C. J. Cherryh
Rider at the Gate
FOR JANE
SINE QUA NON
Especially the beginning—
Chapter I
THE FIRST OF THE TRUCK CONVOY HAD SCARCELY TOPPED THE RISE that would lead them down to Shamesey town when three riders broke free of its line and raced up on a gust of autumn wind, past the bell-arch of Shamesey camp and through the open gates behind which over a thousand riders and nighthorses were encamped.
These three, strangers all to Shamesey, swept into the camp commons without any more warning than that, borderers by their dress and manner, atop nighthorses out of the High Wild. Two of them stopped just inside the gate while the third rode down the main street of the camp, searching.
They were a grayness to nighthorse minds, these three from the convoy, two out of range, the third a shifting flutter of images passed to nearby horses and from them to the Shamesey riders’ minds, an uneasy sending that masked that pair’s intent from the nighthorses, who held no secrets one from the other.
But it required no nighthorse sense to know that these three wanted something; more specifically, they wanted someone.
A scattered few Shamesey riders, camp-boss Lyle Wesson among them, hearing the disturbance among the horses, deserted their tables in the Gate Tavern and gathered on the encircling porch. Lyle Wesson walked alone down the wooden steps and stood in the dusty tavern yard to meet that third rider, this guide and guard (he perceived so on the whisper of information coming to him from the horses) to a line of trucks now rolling unescorted toward Shamesey.
Unwise to leave a convoy unattended even within sight of Shamesey, largest and most secure of all the Finisterre towns; if they had done that, it was a breach of procedures for which these three might pay dearly in subsequent hires.
But as the rider from the convoy drew up near them in the tavern yard, Lyle Wesson and all the nearby riders saw—imaged in their own minds through the stranger’s horse—the blond young man the convoy’s guide had come looking for.
More, the Shamesey riders felt a terror closely held under the stranger’s facade of calm: terror and a gnawing insanity under which these three riders had labored for days.
“Stuart is the name you want,” the camp-boss said aloud, more than uneasy at the prospect of that unsettled sending set loose through his camp. “He’s somewhere about. Get down. We’ll stand you and your mates a drink. Someone will find him.”
The stranger shook his head. “Not here,” he said, scantly controlled, and leaned heavily on his horse’s withers. “Tell him. Outside.” The nighthorse under him threw its head, shook out its black, cloudy mane, and with no more decision of the rider (those around him were in a position to know) it spun and fled back toward the two riders who waited at the gate. Those two turned beforehand and dashed beneath the bell-arch and out onto the road.
The third followed them at no less speed.
The riders and the camp-boss, who had most immediately felt the fear unraveling the peace, breathed a collective sigh of relief at having that much space between Shamesey and the madness those stranger-riders carried with them.
“Find Guil Stuart,” the word went out: the boss spoke aloud to the riders he sent on that job, a message without nighthorse image: it was a human attempt to contain that madness.
But a solitary nighthorse, in the hostile, curious way of its kind, had come near enough to skim the image-rich surface of human thoughts, and gone off, unknown to the camp-boss, to carry what it learned to its den-mates.
So the contagion spread, inevitably, through the encampment.
It took a man a considerable walk to accomplish the circuit of Shamesey camp, that protective circle of riders and horses who lived between the double palisade walls of Shamesey town’s perimeter, riders who slept in hostels near the horse dens, met in taverns similar to the Gate Tavern, and lived in their separate settlements within that ring. But that image had made the rounds of the bell-gate section of the rider camp and was traveling down the ringroad to the next station before the camp-boss had even climbed the steps to the Gate Tavern.
The image had reached the fourth tavern and cluster of hostels long before the bell rang that signaled the arrival of the convoy at Shamesey town gates. It was a smallish, blond man the stranger wanted, a young man, a borderer, the rider of the horse that imaged himself as fire, pain and dark: those who knew Stuart called the creature Burn.
The image mutated and acquired opinion as it sped further: a solitary young man, a sullen, prankish horse, both prone to fights; a pair that roused dislike in some quarters of the camp, respect in others—disdain among the Shamesey riders, which image held more of Shamesey opinion of borderers in general than of Stuart in particular.
As a result of those acquired opinions, it might have been four and five different men the message sought before the image was halfway through the fifth cluster of brown plank buildings. Nighthorse sendings were like that when they flew through a camp: they were images and emotions, no words. Sometimes a rider or a horse mistook the individual in the message and shaped the image to something more like someone he did know—an image that also passed on, confounding the search: sometimes it found no names in human minds, and sometimes it acquired other, mistaken names as it met the leading edge of the spoken rumor.
But the main thread, camp-boss Lyle Wesson’s order, running by human word of mouth at various distances behind the nighthorse sendings, held no doubt at alclass="underline" Guil Stuart and the nighthorse Burn were the rider and the horse the strangers wanted at the bell-gate. They were present in camp; there was danger in the high hills; and, arriving with a truck convoy, some business had come to the gate that strangers who knew Stuart had feared to bring inside the walls—only prudent hesitation, where so many nighthorses were gathered.
Bad business. Bad news. A contagion that no one in his right mind would want to receive.
In the better part of Shamesey town, the very core of Shamesey— where wealthy wooden houses were bright with painted flowers and red and blue eaves, where gaslights glowed wanton waste on the street corners even at early twilight—no one even noticed the event, except that the bell had rung which signaled a convoy coming in.
Merchants left their dinner tables and headed out for the marketplace, as late as it was, to spy out what goods had come in and with what prices. Well-dressed children ran out to see the trucks and annoy the drivers. Others in the town center turned out for curiosity, if nothing else.
The better part of Shamesey town would never feel the fear and the distress that ran the circuit of the rider camp, but that was, after all, why the rich built their houses so far from the palisade walls, so that the riders and the world over the hills would never intrude into their peaceful lives. That insulation was the privilege of their wealth, which they gathered from their labor and their trade, and which they planned to enjoy forever, nothing changing, preferring to build atop each other rather than crowd closer to the camp.
But in Shamesey slums, the insulating ring of human squalor lying between Shamesey town and Shamesey camp—where the bell meant little but rich merchants getting richer—the residents sensed that nighthorse rumor like a presentiment of storm. It was a sensation so convincing that some stopped their business on the streets and others flung up their windows to search the skies in the west, the ordinary direction of bad weather.
But when the western heavens showed clear in the final glow of sunset, the slum-folk directed their anxiousness instead down their streets of ramshackle, unpainted board buildings toward the encircling walls of the rider camp; and, with the helplessness of the poor who had to live nearest the camp and the images that seeped through those wooden walls, they cursed and spat for fear of nightmares.