As she pocketed her hair band, Ann glanced side-long at Kit. "You really have been moping with Margo gone, haven't you? Honestly, Kit, they've been thick as mosquitoes in a swamp for days. Rumor has it," and she winked, "that Peg had a line on a Greek bronze that was going up for auction in London and Robert was just about nuts, trying to find somebody to snitch it quietly for him the night the auction warehouse goes up in smoke. Or rather, went up in smoke. It burned the night of Polly Nichols' murder, in a Shadwell dry-dock fire."
Kit grinned as he escorted Ann through the crowds. Robert Li was engaged in an ongoing, passionate love affair with any and all Greek bronzes. "I hope he gets it. Peg Ames will make him the happiest man in La-La Land if he can lay hands on another one for his collection."
The IFARTS agent and resident antiquarian had personally rescued from destruction a collection of ancient bronzes that most up-time museum directors would've gnashed their teeth over, had they known about them. Rescuing artwork from destruction was perfectly legal, of course, and constituted one of the major exceptions to the first law of time travel. Collectors who salvaged such art could even sell it on the open market, if they were willing to pay the astronomical taxes levied by the Bureau of Access Time Functions. Many an antiquarian and art dealer made a good living doing just that.
But Robert Li would sooner have sold his own teeth than part with an original Greek bronze, even one acquired through perfectly legitimate means. Of course, snitching one from a down-time auction warehouse before it burned did not qualify as a "legitimate" method of acquisition. To rescue a doomed piece of art, one had to rescue it during the very disaster destined to destroy it. Li was a very honest and honorable man. But when it came to any man's abiding passion, honesty occasionally went straight out the nearest available window. Certainly, many another antiquarian had tried smuggling out artwork that was not destined for down-time destruction. Hence the existence of the International Federation for Art Temporally Stolen, which tried to rescue such purloined work and return it to its proper time and place of origin. Robert Li was the station's designated IFARTS agent, a very good one. But if he had a line on a Greek bronze that was scheduled to be destroyed by some method it couldn't easily be rescued from, or one that had just disappeared mysteriously, he wouldn't be above trying to acquire it for his personal collection, whatever the means.
"Wonder which bronze?" Kit mused as they threaded their way toward Primary.
"Proserpina, actually," Robert Li's voice said from behind him.
Kit turned, startled, then grinned. "Proserpina, huh?"
"Yeah, beautiful little thing, about three feet high. Holding a pomegranate."
"Is that what you wanted to ask me about?"
The antiquities dealer chuckled and fell into step beside them. "Actually, no." He held up a cloth sack. "I wondered if you might know more about these than I do. A customer came into the shop, asked me to verify whether or not they were genuine or reproduction. He'd bought ‘em from a Templar who came through with a suitcase full of ‘em and is selling them down in Little Agora to anyone who'll pony up the bucks."
Curious, Kit opened the sack and found a pair of late twentieth-century, Desert Storm-era Israeli gas masks, capable of filtering out a variety of chemical and nerve agents.
"Somebody," Kit muttered, "has a sick sense of humor."
"Or maybe just a psychic premonition," Ann put in, eyeing the masks curiously. "It's illegal to discharge chemical agents inside a time terminal, but nothing would surprise me around here, these days."
As Kit studied the gas masks, looking for telltale signs of recent manufacture, he could hear, in the distance, the sound of live music and chanting. Startled, Kit glanced up at the chronometers. "What's going on, over toward Urbs Romae?"
"Oh, that's the Festival of Mars," Ann answered, just as Kit located the section of the overhead chronometers reserved for displaying the religious festivals scheduled in the station's timeline.
Kit smacked his forehead, belatedly recalling his promise to Ianira that he'd participate in the festival. "Damn! I was supposed to be there!"
"All the down-timers on station are participating," Robert said with a curious glance at Kit.
Ann's voice wobbled a little as she added, "Ianira was supposed to officiate, you know. They're holding the festival anyway. The way I hear it, they plan on asking the gods of war to strike down whoever's responsible for kidnapping Ianira and her family."
A chill touched Kit's spine. "With all the crazies we've got on station, that could get ugly, fast." Before he'd even finished voicing the thought, shouts and the unmistakable sounds of a scuffle broke out close by. Startled tourists in front of them scrambled in every direction. A corridor of uninhabited space opened up. Two angry groups abruptly faced one another down. Kit recognized trouble when he saw it—and this was Trouble.
Capital "T" that rhymed with "C" and that stood for Crazies.
Ann gasped. A group of women in black uniforms and honest-to-God jackboots formed an impenetrable wall along one flank, blocking any escape in that direction. Angels of Grace Militia... And opposing the Angels ranged a line of burly construction workers, the very same construction workers who'd been involved in the last station riot.
"Unchaste whores!"
"Medieval monsters!"
"Feminazis!"
"Get out of our station, bitches!"
"You're not my goddamned brothers!"
"Go back to the desert and beat up your own women, you rag-headed bastards! Leave ours alone!"
Kit had just enough time to say, "Oh, my God..."
Then the riot exploded around them.
To Margo's relief, they found the Working Lads' Institute without further incident. When the doors were finally opened for the inquest into Polly Nichols' brutal demise, the Ripper scholars and up-time reporters in her charge surged inside with the rest of the crowd. The room was so jam-packed with human bodies, not even a church mouse could have forced its way into the meeting hall. The coroner was a dandified and stylish man named Wynne Edwin Baxter, who arrived with typical flair, straight from a tour of Scandinavia, dressed to the nines in black-and-white checked trousers, a fancy white waistcoat, and a blood-red scarf. Baxter presided over the inquest with a theatrical mien, asking the police surgeon, Dr. Llewellyn, to report on his findings. The Welsh doctor, who had been dragged from his Whitechapel surgery to examine the remains at the police mortuary, cleared his throat with a nervous glance at the crowded hall, where reporters hung expectantly on every word spoken.
"Yes. Well. Five teeth were missing from the victim's jaw and I found a slight, ah, laceration on the tongue. A bruise ran along the lower part of the lady's jaw, down the right side of her face. This might have been caused by a fist striking her face or, ah, perhaps a thumb digging into the face. I found another bruise, circular in nature, on the left side of her face, perhaps caused by fingers pressing into her skin. On the left side of her neck, about an inch below the jaw, there was an, ah, incision." The surgeon paused and cleared his throat, a trifle pale. "An, ah, an incision, yes, below the jaw, about four inches in length, which ran from a point immediately below the ear. Another incision on this same side was, ah, circular in design, severing tissues right down to the vertebrae."