She took her dinner at five thirty. Now at seven, her dinner hour had passed. Yet she was at work in the kitchen. Joe stood at the back door, watching her through its upper panes, as she busied herself cubing cheese and sticking a decorative toothpick in each cube.
It seemed to strain credulity to believe that a wickedness from across a sea of worlds, having inserted itself in a host, would in the privacy of its home, its nest, occupy itself with mundane domestic activities.
On the other hand, maybe such a masquerade could be successful only if conducted with unwavering continuity.
When he knocked on the door, she looked up and broke into a broad smile when she saw him in the porch light. “Come in, child!”
He stepped into the kitchen, which was redolent of some savory treat—cilantro, black pepper, phyllo dough—baking in the oven. He closed the door behind him.
“I like surprise visits best of all,” Dulcie declared as she continued to cube the block of cheese. “Whatever brings you here, sweetie?”
“Oh, I was just knocking around downtown, thought I’d go to a movie, but nothing’s playing that I want to see.” His voice sounded unnatural to him, as if he were reading lines. On the dinette table lay a deck of cards, a pen, and a notepad for keeping score. “Are you going to take some poor devil’s money at poker?”
“Don’t I wish,” Dulcie said. “But it’s just Agnes coming over from next door for a little five hundred rummy and gossip.”
Here was the sweet face that had brightened his life for eighteen years, the same Dulcie under a cap of white hair, her voice no less musical than ever, her green eyes bright with intelligence and good humor and love.
“Come here and give Grandma a kiss,” she said.
In memory, he heard Portia’s voice: When you’re alone with it, don’t turn your back… don’t get within arm’s reach of it…
He had been here only three days earlier, had spent two hours with her, had kissed her hello and good-bye. And lived. She could be no one but Dulcie.
As Joe took a step toward her, she said, “Oh shoot! I forgot to check on the mini biscuits.” She put down the knife with which she had been cubing cheese, snatched up a pair of pot holders, then hurried to the oven and opened the door.
He reached down to the deck of cards on the table, which she would have recently touched.
A bleak current flashed from hand to arm, into the walls of his heart, icier than the residue on any of the nine points of contact he’d followed from the malt shop. This time a darkness swelled behind his eyes, and there rose in his mouth a taste more bitter than bile. When the darkness and foul taste receded, he was overcome with grief. She was already lost to him, whether he killed her or walked away and left her in the control of her otherworldly master.
Portia again in memory: You’ve been given the vision to see the hidden form of it.
Joe saw nothing but Dulcie removing a tray of little biscuits from the oven, just Grandma Dulcie, his mother’s mother. In fact, she’d been his surrogate mother all these years, his playmate in childhood, his good counsel in adolescence.
She set the tray of biscuits on a cooling rack near the sink, put aside the pot holders, and turned to him, smiling. His expression must have been less well controlled than he believed, for her smile faltered. “Joey? Is something wrong, sweetie?”
Emotion trembled his voice as he heard himself say, “My mother told me I was her special boy. She said she loved me and always would. She told me I would grow up to do great things.”
Love and worry and sympathy reshaped Dulcie’s expression. “Oh, honey, Joey, something is wrong. Give Grandma a hug and tell me all about it.”
When she started toward him, Joe saw the fiend within. Dulcie became semitransparent, as if made of milky glass. Fixed to her brain stem, the parasite hung like a fat inky-black poor broken body on the floor leech, a leech with a long, thin tail spiraling down through her spine. When he saw it, he knew its history, which was broadcast to him in a condensed psychic flash. The thing had passed through millennia, across uncounted universes, a cruel rider of humanity and of other species, feeding on the anguish of those it enslaved and on the violence of the others whom it poisoned and used to murderous ends.
The woman ceased to be semitransparent and once more appeared to be the loving grandmother she had always been. She opened her arms to him as she approached.
For God’s sake, don’t get within arm’s reach of it. And, Joey, I can’t stress enough… don’t hesitate to kill it. Act at once.
He stepped back from Dulcie as she approached, and his retreat halted her. Love, worry, sympathy ebbed from her face like a tide from the shore, and in her suddenly wide eyes he saw suspicion.
She was almost within arm’s reach, and although she had halted, Joey drew the pistol that was fitted with a silencer. “Stay back.”
She was for a long moment silent, and in her silence he read neither fear nor sorrow, but cold calculation. Then she said, “Oh, honey, Joey baby, something’s very wrong with you. Your poor mind, sweetie. Your mind isn’t right. Keep the gun if you want, but sit down with Grandma—sit down and tell me all about it.”
She took a step toward him and reached out a hand to him.
An old song came into his mind, a favorite of his grandmother’s, written long before Joe had been born: “You Always Hurt the One You Love.” His eyes flooded with tears as he shot her dead.
The first round staggered her backward, into the table. Her face distorted less with pain than with bewilderment as she said, “Why? Why?”
The sound suppressor softened the shots but didn’t come close to silencing them. As he fired twice again and saw her body torn by the terrible impact of the hollow-point rounds, as she collapsed to the floor, he knew that he would hear these half-muffled pistol shots in dreams for the rest of his life.
11
WHAT HAVE YOU DONE?
Shaking with horror and grief, weeping as he had not wept since childhood, making the most pitiful sounds that he’d ever heard issue from himself or anyone, Joe Mandel backed away from the bullet-riven corpse, still holding the Heckler & Koch in a two-hand grip, the muzzle trained on the dead woman.
Like a lifelong shooter, he had drawn the weapon smoothly, taken an ideal isosceles stance, adjusted for the recoil, and done what he’d come there to do.
Portia spoke in memory: The host will die. Parasite has to come out of the host to find another—which might be you.
The blood. The awful blood. Her lying in it. Eyes open wide in a sightless stare. Blood climbing from the floor through her white hair, like oil rising in a lantern wick.
It can’t stay in a dead thing more than a few minutes. When it exits, you’ll know it.
The gun felt heavy, seemed to weigh ten times what it had weighed when Chief Montclair first put it in Joe’s hand. His arms shook with the burden of the gun, with the burden of what he had done, and the muzzle kept jumping off target.
A clock hung on the wall, within his line of sight. Perhaps a minute had passed.
He thought he heard the corpse move, and his attention leaped away from the clock, but the dead woman was in the same position as before.
Why? She had asked, Why? Why?
If she had been possessed and ridden, she would have known why. She would have known.
He struggled to calm himself, to stay ready.
Two minutes. Three.
How would it exit the body? How would it come for him? Out of her mouth that even in death hung open in surprise? Out of an ear? From one of the grievous wounds?