Robert K. Tanenbaum
Reversible Error
ONE
The dope dealer Larue Clarry was in the bedroom of his apartment with one of the fourteen-year-old white girls he fancied, and Booth, his old buddy, was in the living room watching Carson on the big TV and growing bored. Booth glanced at his imitation gold Rolex and adjusted his feet on the coffee table, a thick red marble thing four feet on a side. The couch was red too.
A compact, broad-shouldered man just past thirty, Booth was dressed for the summer as a semiprosperous Harlem player of the mid-seventies: peach cuffed slacks, a loose alpaca V-neck sweater in lemon yellow over bare brown skin, the showing V of skin adorned with three gold chains, from one of which depended a gold goat's head and a tiny gold spoon. His feet were shod in two-tone (green and red) bulbous-toed shoes with three-inch leather heels.
He fingered his little spoon and considered the bowl on the coffee table. It was a lidded crystal sphere containing approximately half a pound of the purest Bolivian flake cocaine in New York City. Always, when he waited for Clarry like this, he considered lifting the lid and taking a monster snort, and as always he declined. Larue knew it too, that Booth was reliable, that he wouldn't lift a man's blow when the man wasn't looking. A guy who would take a little snort without being asked would start bringing vials into the house, and then jam jars. Booth was not that kind of guy, which was why from time to time his buddy Larue would lay a baggie on him, holding a casual scoop of flake, maybe fifty grams, and so pure that Booth could step on it three times and move it to a couple of kids he knew for up to five large.
Booth himself was not a dope merchant, nor even much of a user. He did what he had to to survive, which was generally acting as a reliable assistant at various illegal activities; he was a street watcher, a follower of people somebody wanted followed, a deliverer of packages, a driver. From time to time he took people like Larue around town in their big cars. It was a living. He had been arrested fourteen times, convicted twice, and imprisoned once, a four-year stretch in Elmira for assisting at an armed robbery.
He heard the door to the bedroom open. The girl who emerged was a redhead with a skin so pale it shone blue in the bright track lighting. She was in her stroll duds, the little tap pants that showed plump crescents of buttock, the laced vest open down the front, the tall high-heeled boots. She looked at Booth, at the bowl on the table. She gave him a trial look; he could have anything she had for a pinch of that, said the look. He shook his head slightly and flicked his hand toward the door. She seemed about to say something, but detected an element in Booth's demeanor that stifled dalliance. Shrugging, she hoisted her fake leather bag to her shoulder and trudged out of the apartment.
Booth heard the shower start and stop, and ten minutes later a cloud of sharp and manly cologne heralded the entrance of his host. Clarry was dressed to kill in a suit of sea green over a white spread-collared shirt open to the breastbone. He had six gold chains. As he entered the living room, he smiled broadly at Booth, but his eyes flicked briefly over the crystal bowl.
Booth caught the look and said, "You took your time."
"Yeah, I did. That little girl won't be able to say fuck for a week. We about ready to cruise, my friend, after we fix our heads. You want to snort some?"
"No, I'm cool."
Larue shrugged and sat down on the red couch. He pulled the bowl to him and inserted the little finger of his left hand, the nail of which had been allowed to grow out half an inch beyond the fingertip. He scooped up a mound of cocaine, dumped it on the marble surface, chopped and raked it with a gold-plated razor that hung from one of his chains, and constructed two fat lines, which he proceeded to suck up, one to a nostril, through a gold tube that also hung conveniently about his neck.
He leaned his head back and sighed, and paused while the coke flooded his brain. Then he popped to his feet with the flying jitters, tossed Booth a set of car keys, and hurtled out the door, off to the hot spots, to see and be seen and to ply his trade.
Larue Clarry was a scuffler from 136th Street who had started dealing heroin at fifteen and had been one of the first Harlem dope peddlers to switch from selling heroin to poor black junkies and whores to selling cocaine to rich white executives and whores. By now, by the late 1970's, it had made him wealthy, and more than wealthy-sought after and jollied up by people whose faces appeared on TV and whose names appeared in newspapers. He had a cachet throughout tony Manhattan undreamed of by previous generations of pushers, undreamed of by the Mafia itself. For the first time since the Prohibition twenties, people of Clarry's moral provenance were welcome among cafe society. He could get in anywhere, any club, Studio 54, you name it. The candy man.
And it was, he believed, just the beginning. There seemed no limit to the demand, no limit to the amount of disposable income available for fine blow. He was still amazed at his good fortune. He could have ended like the other dudes he had come up with: dead, or bums, junkies, jailbirds, or square, working for chump change at dead-end jobs-bus drivers.
Or like Tecumseh here, a cheap rip-off artist, a gofer. As he considered his companion, a wave of cheerful generosity swept over him. He touched Booth's arm.
"Hey, Booth-I been meaning to ask you- what say you start running some stuff for me?"
They were just leaving the paneled lobby of the building, and Booth paused and looked at Clarry with an irritated frown.
"Ain't you got enough mules?"
Clarry shook his head. "What, did I say mule? I ain't talkin carryin, I'm talkin sellin, man. I'm talkin a territory, man. You gettin on, boy, you oughta think about gettin yourself a little something outta your hustle, you know?"
Booth's expression turned suspicious. "What you talkin about, man? How come you want to give me somethin?"
Clarry chuckled and clapped Booth on the shoulder. "I don't need no reason. I like you, man. I wanna see you smile. You too serious. Besides, I got to take care of my homeboy. We a long way from hangin out on Thirty-six, now, hey? They ain't no catch, man-I mean it. So, smile!"
Booth managed to comply with a thin one as they left the building and approached the glittering dark blue Mercedes 600 sedan parked illegally in front. It was a mild spring midnight. For the moment, at this latitude, Park Avenue was as deserted as the streets of a small town. Booth opened the rear door for Clarry and walked around to the driver's side. He got in, settled himself, and started the car.
The engine rumbled to life. From the back, Clarry said, "So what you think, man? We in business?"
Before Booth could answer, the man who had been crouched in the foot well of the passenger's side uncoiled his body, reached over the front seat, and shot Larue Clarry in the face with a small-caliber revolver. Clarry fell back and his left foot kicked out spasmodically. Booth felt it kick the back of his seat twice. The shooter fired another two rounds into Clarry's head.
Booth rolled down his window and headed the car north on Park Avenue. The stink of gunpowder and death mixed unappealingly with the remnants of Larue Clarry's ultimate cologning. The shooter fired his last three rounds into Clarry and then turned around in the seat. He carefully buckled his safety belt.
"You think he dead yet?" Booth asked.
The other man reached into his jacket pocket and took out a thick brown envelope, which he handed to Booth. "Just drive, Tecumseh," the man said. "I don't need any wiseassery tonight."
Booth put the envelope in his belt under his sweater.
"And what the fuck took you so long?" the man asked. "I almost got a hernia scrooched up like that."
"Man had to get his last fuck in, blow some coke. I figure there's no rush. He was feeling pretty good anyway. He ask me if I want a job."