Ella's own daughter hadn't come to see her. Maureen didn't imagine Ella had been a particularly good mother, but no one had mentioned Si's father. Ella had stayed and done all the work, just like Winnie. Maureen thought of Winnie lying there, with everything unsaid between them, nothing resolved. Winnie had stayed and brought them up. Maureen wanted to reach out and pick Ella up, wrap her arms around the pushy old woman and stroke her hair, pet away all the grief and sorrow. Lying in the simple room on a cold table, Ella looked like a monument to the forgotten constancy of women.
"Here ye are," said the wee man, handing her a crumpled tissue.
"Thanks," said Maureen, wiping away selfish tears.
The little man stuck his hands into his pockets and rocked on his feet, thinking about it, choosing his words carefully. "We did a postmortem. We have to, if people die in hospital. She died of a heart attack."
"Oh," she said, and sniffed. "You're very nice to tell me that."
"Aye," said the man firmly. "I am very nice."
Maureen looked at him and snorted a laugh, blowing her nose on her face by accident. "Oh, God, I'm sorry," she said, holding the inadequate single hankie up to her face. "That's disgusting."
The man dug in his pockets for more tissues. "I work in a morgue, hen," he said kindly. "It takes more than snotters to get me sick."
Maureen cleaned her face and the man stayed with her while she looked at Ella again. "Is he taking her home?"
"I don't think so," said the man. "She's just going straight to the crematorium."
Si had made his confirmation, he knew what he was doing. He was leaving Ella here among the dead, with no one to say the rosary for her, no friends or family to hold a wake and fend the devil from her soul until the blessing of the mass. Maureen didn't suppose that Ella had been especially devout – the truly ardent are rarely secretive about it – but in death the old traditions are more than religious observances. The wake is a measure of attachment, when friends and family can prove themselves by reciting tedious prayers for love. And after the prayers the sum of a life and a character, the stories they generate, can be told over and over. Taking the body home meant that even in death someone would claim you for their own. Ella McGee might never have been here at all. Maureen tried to think her way through a decade of the rosary but she couldn't even remember who Mary was blessed among. She blinked back a second wave of tears. "Can I put some makeup on her?" she said.
The man looked at her for a moment. "It's nothing daft, is it?"
"I want to draw her eyebrows in – she always had eyebrows."
"Sure. Just make sure ye don't push her about too much. Want me to leave ye alone?"
She shook her head. "I'd rather ye stayed."
She used the comb from the poly-bag and back-combed the front of Ella's yellowed fringe into a little halo, smoothing it with the comb. She took out the unused eyeliner pencil and pulled off the packaging. It was black, not dark brown like Ella always wore, but she did her best and drew the arched eyebrows on her forehead. Because she was leaning over the body, the faraway eyebrow was a little higher than the other, making Ella look faintly indignant. Maureen thought suddenly that the morgue man would think this was a daft thing to do to a corpse, that she was making the body look ridiculous.
"She did do that," she said, pointing to Ella's forehead as she stood back. "I'm not just drawing all over her…"
She stepped close to Ella again, reaching out to correct the eyebrow, but realized that she would be smearing dead skin. It wasn't disgust so much as not knowing how a dead person's skin would react. If she pressed too hard it might just fall off. She was standing on tiptoe, looking at the body indecisively, and her eye fell on Ella's right hand. It had a deep cut on it where the bandage had been, right through the skin; she could actually see a glint of silver through the hole. It was open like a wordless mouth. "Where did that come from?"
The man stood up and looked at the hand. "Aye," he said, "that was funny. She had that when she came in. It was about a week before she died. She told the nurses she cut herself in the kitchen. We thought she did it herself-it looked kind of deliberate."
"Why would she do it herself?" said Maureen.
He looked at Ella's face uncertainly. "Well," he said, "how could ye do that by accident?" He held up his hand and used the other to mime a stab motion. He had to hold his splayed hand away from himself, his thumb pointing at his feet. "It's awkward, isn't it?"
"Could someone else have done it to her?" said Maureen, holding her splayed hand up in front of her face as if protecting herself.
"Aye, but why wouldn't she say?" The man reached round to his back pocket and held out a battered tin hip flask, watching her face to see if it was all right. She smiled hopefully and he unscrewed the lid, letting out the sweet smell of good whiskey into the disinfected room. He gave her the first slug and she took a drink, giving back the flask.
"Are you sure it couldn't have happened when they were resuscitating her?"
The man shook his head. "They didn't give her resus," he said quietly. "She was down in her notes as 'Not for Resuscitation.'
"Really?"
"Yeah." He looked at her slyly. "I thought you'd know that."
"Why would I?" 'Cause it says on the notes that the doctor discussed it with the family." He looked at her, knowing that she wasn't family and had no business being there.
Maureen shrugged at him and he gave a little shrug back. They sat down on the bench and the man took a tiny nip of whiskey and exhaled appreciatively, raising the flask to the corpse in front of them.
"Poor Ella," said Maureen, feeling awkward.
"Aye," he said, handing the flask to her.
Maureen swallowed. "She did do her eyebrows like that, honest."
"Aye, well." He took the flask back from her and upended it, swallowing three mouthfuls and exhaling appreciatively. "I think she looks lovely."
Chapter 16
The hot night had a frantic atmosphere: too many people out, too much effort made, like a teenage party that would end in tears. A drunk couple walked past, huddled together, eating from the same bag of chips, leaving a vapor trail of hot vinegar. Maureen leaned against a shuttered shop front and watched two women on the other side of the street laughing and pulling each other around by their handbags. She didn't know why Hugh had insisted on meeting her but she was nervous. She'd had a bit of a drink in the house before she came out to steady herself. He'd be coming down the hill, coming from his work at Stewart Street police station.
She lit a cigarette as she waited, thinking about the wee girl in the photograph and Ella McGee. She felt a familiar anesthetizing despair at a world full of unchecked bullies, like Michael and the crying girl's photographer and creepy Si. The thought of Si made Maureen feel angry again. Maybe she'd go to the small-claims case instead of Ella – she'd signed the papers, after all. If he started any of his shit with Maureen she'd be ready for him. Mentally rehearsing punching him in the face, over and over like a stuck computer game, she felt a rush of adrenaline and the muscles on her back tighten. The punched face began to toggle between Si and Michael, getting faster and faster. She realized that Hugh's arrival was imminent and she had to calm down. She took a deep drag on her cigarette and leaned forward, thinking of Vik driving the car and how normal and happy they must have looked.
Hugh McAskill was walking down the hill towards her. He waved when he saw her and she walked towards him, glad she had her shades to hide behind, taking deep breaths to make the anger subside. She greeted him with a coy elbow nudge.
"How are ye?" he said, frowning uncomfortably, as if she had tricked him into coming.