“But you pleaded no contest to manslaughter in the case. Why would you plead to something you now say you didn’t do?”
“I’m not saying it just now. I have said it all along. I told the sheriffs. I told my family. I told my lawyer. I did not shoot Roberto. But Mr. Silver told me the evidence was too much, that a jury would find me guilty if we had a trial. I have a son. I wanted to see my son again. I wanted to hug him and be part of his life. I didn’t think I would get so many years.”
It was said in such a heartfelt manner that I paused and looked at the legal pad in front of me on the lectern so I could let Lucinda’s words hang in the courtroom like a ghost. But the judge, who had been appointed for life more than a quarter of a century ago, had witnessed every trick in the book and wasn’t having it.
“No further questions, Mr. Haller?” she said.
“No, Your Honor, I have more,” I said. “Cindi, why don’t you tell the court what happened that night nearly six years ago.”
This was the dangerous part. Lucinda could not stray from what was already repeatedly on the record. We could add to it, which I intended to do, but we could not deviate from what was there. To do so would give Morris all he needed to send her back to Chino to finish her sentence.
“Roberto had our son for the weekend,” Lucinda began. “He was supposed to bring him home at six so we could go to my mother’s house for dinner. But he didn’t bring him till almost eight o’clock and he’d had dinner already at Chuck E. Cheese.”
“Did that upset you?” I asked.
“Yes, I was very upset and we had an argument. Me and Robbie. And he—”
“Before we get to that, did Roberto tell you why he was late?”
“He just said he had a work meeting, and I knew that was a lie because it was Sunday and his unit didn’t work on Sundays.”
“Okay, so you didn’t believe him and you argued. Is that what happened?”
“Yes, and then he left. I slammed the door because he had ruined my plans for that night.”
“And what happened next?”
“I heard the gunshots. Two.”
“How did you know they were gunshots?”
“Because I grew up hearing guns in Boyle Heights, and Roberto, when we were married, took me to a gun range to teach me how to shoot. I know what a gunshot sounds like.”
“So you hear two gunshots and what do you do?”
“I thought it was him — Roberto — shooting at the house because he was mad, you know? I ran back to my son’s room and we got on the floor. But that was it, no more shots.”
“Did you make a 911 call?”
“I called, yes. I told them my ex-husband is out there shooting at my house.”
“What did they tell you to do?”
“To stay with my son and hide until they checked it out.”
“Did they tell you to stay on the line?”
“Yes.”
“Then what happened?”
“I don’t know how much time went by but then they said it was safe outside and that I should go to the door because a deputy was there.”
“Did you do that?”
“Yes, and that’s when I saw him. Roberto was lying on the ground and they said he was dead.”
I paused and asked the judge to allow me to play the recording of the 911 call Lucinda had just described. Morris did not object and the recording was played on the courtroom’s AV equipment. It did not deviate from the description Lucinda had just given, but her voice on tape had an urgency and fear in it that was absent in her recounting of the event all these years later. I felt that it was good for the judge to hear it and was surprised that Morris had not tried some sort of objection to block.
After the call was played I pivoted to a new line of questioning.
“Now, Cindi, a few minutes ago you mentioned that when you and Roberto were married, he took you to a range to learn how to shoot. Can you tell the court more about that?”
“Like what?”
“Like how many times you went to the range.”
“It was two or three times. It was before our son was born. Once he was born I didn’t want to have guns or shoot.”
“But at that time, before your son was born, did you own a gun?”
“No, they were Robbie’s guns. All of them.”
“How many guns did he have?”
“I’m not sure. Like five.”
“And he had bought all of these?”
“No, he told me he took some of them away from people. Bad people. If they found them with guns they would take them away. Sometimes they kept them.”
“Who is ‘they,’ Cindi?”
“His unit. It was—”
Morris objected, but not fast enough. Mention of the unit was out there. Morris argued that the answer should be stricken from the record and that the story and whatever else Lucinda was about to say would be hearsay based on the alleged statement of a man who was now dead. The judge sustained the objection without giving me a chance to argue it. But that was okay because everyone in the courtroom, including, and most important, the judge, knew who “they” were — the other members of Roberto Sanz’s anti-gang unit.
“Okay,” I said. “Cindi, tell us about the training at the range you did with your then-husband.”
“Well,” Lucinda began, “he taught me about the different parts of the gun and how to stand and point when firing. We shot at targets.”
“Do you remember what stance you were taught to take?”
“Yes.”
“And what was it called?”
“Oh, I thought you meant if I remembered the stance. I don’t remember if it was called anything.”
“Are you saying you could demonstrate it if the court allowed it?”
“Uh, yes.”
I asked the court’s permission to have Lucinda step down from the witness stand and demonstrate the shooting stance her husband had taught her. Morris objected, arguing that such an exercise would waste the court’s time because the demonstration could not be connected in any way to the shooting of Roberto Sanz.
“Your Honor,” I countered, “I plan to prove that Lucinda Sanz did not fire the shots that killed her ex-husband. This demonstration is one of the dots that will be connected along the way.”
“I’ll allow it,” Coelho said. “But I will hold you to your promise to connect those dots. Proceed.”
“Thank you, Judge. Cindi, would you show us what you were taught by your husband?”
Lucinda stepped down into the well, the open space in front of the judge’s bench. She spread her feet at least two feet apart for stability and brought her arms up straight and extended at shoulder height. She used her left hand to steady her right, the index finger pointing like the barrel of a gun.
“Like this,” she said.
“Okay, thank you,” I said. “You can return to the witness stand.”
As Lucinda returned, I went to the plaintiff’s table to get a file. I opened it and asked permission to show two photographs to the witness. I gave copies to Morris, even though he had already received these in discovery and they had been part of the so-called evidence against Lucinda five years before. I also gave copies to the judge. They showed Lucinda at the range, holding a gun in the same stance she had just demonstrated in the courtroom.
“Mr. Haller, I’m concerned,” the judge said after reviewing the photos. “You are asking to place into exhibit two photos that would tend to show that your client had access to a firearm and knew how to use it. Are you sure this is wise?”
“It’s one of the dots, Your Honor,” I said. “And the court will soon understand that the photos are exculpatory, not damning to my client’s cause.”
“Very well,” Coelho said. “It’s your show.”
I walked a third set of photos to the witness stand and put them down in front of Lucinda.