“Can I have that?” he asked, his voice thickening.
You have no right, Rudyard, I thought. You’re the one who destroyed the world that photo depicts.
But I didn’t say that. I said, “Of course, Rudyard.”
As I gave it to him he slumped onto the bed, and I found myself holding him as he sobbed uncontrollably, his head hot and wet against my ribs, his body racked with regret. I realized then that, in all the years I had known him, and in all the years of our marriage and its collapse, I had never seen him cry.
from Lakshman’s journal
May 3, 1989
We meet every Tuesday and Saturday at the Kotli, just before dusk. She comes on her bicycle, through the gate I showed her; I have slipped her a copy of the key to the padlock. She always arrives first, wheels her cycle in, and hides it where I have shown her, behind some shrubbery. When I arrive in my official car, there is no sign that anyone is there. This is a sensible precaution, because though I usually let the driver off, sometimes I have no choice but to keep him and I don’t want him putting two and two together and coming up with 22. Sometimes my work delays me; Saturday is a working day for me, ostensibly half-time, but half-time can stretch well into the afternoon. Fortunately, on Saturdays Geetha always goes with Rekha for an early evening puja to the Shiva Mandir and never notices what time I return home.
At one time I had begun to disapprove of Geetha’s pujas: there is a swami resident at the Shiva Mandir who has an unsavory reputation for dabbling in tantric practices and other activities on the wrong side of the law. Before I got to Zalilgarh there were rumors of human sacrifices that could never be proven, and the swami has henchmen — he calls them disciples — who look as though they would not think twice before devoutly slitting your throat on his orders. But tantra is hardly Geetha’s thing and the DM’s wife can scarcely be in any danger, so I didn’t put a stop to her regular visits. And now it’s convenient. With Geetha at the temple, I don’t have to worry so much about the time. When I am held up at the office and arrive at the Kotli later than promised, Priscilla is always there, in the room at the top of the stairs, reading or writing in her scrapbook, or simply looking out at the river and the sky turning inky as dusk descends.
She always rises to greet me, with a smile that warms my soul. We embrace, we kiss — long, cool, lingering kisses unlike any I have ever had — and sooner or later we fall onto the makeshift bed and make love. We find more and different ways to make love, experimenting not because we are jaded but because of our delight in discovering new ways of knowing each other. Afterwards we talk, lying side by side or more often on top of each other.
She loves me, she says, and she means it. This is not love as my parents spoke of it, an emotion anchored in family, in a sense of one’s place in the world, in bonds of blood so thick one cannot conceive of snapping them. It is instead love as I have read of it in Western books or seen in Western movies, an individual attraction between a man and a woman, a feeling that is independent of social context or familial connections. I cannot explain to Priscilla that I have been brought up to mistrust this kind of love, because it is so difficult to tell apart from lesser emotions of infatuation or lust. My father spoke to me of this before I went off to the University. “You will face many temptations,” he said, “and sometimes you will find yourself developing feelings for a girl that you might mistake for love. Such feelings are normal, but do not confuse them with real love, which comes only from the commitment of marriage and the experience of sharing life’s challenges together. The West believes that love leads to marriage, which is why so many marriages in the West end when love dies. In India we know that marriage leads to love, which is why divorce is almost unknown here, and love lives on even when the marital partner dies, because it is rooted in something fundamental in our society as well as our psyche. You are going to college to study, to make your future. But if ever you find yourself distracted by other thoughts, remember what I have said to you.”
I never forgot.
I do not know what she sees in me, what the kindred spirit is that ignites such a spark of recognition in her. I believe I know, though, what I see in her. I see it in our trysting place, at our favorite hour, as the twilight seeps into our room and illuminates the colors of our bodies, the spreading crimson of dusk soft upon the black and white of our skin. I see it in her body as we are about to make love, her limbs light with unspoken whispers. I see it in her eyes at night, the moonbeams playing with her hair, the shadows across her hips like a flimsy skirt. In the darkness, I raise her chin in my hand and it is as if a flame has lifted itself onto the crevices of her smile. I let myself into her and my spirit slips into her soul, I feel myself taking her like nothing else I have ever possessed, she moans and my pleasure lies upon her skin like a patina of dewdrops, she is mine and I sense myself buckling in triumph and release, and then she trembles, a tug of her pelvis drawing me into the night. And I know that I love her.
But afterwards, as I lie by her side, our hearts full of fragmentary phrases, I look at the little mirror on the wall and see the darkness encroach like a stain across our love. I love her, but what does it mean once we have arisen? She dreams of holding hands on Broadway and rubbing noses on the honeymooners’ bench at the Taj Mahal. I think of Geetha and her parents and mine, and of little lost Rekha calling bewildered for her Appa, her eyes wet with unwiped tears. There are moments, of course, when I too fantasize about a new life with a new wife, a new honey-blond wife with skin the color of peaches-and-cream and eyes like diamonds dancing in the sunlight, and I forget, momentarily, my responsibilities, the burdens of guilt and obligation that shackle me to the present.
Sometimes I dream, and the dreams are curious ones, of an America I have never seen, even in the movies, wide and open and inviting and definitely America, but strange, populated by fast cars and large women, or perhaps large cars and fast women, I am unsure which when I awake. The dreams are oddly precise, too, in the ways only dreams can be, so that in one Priscilla beckons me — I know it is Priscilla but in the dream she looks like Marilyn Monroe, like pictures of Marilyn Monroe I have seen in old magazines — this Priscilla/Marilyn beckons me into an estate wagon, and I think, clearly precisely, I must get in, this is a very safe car, it is famous for being safe, and my mind’s eye studies the manufacturer’s name on the back of the hatch, and it reads VULVA. Seriously — for in my dream I see nothing odd about this, reading it as another famous Swedish brand name. Or another dream, in which I am teetering at the top of a skyscraper with Geetha and Rekha trying to hold on to me, they are afraid and crying and I am shouting out to them to hold on, but somehow it is I who leans too far off the edge and then I am falling from a great height, falling falling falling with my wife’s and daughter’s wailing in my ears, and I always wake up before I hit the ground. Of course I can never go back to sleep.
I haven’t read much Freud, but it doesn’t take a shrink to interpret this kind of dream. And it gets worse. Once I awake from another dream of falling, except this time I have splashed into a great briny foaming brown sea, and as I rise to the surface, choking and spluttering, I feel the unmistakable taste of Coca-Cola in my nose and mouth. I plunge again, flailing, and choke on the liquid. I am drowning in a sea of Coke! When I surface again I see, just out of my reach, my daughter on a raft, absurdly shaped like an Ambassador car. She is dressed in white, the color of mourning, and her limpid eyes are sadly downcast, seemingly unaware of me drowning just beyond her reach. In my dream I call out to her but find myself sinking again, knowing this plunge is the third and final descent into the depths, that as I go under my lungs will be full of that brown-black liquid and my voice will be stilled. I swear I awake with the taste of Coca-Cola on my tongue.