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The room wasn't hard to find. Maureen followed the floor of broken tiles down to a window, looked left and right and found the corner room. She pushed open the door and ushered Michael in ahead of her as Doyle had told her to, reaching for the knife in her pocket. Doyle had been right about the room. It was bright but the window was covered by the fervent growth outside. The floor was covered in dust and rubble, crunching underfoot. It felt like the mental rehearsals of killing him, but Michael had been taller in the fantasy, stronger and scary, not this frightened and bewildered little man. He looked back at her for reassurance and she urged him onward, thinking of the baby: that was why she was here. She was doing it for the wean.

She pulled the knife from her pocket and stepped towards him. He was pointing at something on the ground, trying to ask about it but forgetting the words: "Whatsits, it-it?"

She had the knife in her hand, raised the tip to his back, and a chink of light caught her eye. It was outside the window, just outside, inches outside, a bit of glass catching the light. Mark Doyle was outside the window, crouching among the foliage, holding a small video camera to the hole in the broken pane and filming her. He had knives in his eyes.

Chapter 43

IMPOSSIBLE FUTURE

She was shaking so much she could hardly see. needles of broken glass were stuck in her arm, each puncture demanding attention, each an urgent distraction. Michael groaned behind her and she spun, startled, almost dropping the knife. It was so much sharper than she had thought it would be, so much sharper than a normal knife.

She was terrified. She could hear her own breathing, in her ear, like a stranger's breath. It wasn't dignified, not a happy exit. She was afraid of herself. All her elaborate justifications had dissolved in the visceral reality.

Down at the burn, before the road, she washed her hands and cried at what she had done, rubbing her arms with the dirty water, working the glass deeper under the skin, the sharp pain reminding her that she wasn't dead. She took her squelching, bloody boots off and walked home barefoot, like a pilgrim, taking dark back roads. She left the boots a mile away, under a mattress on some waste-ground. As she walked towards home she felt sure that the tangy metal taste of panic would stay in her mouth forever.

When she climbed the stairs to her house she wanted to bang on Jim Maliano's door and apologize for what she had been thinking about him, give him a gift of something, take the packet of biscuits he had brought her from holiday and be gracious.

Following Doyle's instructions, she phoned Kilty the minute she got in the door and casually invited her over. Leslie was sitting at the kitchen table, watching her in the hall, staring at her bleeding arm. When Maureen had said a cheery "Cheerio" and hung up on Kilty, Leslie called to her, "Mauri?" She looked frightened. "Liam phoned for you. I told him you were asleep, like ye said."

Maureen fell forward until her face hit the wall. She stood there, sobbing, terrified and disgusted, rubbing her forehead against the plaster.

Leslie took her into the bathroom and washed her face, then pulled her bloody T-shirt over her head and took off her sodden bra, made her drop her shorts and her bloody knickers. She took a poly-bag from the kitchen and wrapped the clothes in it, tying the neck of the bag tight as Maureen sat trembling on the side of the bath. She looked down at her wee bony body and saw that his blood was all over her, splattered on her calves, stuck in the wide pores on her thighs, smeared on her breast. Her forearms were covered in cuts, bits of glass glinting in the wounds like Mark Doyle's lens. The pain was all that was keeping her conscious.

Moving with what seemed like supernatural speed, Leslie stood her in the bath and washed her down with cold water from the showerhead. She brought some fresh clothes from the bedroom and got Maureen to hold on to her shoulder as she stepped her into the pants and shorts. She put the bra on wrong, pinching the skin on Maureen's left tit with the elastic, and pulled a fresh T-shirt on over it. She was tweezing the broken glass out of her arm before Maureen spoke. "Leslie," she whispered, "I've done something…"

Leslie nodded at her arm, frowning hard. "Were you careful?"

Maureen thought about it. She couldn't focus at all. She thought she'd been careful but she didn't know, she couldn't know. She shrugged, making Leslie lose hold of a long sliver near her wrist. Frustrated, Leslie slapped her hand reflexively and Maureen jumped. Leslie looked at her and Maureen realized she was crying too. "You better've been," Leslie said, her voice terrifyingly shrill, her nose glowing red. "You better not… Fuck."

Leslie sniffed hard and went back to the tweezers. Salt tears dripped onto the cuts on Maureen's arms. Leslie cleared her throat. "Mauri, I'm pregnant," she said calmly, "and I'm keeping it, and I'm gonnae need you to bring it up with me." She started crying again. "I can't do it myself, Mauri. I don't know the first fucking thing about weans."

Maureen was stunned. "Ye can slap me again if ye like," she said.

By the time Kilty arrived Leslie had taped toilet paper over Maureen's cuts and dressed her in a long-sleeved top. They were both stunned, and pretended they'd taken a Valium each to calm them down for tomorrow.

"You shouldn't drink on top of Valium," said Kilty, staring at Maureen's full tumbler.

"No," said Leslie, "it's all right. Ye can drink on top of these ones."

"Well, why aren't you drinking, then? You must have finished your antibiotics by now."

Maureen looked at her glass and wondered, for a moment, whether she'd done it to fan the fires of her self-pity, so she could keep on drinking. She interrupted Kilty's speculating to tell her she'd seen her dad in hospital but not to tell anyone because the family didn't want her to see him. She described the way he spoke, that he said he was a nurse and thought she was a doctor.

"That sounds like a wet brain," said Kilty, pestering a cigarette, creating banks of smoke. "That would explain the confabulation."

"The what?" said Maureen.

"Making things up, I'm a doctor, all that stuff. Bits of their brain gets burnt out and they make things up to try and make sense of what they see."

The skin on Maureen's forearms was burning. She had to concentrate hard to sit still and not rub the wounds or press the tissue.

"A girl in the detox unit's dad had it," said Kilty. "I used to take her up to visit him in hospital. One week he'd claim to be a sailor, one week he was a nurse, but he was always pretty cheery. Couldn't remember anything he'd done in his life. His family hated him-they were like these pent-up balls of fucking fury because he'd kicked the shit out of them and ruined their lives, but he couldn't remember it. So, there was this nice wee guy sitting in a bed smiling, and the family used to gather round him like angry vultures. I swear the mother used to hurt him when no one was looking."

"Can ye get better from it?" said Leslie.

"Oh, guessing, I'd say the recovery rates are low. Most people die from it, I think. I heard something about vitamin B injections but I can't remember what it is."

Maureen looked at her tumbler of whiskey suspiciously. "How do you get a wet brain?"

"Well, if ye drink heavily for years and don't eat. It's heaven for alkies, really, if you think about it. They drink to forget and then, one day, they finally do forget."

Maureen nodded, ignoring the itching and trying not to touch her arms.

"So," said Kilty carefully, "are you ready for tomorrow?"

"Yeah," said Maureen. "Let's not talk about tomorrow just yet. Tell us about Josh."

Kilty wasn't sure about him. He was nice and doing defense work because he thought it mattered, but he was a lawyer and she had a horrible image of herself wearing pearls and drinking chardonnay. She didn't think it would work, really, but he was a nice guy and quite funny.