"Let's play soccer,Dad."
"Julian, not only is it cold outside, but it's dark." "I meant in the basement."
Voda looked at his son, then glanced over at his wife, who was reading on the couch.
"I believe it is past your bedtime, young man," Mircea said.
"Papa said I could stay up late all the weekend."
"I did," conceded Voda. While on most matters he considered himself strict, he could not bring himself to enforce an early bedtime, since the night was the only time he had to play with his son.
"Can we play?" asked the boy.
"All right. Let's go."
"Mama too."
"I can't play," said Mircea. "You can keep score." She rolled her eyes.
"We can keep score ourselves," said Voda. "Let Mama read."
Julian had already grabbed the ball. "If I win, I get extra time to stay up."
"Even more?" said Mircea.
"And what if I win?" said Voda.
"Nothing. Everyone knows you should win."
Voda told the security man on duty in the hall that they would be downstairs, so he wouldn't be alarmed by odd noises. Then he went down the hall and around to the butler's pantry, where the single door to the basement was located. The stairs, two hundred years old and made of rickety wood, creaked as he came down. The landing was poorly lit, and Voda paused, knowing that his son was lurking nearby, preparing to leap out from the shadows to try and scare him.
"Boo!" yelled Julian, charging at him from his left.
Even though he was expecting him, Voda was a little surprised. He jumped back, amplifying his real shock with a mock expression of horror.
The basement of the old building was a fairly scary place, or at least one that could give rise to the sort of stories common in Transylvania. It was all that was left of the first structure built there, around 1650; it had a dirt floor and very solid stone walls. The original building had burned down or perhaps simply been knocked down to make way for a replacement in the early nineteenth century. It had a footprint three times as large as the original, though it was not nearly so large as the castles and mountain palaces that still dotted the region. Most likely, the house had been built as a summer retreat for a well-to-do but not quite noble family, which is how Voda modestly thought of it now.
"The wine cask is one goal," said Julian, leading his father into the open space behind the stairs. "The workshop is the other."
"Whose goal is the cask?" said Voda, as if he didn't know what the answer would be.
"Mine. You have the door to the workshop."
"It's wider than the wine cask."
"Should we put the cask on its side?"
The barrel was empty, so it would have been easy to do, but Voda declined. He knew that Julian wanted him to protect the doorway because he didn't like to go into the dank space they called the workshop. It was actually a storage area dug out behind the old foundation. Covered with spiderwebs, it had a double wall and led to an old root cellar. There was no electricity in that part of the basement, and the bare bulbs in this part of the basement sent only dim shadows in its direction.
"First one to five wins," said Voda.
Julian put the ball down, faked a kick left, then swatted it against the wall on his right. As it bounced back, he ran and toed it forward. Voda couldn't quite hit it with his foot as it dribbled past him, rebounding softly off the wall near the door. Before he could scoop it up, Julian executed a sliding kick that sent the ball soaring through the open door.
"Goaaaaal!" yelled the boy.
"I do not think sliding kicks are legal in our game," Voda teased. "The ground is too hard. You'll rip your pants." "Then we can get new ones."
"Clothes do not grow on trees," said Voda, very serious now as he stepped into the darkness to find the ball amid the clutter of the old storeroom. His son's sense of entitlement bothered him. He did not want him to have to suffer, of course, but still, Justin should understand the value of hard work.
There was a pile of barrels staves immediately to the left of the doorway. Their shapes confused Voda, and he thought for a moment that the ball was among them. Finally he realized it must have gone farther in, and began poking forward cautiously, his eyes still having trouble adjusting to the dark. Ducking toward a shadow in the corner that looked as if it might the ball, he found his head tangled in several long strands of a spiderweb. He tried to pull off the threads, but they stuck to his ear and eyelids even after he rubbed at his face with his sleeve.
"Papa?"
"I'm coming, Julian. It's hard to see the ball." There was a sharp rap and a thud above him. "What was that?" Voda asked his son. "I don't know."
There was another thud, this one toward the back of the house. Then a shock so strong that the ground shook. Voda rushed out of the room. "Papa, what is it?" The boy's face was filled with fear. "Go in there," Voda told him. "Go behind the shelves.
Go."
"Is it an earthquake?"
"Do as I say, Julian."
"I'm afraid. There's spiders, and—"
"Go. I'll be right back."
Voda had already started for the stairs. The ground was shaking heavily now, and while he could not be sure, he thought he heard the pop of automatic rifle fire. He charged up the stairs just in time to hear Oana Mitca, Julian's young nanny and bodyguard, shouting that they were under attack.
"Mircea!" Voda yelled for his wife. "Mircea, where are you?"
The guard from the hall was crouched near the door, watching the exterior through the small side window. He had unholstered his gun.
"Where's my wife?" demanded Voda, but the man didn't react. Bullets burst through the front of the house, shattering the windows.
"Lights! Lights! Kill the lights!" yelled one of the security people.
Voda ran into his office. He ducked down behind the desk and began working the combination to the small safe. He missed the second number and had to start again.
The tumblers clicked; he slapped open the safe and reached into the bottom, where he had two pistols, one a relatively new Glock and the other an ancient American revolver.
As he rushed from the room, bullets began hitting the rear of the house. The security forces outside were firing furiously; one was firing from upstairs.
Oana Mitca, gun drawn, appeared in the hall.
"Where is my wife?" demanded Voda.
"She's in the kitchen. Mr. President, we are under attack."
"Call the army post up the road," said Voda, rushing past. He yelled for Sergi, his assistant, forgetting that he had left about an hour earlier for a dinner date.
He found Mircea huddled behind the counter of the kitchen with Lienart, the security shift supervisor, who was yelling into his satellite phone.
"We are under attack by the guerrillas," said Lienart, who had already called the army. "Send everyone you have. Send them now!"
"Mircea." Voda grabbed his wife's hand. "Come on."
She looked up at him from the floor. "Why?" she said. "Why are they after us?"
"The army is five minutes away, Mr. President," said Lienart.
Just then a rocket-propelled grenade or perhaps a mortar shell struck the back of the house. The brick walls held, but the blast blew out the glass from the windows, sending the shards flying through the rooms. Lienart ran to the window, peered out, then began firing his submachine gun.
"We're going to the basement," Voda said, pulling his wife with him.
"Go!" yelled Oana Mitca.
"Come with us!" Voda told her.
She hesitated for a moment. Voda grabbed her arm.
"Now!" he said.
Another shell rocked the house. This one landed on the roof and descended into the second floor before exploding.
Debris showered from above, and part of the kitchen wall crumbled. A beam slapped downward, striking the nanny across the shoulder and throwing her to the floor. Voda let go of his wife and ran to her. As he tried to pull the timber off, another shell hit the house. Red flashed through the house, the air filled with dust and smoke. "Go," whispered Oana.