never felt affection for anyone, not even his adoring mother. His love-sonnets were as flat as uncorked champagne. So when Nina began her work on him, it was to persuade him not that he was violently in love with the dancer, but that she was violently in love with him.
Nina began her campaign with excellent box-seat tickets to the performance, and although under any other circumstance he would have scorned such entertainment as “too common,” this time he was persuaded. Partly because the tickets were sent, ostensibly, as a belated birthday gift from one of the few Cambridge men who had not utterly scorned him, and partly because of a rumor—entirely untrue—that the hall was going to be graced that night with the presence of the Crown Prince.
So he went, and seated in the next box, Nina went to work. She took care to work her magic in a very subtle manner. He was one of those sorts that could not go to a performance of any kind without nibbling and drinking throughout it, and before his (fashionably late) arrival, she had gotten into his private box and carefully laid out a little buffet in miniature for his pleasure, all of it bearing the magic she intended to become a part of him.
The magic she wove was compounded of half lust and half hallucination. It was easy enough to incite the lust; the hallucination was subtle. Terrance was made to believe that the dancer spent the greater part of her performances looking at him, winking at him, smiling at him, gazing coyly at him. By the time the evening was over, Terrance had more than half convinced himself that the dancer would be his in a moment, if he but raised his little finger and beckoned to her. He congratulated himself on his conquest, smugly. Not that he would have anything to do with so common a creature as a music-hall dancer of course but this was not a real music hall dancer, this was a ballerina, and a Russian to boot. So it was all right. Her devotion was acceptable; in fact, he considered that it was his due.
By the end of the performance he was basking in the imagined attention he was getting, and traveled home-wards in a taxi in a state of self-congratulatory satisfaction. Of course, he did not deign to join the crowd attempting access to the dancer’s dressing-room; not only was he above that sort of plebian behavior, he had every expectation that the lady would come to him, and not the other way around. Like Charles the Second, he would summon; like Nell Gwynne, she would answer, overawed with the honor he bestowed upon her. If he chose to summon, that is. He had to be sure she was worthy of his attention.
And so for several nights running, he made his observations. He took care never to take the same box twice, but always she somehow intuited where he was, and bestowed her flirtations on him. His mother complained mildly after the second week of this, of the expense of box seats every night, and could he at least share the box and the expense with some chums? He stared at her in fury; then the next day, in a rage, he went to the safe-deposit box at the bank, substituted her rather fine pearls for imitations, and sold the former. Thereafter there seemed to be no expense, so his mother’s nagging tongue was stilled. He told himself this was his right as the head of the household. Besides, they were to come to him eventually, and what need had she for pearls anyway? She hadn’t gone out in decades, except to funerals, and to those she properly wore jet, not pearls.
But that awoke him to a possible difficulty. He lived at home, with his mother; he could not bring a mistress there!
But a trifle of research on the part of the hall-boy eased his mind. The dancer had a flat of her own, with an entrance both private and discreet. So there would be no difficulty, and thankfully, no expense. The most he would need to provide would be a pretty trinket now and again, and the safe deposit box contained many tokens belonging to his mother than he imagined would be suitable.
With all these things settled in his mind, he decided the moment had come for the summons. He wrote it on a small card that he directed the hall-boy to convey to the dancer at the theater one afternoon. Then he took himself to the establishment he had chosen for the first assignation, a restaurant considered both smart and discreet; suitable for a man of wealth and taste to meet his mistress—or one who he was about to make his mistress.
He timed his arrival to a nicety. It would not do for her to appear at a table littered with the evidence of a long wait. He calculated how long it would take the boy to reach the theater, how long before he could deliver the note, and then, because she would, of course, fly out with the greatest speed to answer his invitation, how long it would take her to reach the establishment. He arrived there about five minutes before he reckoned she would.
But of course he made sure to ask the headwaiter if she had possibly preceded him. Having determined to his satisfaction that she had not, he had himself seated in the intimate and secluded corner he had reserved, ordered a brandy, and sat back to wait.
After some fifteen minutes, he was concerned. At half an hour, he was irritated. As the hands of his watch told him an hour had elapsed, he began to grow angry.
By the time he left the place, nothing in his stomach but overpriced brandy, he was in a towering rage.
Exactly as Nina had desired.
“What is that?” Ninette asked Ailse, who had answered the tap at the door of the dressing room and come away with a single card in an envelope with nothing written on it. “I hope it is not another invitation to teach some poor child how to totter about on her toes. Monsieur Ciccolini already has as many pupils as he cares to take.”
For some reason, the wealthy of Blackpool seemed to think that she had so much time on her hands that she would be overjoyed to teach their children to dance. Not with an eye to going on the stage, of course! No, the doting mothers in question had more of a vague notion of a dainty little tot in a fairy dress, flitting about on the lawn to the strains of Mendelssohn for the entertainment and admiration of garden-party guests. The normal sort of display that one trotted out on these occasions was a daughter singing or playing, or more rarely, the dramatic rendition of “The Lady of Shallot.” A dancing daughter, provided she was not yet nubile, would be a novelty. And it seemed that every good entertaining mama in Blackpool had conceived of this same novelty all at once. Ninette must come and teach the ball dance, or the ribbon dance, the hoop dance or the skirt dance.
Fortunately, Ninette had a stock answer for this. Ailse had written it up on cards, so it was ready-made and at hand, and needed only to have name and address added.
Dear (blank): I cannot tell you how honored I am by your invitation to teach your offspring. Alas, I fear your confidence in my ability is not matched by my competence as a teacher. I am, myself, still very much a pupil. However, I commend to your attention my own teacher, Monsieur Ciccolini, who has given me the skills you so admire. Sincerely, Nina Tchereslavsky.
Ciccolini now filled as many hours as he cared to, teaching these poor things the discipline of the ballet. Of course, it would do them a world of good. Knowing they would never get beyond flitting around a garden in a fairy dress, Monsieur Ciccolini did not put them into pointe shoes or stretch the little muscles to the aching point. Instead, he gave them exercises that would make them graceful, taught them the demi-pointe steps of the “white ballets” before toe-work became commonplace, and choreographed charming little diversions that would at least not cause garden-party guests to have to stifle yawns.