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PART SEVEN

17

THEY HAD started to demolish Xanadu. A very short time after the wreckers went in, it seemed as though most of the secret life of the house had been exposed, and the stage set for a play of divine retribution; only the doors into the jagged rooms continued closed, the actors failed to make their entrance. Of course, the reason might have been that vengeance was fully inflicted, and the play finished, where wallpaper now twittered, and starlings plastered the cornices. Even so, people came down hopefully from Sarsaparilla to watch, to brace themselves against the impending scream of tragedy, to stroll amongst the grass while keeping a lookout for souvenirs, a jade bead perhaps, or coral claw, or the photographs that are washed up out of the yellow past. It was no more than a gleaning, because the furniture had been removed immediately it was decided to demolish and subdivide. Solicitors had presided. A young man turned up, in black, and a rustier, elderly individual. They had supervised the inventories, and were present at the arrival of the vans, on the authority of the legatee and relative, a Mr Cleugh, of the island of Jersey, U. K. All was arranged by correspondence, as the fortunate gentleman was too old to undertake the voyage-besides, he had done it once-and could have been interested only in the theory of wealth by now. So the malachite urns were removed at last from Xanadu, and the limping cedar, and the buhl table of brass hackles. Some of the inhabitants of Sarsaparilla claimed to have been informed that it all fetched a pretty penny, though there were others who heard that it went for a song. The strange part was that the old woman had thought to consult solicitors. She had, it appeared, called them in soon after the death of her mother, when some transparency of memory prompted her to dictate a will in favour of her cousin, Eustace. Not even those who invariably failed to understand motives could have interpreted the inheritance as a simple reversion, for Mary Hare was closer by blood to several Urquhart-Smiths. So, it seemed, Miss Hare had chosen. She who had lurked in the scrub, and frequently scuttled from the eyes of strangers, who had stood at a window holding the rag of a curtain over half her face, or drifted directionless through the corridors and rooms of her nominal home at Xanadu, she who was at most an animal, at least a leaf, had always chosen, people came to think, and had chosen for the last time, the night the Jew's house got burnt, to go away from Sarsaparilla, where she was never seen again. There had been a hue and cry, and speculation in the press, and two bodies offered, one from a river in the south of New South Wales, the second from the sea, off the Queensland coast. Neither corpse was recognizable. But it was decided by reasoning too devious to disentangle that Miss Hare was she who had stepped into the cold waters of the southern river, where trout had nibbled at her till the state of anonymity was reached. So it was published officially. But there were those who knew that that was not Miss Hare. Mrs Godbold knew. Several of the latter's daughters knew. Though the matter was never, never discussed amongst them, they knew that Miss Hare was somewhere closer, and would not leave those parts, perhaps in poor, crumpled, disintegrated flesh, but never more than temporarily in spirit. So the Godbolds would push the hair out of their eyes, and squint at the sun, and keep quiet, if ever the subject of Miss Hare's end crept into the conversation of the inhabitants of Sarsaparilla. It remained something of a mystery, while Xanadu itself was the broken comb from which the honey of mystery had soon all run. People listened for the next crump, from a distance, or approached close enough to enjoy the spectacle of the complicated copper bath-heater, although from that level they could not have caught sight of the tessellated Italian floor, from which time and Mrs Jolley had already half scattered the medallion depicting a black goat. Sometimes, in the absence of actors, the workmen would appear on one of the several planes of the deserted stage, and perform against the dead colours for the pleasure of the thin but enthusiastic audience. The spectators would enter right into the play, because all those workmen were regular blokes with whom they could have exchanged sentiments as well as words. Which made the act of desecration more violent and personal, adding to it, as it were, the destructive animus of banality. So the few ladies from Sarsaparilla, and handful of kiddies, and three or four stubbly pensioners, roared their heads off the morning the young chap-the wag of the bunch-stood on the landing at Xanadu with a bit of an old fan he had found, and there amongst the lazy sunlight which the trees allowed to filter onto the brown wallpaper and dustmarks, improvised a dance which celebrated the history of that place. How the young labourer became inspired enough to describe those great sweeping arcs with his moulted fan, nobody understood, nor did the artist himself realize that, for all its elasticity of grimace and swivelling impudence of bum, his creation was a creaking death dance. But the young man danced. For the audience, his lithe thighs introduced an obscenity of life into the dead house. The candid morning did not close down on his most outrageous pantomime. The people hooted, but in approval. Until at the end, suddenly, the tattered fan seemed to fly apart in the dancer's hand, the tufts of feathers blew upward in puffs of greyish-pink smoke, and the young man was left looking at a few sticks of tor-toiseshell. At once he began to feel embarrassed, and went off stage, careful to close the door upon his exit. The audience dispersed shyly.

Xanadu continued to crumble, when it did not crash. In the evenings when the wreckers had gone, and the long gold of evening had succumbed to cold blue, other figures would appear. They were the couples of lovers, avoiding one another, which was easy eventually, since there was enough silence for everyone, and the grass meeting in arches above the extended bodies made a world that might have been China or Peru. Else Godbold walked there with her lover Bob Tanner. They, who had experienced life, frowned on recognizing ignorance, skirted obstructions in the rather difficult terrain, stalking stiffly. Locked together precariously by the little finger, they swung hands, but gravely, and made plans for the future. As if they had actually tamed it. But once Else bent down, and picked up a scrap of paper, some old page, from some old book, only of handwriting, of a funny, educated kind, which they took the trouble to decipher, some of it at least, under a rampant elder bush. "July 20…" Else Godbold began to mumble syllables, and Bob Tanner chose that moment to approach his head."… heat oppressive as we left Florence for Fiesole, and the villa of Signora Grandi, the acquaintance of Lucy Urquhart Smith's. I hope life may become more tolerable, though Signora G. has made it clear that it will remain _exorbitant__! Bathed face, and put on my reseda Liberty. _Feeling much improved__! Norbert _indefatigable__. Italy his _spiritual home__. Only a few nights ago he embarked on a long poem on the theme of _Fia Angelico__. Doubtful, however, whether his physical condition will allow him to bring it to an altogether satisfactory conclusion. Poor fellow, the oil is a constant upset to his stomach! Now that we are in a villa of our own, hope to discover some respectable woman who will know to prepare him his mutton chop. My little girl is unhappy. She is a puzzle. Says she _wishes she were a stick__! Often wonder how M. will adapt herself. She is so _plain__! And will not learn to converse. Her statements stop a person short. Will not deny that M.'s remarks usually contain the truth. But the world, I fear, will not tolerate the truth, at least in concentrated form. A man who drinks his whisky neat quickly becomes unsociable. _As we know from personal experience__. July 21. Norbert insisted on returning to Florence for the day. Did San Marco, Santa Maria del Carmine, Santa Maria Novella, Santo Spirito etc. etc. Exhausted. Bilious. July 26. Have not written since Thursday. Too distressed. On Thursday night Norbert took too much. Threatened to open his veins. Decided against, because, he claimed, it was what Urquhart Smiths expected. Yesterday evening, as though the other were not enough, our poor M. had a kind of little "fit." Quickly over, but _dreadful__. Sat up and said she had never been so far before, that she had found _lovingkindness__ to exist at the roots of trees and plants, not to mention _hair__, provided it was not _of human variety__. Most distressing. Must consider how I may show her that _affection__, of which I _know__ I am capable. Remember in future to pray particularly. Oh dear, to see the future! Time must solve problems which prove too great a tangle at close quarters. Had always dreamt of an old age made comfortable by a daughter with cool, lovely hands. No question of a tranquil husband. Sometimes am forced to conclude only the air soothes. But where? Not at Florence….