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He'd go to the cemetery and stand before a stone with his hat held in his hand and listen to the wind moan in the mighty pines that grew all around the cemetery fence and he'd think, if only I could have amounted to something in time that you could have known, so that the two of you could have been proud of me and bragged about me a little when the neighbors dropped in for a visit — but of course, I never did.

He'd drive the roads he'd known when he was a boy and stop the car beside the creek and get out and climb the barbed wire fence and walk down to the hole where he always caught the chubs and the stream would be a trickle and the hole would be a muddy widening of the trickle and the tree where he had sat would be gone in some spring-time flood. He'd look at the hills and they would be familiar and at the same time strange, and he would try to puzzle out what was wrong with them and he could not tell for the life of him what was wrong with them and he'd go on, thinking about the creek and the unfamiliar hills, feeling lonelier by the minute. And finally in the end, he'd flee. He would press the accelerator to the boards and cling to the wheel and try not to think.

And he would — finally, he admitted it — he would drive past the great brick house with the portico and the fanlights above the door. He would drive very slowly and he would look at it and he'd see how the shutters had come loose and were sagging and how the paint was flaking and how the roses that had bloomed beside the gate had died out in some cold and blustery winter.

I won't go, he said. I will not go.

And yet, perhaps, he should.

It might clear away the dust, Flanders had written, might make you see with clearer eyes.

Might make him see _what_ with clearer eyes?

Was there something back there in his boyhood lanes that might explain this situation that had burst upon him, some hidden fact, some abstract symbol, that he had missed before? Some thing, perhaps, that he had seen before, even many times, and had not recognized?

Or was he imagining things, reading significance into words that had no significance? How could he be sure that Horton Flanders with his shabby suit and ridiculous cane had anything to do with the story that Crawford had spelled out about humanity standing with its back against the wall?

There was no evidence at all.

Yet Flanders had disappeared and had written him a letter.

Clear away the dust, Flanders had written, so that you may see the better. And all that he might have meant was that he should clear away the dust so that he could write the better, so that the manuscript which lay upon the desk might be the better piece of work because its creator had looked on life and fellow man with eyes that were clear of dust. The dust of prejudice, perhaps, or the dust of vanity, or simply the dust of not seeing as sharply as one should.

Vickers put down a hand on the manuscript and ruffled its pages with his thumb, an absent, almost loving gesture. So little done, he thought, so much still to do.

Now, for two whole days, he'd done nothing. Two full days wasted.

To do the writing that should be done, he must be able to sit down calmly and concentrate, shut out the world and then let the world come in to him, a little at a time, a highly selected world that could be analyzed and set up with a clarity and sharpness that could not be mistaken.

Calmly, he thought. My God, how can a man be calm when he has a thousand questions and a thousand doubts probing at his mind?

Fifteen cent dresses, Ann had said on the telephone. Fifteen cent dresses in a shop on Fifth Avenue.

There was some factor he was overlooking, some factor in plain sight waiting to be seen.

First there was the girl who had come to breakfast and after that the paper he had read. Then he'd gone down to get his car and Eb had told him about the Forever car and because his car had not been ready he'd gone to the drugstore corner to catch a bus and Mr. Flanders had come and joined him as he stared at the display in the gadget shop and Mr. Flanders had said — Wait a second. He had gone to the drugstore corner to get a bus.

There was something about a bus, something that tugged at his mind.

He had gotten on the bus and sat down in a seat next to the window. He'd sat down in a seat and looked out the window and no one else had come and sat down with him. He'd ridden to the city in a seat all by himself.

That is it, he thought, and even as he thought it he felt a wild elation and then a sense of horror at an incident forgotten and he stood for a moment unmoving, trying desperately to blot out the incident from so many years ago. He stood and waited and it would not blot out and there was no getting away from it and he knew what he must do.

He turned to the desk and pulled out the top drawer on the left hand side and slowly, methodically took out the contents, one by one. He did this with all the drawers and did not find what he was looking for.

Somewhere, he thought, I'll find it. It was a thing I would not throw away.

The attic, perhaps. One of the boxes in the attic.

He climbed the stairs and, reaching the top, blinked at the glow of the unshielded light bulb hanging from the ceiling. There was a chill in the air, and the starkness of the rafters, coming down on either side like a mighty jaw about to close on him, went with the alien chill.

Vickers moved from the stairs across the floor to the storage boxes pushed against the eaves. In which one of the three would it be most likely to be found? There was no telling.

So he started with the first and he found it half way down, under the old pair of bird shooters that he had hunted for last fall and had finally given up for lost.

He opened the notebook and thumbed through it until he came to the pages that he was seeking.

CHAPTER SIXTEEN

IT MUST have been going on for years before he noticed it. At first, having noticed it, he speculated on it somewhat idly. Then he began a detailed observation, and when the observation bore out the idle speculation he tried to laugh it off, but it wasn't a thing that you could laugh off. He went through the observation again, for a period of a month, keeping a written record of the facts he noted.

When the written record bore out the evidence of his earlier observation, he had tried to tell himself it was imagination, but by now he had it down in black and white and he knew there must be something to it.

The record said that it was worse than he had first imagined, that it concerned not only one phase of his existence, but many different phases. As the evidence accumulated, he stood aghast that he had not noticed it before, because it was something which should have been obvious from the very first.

The whole thing started with the reluctance of his fellow passengers to ride with him on the bus. He lived, at the time, at an old ramshackle boarding house at the edge of town near the end of the line. He'd get on in the morning and, being one of the few who boarded at that point, would take his favorite seat.

The bus would fill up gradually as the stops were made, but it would be almost the end of the run before he'd have a seat companion. It didn't bother him, of course; in fact, he rather liked it to be that way, for then he could pull his hat down over his eyes and slump down in the seat and think and probably even doze a little without ever considering the need of civility. Not that he would have been especially civil in any case, he now admitted. The hour that he went to work was altogether too early for that.

People would get on the bus and they'd sit with other people, not necessarily people whom they knew, for sometimes, Vickers noticed, they didn't exchange a single word for the entire ride with their seat mate. They'd sit with other people, but they'd never sit with him until the very last, not until all the other seats were filled and they had to sit with him or stand.